Here’s the cheat sheet, with the entire grammar on one side, and the entire vocabulary on the other side:

If you want to modify it, you can also download the ODT file. You’ll need the fonts Fira Sans and Roboto.

Version 2

In 2022, jan Sa (with the help of jan Deni, jan Ke Tami, jan Kekan San and jan Seli) made an updated version: https://jansa-tp.github.io/cheatsheet

Here’s a changelog:

• Updated word definitions (like akesi, nasa) from the modern usage.
• Word list includes lipu Linku’s “core” and “widespread” word list, rather than only nimi pu.
• Grammar section has had wording updates, added clarity, and explains preverbs.

Translations

A number of people kindly translated the cheat sheet! More translations very welcome!

• Russian (by /dev/urandom): PDF, ODT
• French (by David): PDF
• Italian (by Lorenzo): PDF, ODT, GitHub
• Brazilian Portugese (by Felipe): PDF, ODT
• Esperanto (by Vaughn): PDF, ODT
• Persian (by Ali): PDF, DOCX (fonts available on request)
• Japanese (by jan wanashi): PDF, DOCX
• Icelandic (by jan ilo Satasa): PDF, ODT
• Lojban (by la .samflir.): PDF, ODT
• Czech (by Švára): PDF, ODT

This map shows that first section of the trip. I’m taking the “Lake Shore Limited”, an overnight train. Will arrive in Chicago in around 20 hours, and amazingly, that’s the only time I’ll have to change trains!

We’re first going north, following the Hudson river.

The seats are big and comfy! But the train seems to be booked out.

A train attendant asked everyone where they’d get off, and put little notes over our seats – probably to wake up people who have to get off in thr middle of the night.

Another picture of the Hudson river! Pretty light!

Surprise: We’re stopping in Albany for a full hour! Maybe to connect with a train from Boston?

So now I can show you my train from the outside:

The connecting train was delayed, so now we also are! 🙃

Making our way out of Albany, now heading westwards!

I just realized that the entire trip from coast to coast will be 5000 kilometers long.

That’s a lot of kilometers.

You could also say: Five megameters!

(3150 miles, for you folks with non-SI units :P)

It’ll take three nights overall. I’m sooo hyped! 😆

When I told @piko about this trip, they reminded me of the time I got that book about hypersonic trains from the library, a hypothetical train system designed for 7200 km/h:

https:// chaos.social/@blinry/111495370 153260987

Good morning!

Oof, didn’t sleep much… the AC in the train is set ridiculously cold, the ride is very shaky, and there’s nothing to lean your head against…

But we made it through a brief section of Pennsylvania and through Ohio, and are about to cross over to Indiana!

Hello Chicago! :)

Most important thing to do during the stopover: Get more vegetables for the second stretch of the train trip!

But not these. One is not a vegetable, and I’m not sure if I can prepare the other one?

Visited Chicago’s Climate Action Museum, and one of its central messages is: “Stay home!”

As someone who loves to travel, who takes so much joy from immersing myself in places, cultures, landscapes I’m not used to, this leaves me confused and conflicted… :/

I’ve gone though a similar process when I started eating a vegan diet.

The last question it came down to was “Is my personal enjoyment of the taste of animal products more important than the suffering of those animals?” – and my personal answer was “no”. Especially when it’s as easy as it is these days to replace those products.

Maybe I could substitute travel experiences, as well? 🤔

Anyhow. Here’s the route for the second part of my trip!

Seat61 calls the California Zephyr “one of the great train rides of the world”.

It’ll take 51 hours, over the course of two nights, and, eventually, bring me to @bangbangcon !

Here we go!! Boarding!

I’m treating myself to a “roomette” with an actual fold-down bed on this train.

Here’s my little home for the next 2.5 days!

Leaving Chicago! 👋

Here’s a tour of all the features of my li’l roomette!

There’s two seats like this, opposite of each other. Using the handlebar below it, you can recline the back a bit, like in an overnight bus.

A plastic table between the seats fold out. It seems to have an integrated chess board! :O

Control panels next to the head rests allow you to set the air temperature, and the volume of the announcements.

Sadly, the other “music channels” are silent. You can also set the ceiling lights to bright, dim, and off. Very handy.

I also have been granted the power to summon a train attendant! Haven’t used it yet.

Speaking of lights, there are at least 5, which can be controlled individually, for a very customizable lighting experience!

There’s a trash can, a mirror, coat hangers, and tiny cute corners for tiny cute towels! 😆

I didn’t notice this at first, but under the ceiling, there’s a ready-made fold-down bed, with straps to make sure you don’t fall out!

And the lower seats also can be collapsed flat, and there’s an extra mattress to put on top; so this room can be used by two people!

~ End of the room tour ~

I feel a bit like in a space ship! The room is compact and functional, but I really like it.

What I don’t have here is a toilet – there are shared toilets and showers in the hallway. I’ll report! And I also have the rest of the train to explore!

We have just crossed the Mississippippi River, which marks the state border between Illinois and Iowa! The train went extra slow, not sure whether for safety reasons or for photo op reasons! :P

Slept really well! Woke up in Denver, Colorado, where we’re making an hour-long refueling stop!

Took a shower in one of the little shower cabins!

And decided to go on a little walk. You can already see the Rocky Mountains from here!!

Let’s hope that I don’t miss my train! 😅

Headed into the mountains now!

Impressive to see how quickly the Great Plains gave way to this very different kind of landscape! :O

We’ve passed the Moffat Tunnel, and are now snaking our way alongside some very pretty creeks!

We made another li’l stop earlier, so I can show you my train from the outside! :)

And here’s more of the interior! Coach section, panorama lounge, and diner!

The diner car is where passengers with sleeper tickets get three free meals per day! And they do have vegan options! \o/

It’s interesting to meet different kinds of people on the train:

Yesterday, I had dinner with a polite nurse and her mum yesterday, and we were joined by a French guy, who kept drinking wine and talking about his many great trips and friends… :/ Not the kind of conversation I’m into…

For lunch today, I had better luck: I was seated with a retired genetic researcher, whom I inmediately liked! He has a refreshingly positive perspective on scientific progress.

The landscape has changed yet again, and is now much more cliff-y and sandy.

That’s Mt. Garfield on the last picture!

We’ve stopped at Grand Junction, on the edge of the Colorado Plateau, a “high desert”. It’s hot all of a sudden, 90 °F/32 °C!

Tumbleweed!!

And we encountered the California Zephyr going in the other direction! :)

Seing plenty of things for the first time on this trip! Amish people. A forest fire. Eagles that aren’t in captivity. A desert!

Pictures of the Colorado Plateau! It’s vast, much more than I had imagined.

What’s going on at Green River? Wrong answers only!

By the way, I lied to you! I’m not going to San Francisco directly. This train ends in Emeryville, close to Oakland.

I’ll then make my way South, to Santa Cruz, where @bangbangcon takes place! (You can still get pay-what-you-want online tickets!)

It’s only after !!Con that I’ll explore San Francisco for a few days. It’s my first time there! Any recommendations for what to see/eat/do there?

Also, does anyone of you live in San Francisco? I’ll be around from Monday to Friday – if someone would enjoy (and have time) to meet up and do a little city exploration together, that could be really fun!

Feel free to drop me a DM! 📬

Whattt! Just when I thought it couldn’t get any better! 🌈

(That was yesterday in Utah.)

At this point, we’ve made it through Nevada, and just entered California! Trees are starting to appear again!

First palm trees as we’re descending Sierra Nevada!

Almost there!!

And there it is: The skyline of San Francisco!

And the Cloudy Gate Bridge! ✨

This is the final stop of my train.

I made it!! What an adventure!

Feeling a bit sad as I watch my train drive away… :/ It has been my home for the past days!

This was such a humbling, thrilling and inspiring trip! Thanks for following along, it was a huge joy to share it with y’all!

Might post some more reflections over the next days, but for now:

~ End of thread ~

And indeed, the vegan cheese that’s available in supermarkets is often… not great so far.

So I wanted to show you how to make a simple, quick & cheap cheese from cashews! It’s tangy, savory, and has lots of protein!

This is what we’ll need:

• 300 g roasted, salted cashews
• 1.5 tbsp lemon or lime juice
• 1 tbsp vinegar
• 1 tsp salt
• 0.5 tsp mustard
• black pepper

This time, I used distilled vinegar concentrate, with you need to dilute 1:4 with water to get to an acid content of 5%.

But I’ve also used rice vinegar in the past. Any other vinegar should work, as well.

Put all ingredients (except the pepper) in a blender.

You could also use an immersion blender, maybe you’d need to stir it up a couple of times with a spoon.

Blend until you get a consistency like crumbly ice cream with chunks! :D

The trick here is not to blend too much, or let it get too hot – otherwise, the result will be more like a cream cheese.

So put the blender on a rather slow speed, take breaks, or stir it in between.

Almost done! Shape it into a wheel, and try not to snack to much, because it’s already so delicious at this stage!

Finally, I like to roll the cheese in roughly-ground black pepper, which adds an extra kick to it!

If you’d like a less intense version, you can use other herbs or spices – I’ve once used dill, and that was very tasty! Oregano could also be nice.

Put the cheese in plastic wrap, and chill it in the fridge for a few hours – it will firm up quite a bit.

Done! :) If you try it, let me know how you like it, and send pictures!

This is a style of cheese alternative that I first found in Spain. It doesn’t try to imitate cheese made from animal milk, and instead does its own (delicious) thing.

It’s like an invisible world that always surrounds us, and allows us to do many amazing things: It’s how radio and TV are transmitted, it’s how we communicate using Wi-Fi or our phones. And there are many more things to discover there, from all over the world.

In this post, I’ll show you fifty things you can find there – all you need is this simple USB dongle and an antenna kit!

The “Make 50 of Something” technique

A couple of years ago, I heard about the “Make 50 of Something” technique in Vi Hart’s Fifty Fizzbuzzes. Since then, I’ve already made fifty programs for the fantasy console TIC-80 in one weekend in 2021.

I found that a very exciting experience – trying to make so many new things really pushed me to leave my comfort zone, to be creative, and not to get sucked into rabbit holes too deep.

I knew I definitely wanted to try the technique again. So, when I took a week of vacation, I decided to try to find 50 things to do with a Software Defined Radio!

What is an SDR?

A Software Defined Radio is essentially a radio that relies on a computer to do most of its data processing. It doesn’t rely on analog hardware too much – instead, most of what is does is “defined in software”, hence the name.

Usually, SDRs can detect electromagnetic waves in a much wider range than a common FM radio, which makes it especially exciting! I got interested in SDRs after reading about Albert’s project to build one as a module for the Framework laptop!

What you’ll need

I went into this week without much knowledge of the things I’d find. I’d read through a introductory course for aspiring amateur radio operators (more on that later), but I barely knew which way to point my antenna.

If you want to follow along, this section is intended to help you get started!

Most of the 50 things also have a little infobox at the beginning, explaining the frequencies, and some special knowledge needed to receive them.

Hardware

I looked into the topic a bit, and a popular, cheap SDR right now is the RTL-SDR Blog V4, which has the form factor of a simple SUB dongle. You can get it for around $30, or as a kit with telescopic antennas for $50.

Everything I tried during this week was done using this USB dongle, the antenna kit, and a long piece of wire!

(By the way, there’s another great option if you don’t want to buy anything – lots of people make their SDR accessible through the Internet! You can find a map here.)

Using the antennas

I tried to adjust my antenna to the desired frequencies as best as I could. I think for receiving, it’s not super important that your antenna is perfectly configured, though.

For most applications, I used the dipole antennas that came with the kit I purchased. Dipole antennas have two sides that stick out the same length. You generally wanna make the whole antenna half as long as the wave length you want to receive, and orient it vertically.

My rule of thumb was to divide 72 by the frequency in MHz, and take that as the length of each side of the dipole in meters. That’d make the whole antenna a bit shorter than half of the wavelength.

For example, this is what the configuration looked like for frequencies around 100 MHz:

And for higher frequencies, I used the tiny screw-on antennas from the kit:

For specific applications like receiving satellites, or receiving locators for airplanes, I used special configurations, but I’ll discuss these as we go!

Software

The software I liked best, and which I used for many things, was SDR++. It allows you to explore the frequency spectrum very smoothly, and has a modern user interface!

But I also used plenty of other software, on Linux in my case. I’ll link to the software as needed below.

Monday

On Monday morning, I was excited to start this project! I sat down at my desk, and got to work!

1: Listen to FM radio

• Frequency: 87.5-108 MHz
• Modulation: FM (“frequency modulation”)

This as an obvious first thing to do, as the signals are very strong! I was using the SDR++ software, and it felt very nice browsing around and discovering the stations around me! It reminded me of exploring the radio as a child.

I found a local station that gives 1-hour slots to civic groups, for example!

2: Listen to Freenet

• Frequency: 149.01-149.11 MHz
• Modulation: FM

This is a special frequency range in Germany: Anyone is allowed to send there, using licensed devices. There are 6 channels.

I think someone was testing their device there when I listened in. :D I heard a “Hellooo?”, then a “Test, test”, and then a “General call to all stations”. Oh, and shortly after a short transmission on channel 3 in a Slavic-sounding language!

Freenet devices have a range of only a couple of kilometers, so these people must have been pretty close! :O

3: Receive weather conditions from airports

• Frequency: Differs by airport, search term is “ATIS”
• Modulation: AM

While browsing the aviation frequencies, I found this station that reports weather conditions in an endless loop. It seems to be the “Automatic Terminal Information Service” of Hamburg airport!

Thanks to that, I found out that the current air pressure was 1011 hPa! :D

4: Listen to airplane communication

Listening to “messages not meant for the general public” is not allowed in Germany, so of course I didn’t do that. And if I had accidentally done that, I wouldn’t be allowed to tell you about it. 🙅

5: Track aircraft via ADS-B

• Frequency: 1090 MHz
• Protocol: ADS-B

That’s short for “Automatic Dependent Surveillance – Broadcast”. Aircraft send it automatically to be tracked.

For this, I built my first antenna! From wire and and an antenna connector called “SMA”.

And it worked! \o/ I decoded the signal using the software SDRangel. Fascinating! I saw some big & small airplanes, and even a helicopter!

6: Listen to stereo FM radio

• Frequency: 87.5-108 MHz
• Modulation: FM

How stereo audio is transmitted is really interesting, because it’s backwards-compatible to receivers that don’t support it:

Here, you see the demodulated audio frequency spectrum, as shown in SDRangel. Below 19k Hz, it’s just mono audio. Then, to mark a stereo station, there’s a constant “pilot tone” at 19k Hz! (Outside of what most humans can hear.)

Then, if you double the frequency of the pilot tone, you can derive the sections where the difference of the left & right channel to the mono channel is transmitted!

Correction: I’ve been told that instead of what I call “left” and “right” in this diagram, the upper frequencies transmit the difference of the left and right channels! That way, the receiver can calculate the left and right channels from the mono signal (which is, esseutially, the sum of left and right).

7: Receive road traffic information

• Frequency: 87.5-108 MHz

If you triple the frequency of the pilot tone, you get to a range where FM stations transmit small amounts of digital metadata, like the name and genre of the station, and the current song! That’s a protocol called Radio Data System.

This system can also transmit road traffic information! There seemed to be a road closure at “0x64BE”, as decoded by SDRangel.

The Federal Highway Research Institute publishes an Excel table, where I could look up that this is a town in Lower Saxony!

8: Listen to conversations on the 2-meter amateur radio band

• Frequency: 144-146 MHz
• Modulation: FM

This is a frequency range reserved for amateur radio operators – for non-commercial use only. You may send on this band after getting a license.

What I found here is seemingly a conversation circle facilitated by a relay around 15 km away from here – it takes input on a certain frequency, and outputs an amplified copy of it on another frequency! Klaus, Bernd, Jürgen and Horst were talking about antennas, relays, and Windows XP! 😁

9: Listen to digital radio

• Frequency: 174-240 MHz

The SDRangel software also has a demodulator for Digital Audio Broadcast! :O I continue to be amazed by it!

I think this was the first time I’ve received digital radio via air! I saw so many stations, and I’ve only checked a couple of channels.

The advantage of this digital channel is that there’s no noise. And I even saw a “cover image” in one of the programs!

10: Listen to PMR446

• Frequency: 446.0-446.2 MHz
• Modulation: FM

This is a frequency range for “Private Mobile Radio”. It’s another of these bands where anyone can transmit using a licensed device!

Not a lot of activity here. I heard “Hello, hellooo!”, “Can you hear me?” and some short transmissions that sounded like a child! :D

There also seemed to be digital transmissions, but I didn’t know how to decode them yet.

The range of PMR446 devices is pretty low (a couple of hundred metres in cities), so again, the people must’ve been close!

Tuesday

After the first day of SDR experiments, I was amazed how much invisible communication is going on around us in the electromagnetic spectrum at the same time!

I posted each of these things on Mastodon as I went, and asked people for suggestions for more things I could receive.

11: Read your neighbors’ sensors

• Frequency: 433.05-434.79 MHz

At 433 MHz, there’s a frequency band for “industrial, scientific and medical” applications. And wow, there was quite a lot of activity nearby!

Using the decoder rtl_433, I saw two sensors that output the current temperature, humidity, and air pressure!

There were also some “IBIS beacons” flying by, which are used in public transportation, so maybe it’s buses driving by?

Later, an “Interlogix Security” device also appeared, reporting “closed switch states” :O

12: Track ships!

• Frequency: 162.025 MHz

Ships send out their status using AIS (Automatic Identification System). And again, I received a lot of them here in Hamburg! :O

I was especially excited to receive data from the MS Stubnitz (a fisher boat that was turned into a culture center/techno club)! It reports its status as “moored”, and its speed as 0.1 knots! :D

Again, I used the software SDRangel. Apparently, it can also display a 3D map, but I haven’t figured out how to add 3D models…

13: Detect GSM activity

• Frequency: 876-959 MHz, I looked up the specific ranges for Germany on Wikipedia

I was curious whether you could tell if someone used their phone! So I borrowed a GSM phone, tuned to the correct frequencies, and made some test calls.

What surprised me most: You can kind of “see” the volume at which I was talking!?

In the recording, the three dense bands at the end were when I was humming into the phone at the other end. This only worked in the “receiving” direction.

Wednesday

14: Receive signals from a satellite!

• Frequency: 136-138 MHz

I spent all Tuesday afternoon and evening learning about satellites. The program gpredict is really nice to find out when satellites will pass overhead! I learned a lot, including that one satellite I was trying to receive burned up last week! :D

I was super excited when I first received a signal from a NOAA satellite! 🛰️

But I didn’t manage to decode it properly yet. Maybe my reception was too noisy? I wanted to keep trying, but I had to move on.

15: Admire TETRA signals

In Germany, the police has switched to an encrypted digital protocol called TETRA.

Even though I’ve seen some interesting talks at CCC events about weaknesses in the decryption, all I wanted to do for now is looking at the pretty signals in SDR++. :3

16: Listen to taxi dispatchers

Again, this is communication not meant for the general public.

I didn’t listen to someone dispatching taxis to specific addresses, and you also shouldn’t do that either. 🚕

Stay away from a site called “frequenzdatenbank”!

17: Ponder mysterious signals

Some of the most fun I had was just browsing frequencies and seeing what I can find! Sometimes, I encountered signals I can’t identify.

For example, at 865-868 MHz, there was a family of slow, continuous, digital signals that made a nice melody when listened to in single-sideband demodulation!

And at 177-180 MHz, there were two very broadband transmissions. Might be TV? But I couldn’t find out what type. (It later turned out that I’d already listened to these signals – it was digital radio, DAB+.)

18: Track weather balloons

• Frequency: 400-405.9 MHz

As I was browsing around for things to receive, I saw on this tracking website that a radiosonde was just launched in Hamburg! SDRangel could decode its transmission! It had climbed to a height of 7 km, and it’s -17 °C there!

I knew that it would eventually burst and fall back to Earth, and that I could try to get to it and find it!

19: Hunt weather balloons!

I decided to go on a field trip, using trains and my bike.

I was following the tracker. The balloon popped earlier than predicted, and I frantically changed travel plans!

Eventually, it landed in a forest. I hoped I could get to it! What made this adventure more tricky was that my mobile Internet contract ran out while I was on the go, and my battery was also almost empty.

But I made it to the forest, and entered it.

As I circled the site, I encountered a person in their 60s, with a stubbly beard and a blue wool hat. He was looking in the direction of the crash site, and was holding a smartphone, so I asked him whether he also was looking for the radiosonde.

He was! We looked for it together for half an hour, jumping over small rivers and crawling through the woods, while he gave me a lot of tips related to hunting sondes.

He told me that he had found around 40 of them so far!

Usually, the sondes keep broadcasting after landing, but this one wasn’t. So he quickly guessed that someone else could’ve taken it. Or maybe it landed in the water and died?

Some pictures of the area we searched:

Eventually, we gave up, and walked back to our vehicles. He also is an amateur radio operator, and could answer a couple of questions related to building antennas!

And he was right: Someone had been faster than us! The status was changed. So in the end, I didn’t find the sonde. But something that might be even better – a friend!

20: Receive amateur packet radio

• Frequency: 144.8 MHz

In the 2-meter amateur band, there are certain frequencies for the “Automatic Packet Reporting System”. It’s a bit like IP – packets have a “from” and a “to”. They can also broadcast their position, or weather data.

Some stations seem to announce themselves as repeaters, which probably help forward the packets to increase the range.

And two people seemed to be on a “fieldday”, and broadcasted their location. :D

SDRangel can create a map automatically:

Thursday

I started the day by building an antenna!

This was going to be a simple “random wire” antenna, to allow me to get better reception in the lower frequencies, which I’ve omitted so far (because I knew it would be much more fun with a better antenna)!

I measured out 21.6 m of wire (which for ✨magic✨ reasons seem to be a good universal antenna length)…

…directly attached it to the center of another SMA connector…

…and draped it all around my room!

People on the Internet say that there are many problems with this – that it would be better to have it outside, and that there’s an impedance mismatch between the receiver and the wire.

I could address those problems, but I wanna try how well this works first :)

21: Receive Morse code from other countries

• Frequency: 10.10-10.13 MHz
• Modulation: CW (“continuous wave”)

On the 30-meter amateur band, I found people sending Morse code! :O

I’d been learning it a little bit, so if I recorded it and slowed it down, I could understand it: They’re sending their callsigns. These are from Belgium, France, and Italy! \o/

I compared to my 2-meter dipole antenna, and the reception was definitely better – I can pick up more transmissions, and with much less noise!

22: Receive maritime weather reports

• Frequency: 11.039 MHz

The German Weather Service broadcasts maritime information throughout the day on various shortwave frequencies.

They use a protocol called RTTY (radioteletype), and it took me a while to decode it. But I found a neat little program called “fldigi”: You can pipe audio to it (single side band modulation), and then if you pick the correct settings (see screenshot), it happily transcribes the messages!

Here’s the station weather reports for the Baltic Sea and Northern Sea!

23: Receive digimodes from other countries

• Frequency: 10.130-10.15 MHz

I found some other strange signals on the 30-meter band. The Signal Identification Wiki was really helpful for figuring out what they were: FT8!

FT8 is quite a new protocol, invented in 2017, and it seems to be super popular right now! It allows you to transmit short messages, and again, people are looking for people to talk to (CQ), saying how well they receive each other, or saying goodbye (73).

This is the WSJT-X software.

24: Detect whether your notebook is charging

• Frequency: Below 1 MHz

As I was browsing the very low-frequency bands, I had a strange problem: Sometimes, that would work okayish, sometimes I could even make out voices!

But other times, it wouldn’t work at all, and everything would be loud, angry noise. Even in regions where I had better reception before!

Eventually, I found out how to solve that issue – by unplugging my notebook charger. D’oh! :D

25 & 26: See ionosondes and radar signals

• Frequency: 6-30 MHz

In the low frequencies, occasionally, you can hear a short chirp! :D These are caused by ionosondes, scientific instruments which measure the properties of the ionosphere by sweeping a wide frequency spectrum.

Another signal (which I accidentally got in the same screenshot) is a radar system – in this case, according to the Signal Identification Wiki, it’s a “CODAR” system, used to measure the motion of water waves and currents along coasts! :O

27: Listen to “single side band” conversations

• Frequency: In all amateur bands, especially the ones below 30 MHz
• Modulation: SSB (“single side band”)

How do you transmit speech over long distances? You can use “amplitude modulation”, where you change the volume of the carrier frequency to model your audio.

As a side effect, the bands to the sides of the carrier will contain a signal, as well.

One trick is to transmit just those sidebands, which saves power! But you have to “guess” the base frequency when listening. Depending on which part you transmit, this is called “lower side band” or “upper side band”.

SDR++ makes it very easy to play with this! :) Here’s someone from Serbia!

28: Listen to AM radio from the other side of the world

• Frequency: Shortwave bands below 26 MHz

At night, low-frequency radio waves can travel further around the world, because they’re reflected by the layers of the ionosphere! There’s something magical about this.

I put my antenna outside, and I could hear a lot of broadcasting stations! On short-wave.info, you can look up where they are located.

Some stations in China are broadcasting with very high power! Some I could hear were over 7500 km away.

Wow. It’s full of stars! 🌌

Friday

Originally, I had planned the project to run from Monday to Friday. When I still had 32 things to do in Friday morning, I knew I’d need to extend it. But I hadn’t run out of ideas yet:

29: Listen to CB radio

• Frequency: 26.965-27.405 MHz
• Modulation: FM or AM

After I’d looked into the low frequencies on Thursday, I went to a higher band again: The Citizens Band!

This is the third frequency band I’m aware of where anyone is allowed to transmit – provided that you use a licensed device!

This is a band where my random wire antenna really came in handy. Without it, I would have had a hard time understanding anything. And even with it, transmissions are extremely noisy.

CB radio is used internationally, especially by truck drivers, it seems.

30: Assess the propagation of radio waves using beacons

• Frequency: 14.100, 18.110, 21.150, 24.930, and 28.200 MHz
• Modulation: CW

The International Beacon Project runs a network of 18 stations, which take turns transmitting their callsigns at certain frequencies.

Using this system, you can quickly get a sense of how well radio waves are currently propagating to your location. Clever!

I picked up the beacon from southern Finland! You can see its callsign scrolling away in the video. It’s followed by four dashes send with decreasing power. I only heard the first one…

31: Receive a time signal

• Frequency: 9996 kHz
• Modulation: CW

I would’ve loved to receive DCF77, which powers the radio clocks in Germany! But no matter how hard I listened to 77.5 kHz, there was nothing there. I don’t think my dongle can do that.

So I used higher frequencies! Russia transmits its “RWM” time signal at 9996 kHz, which beeps every second, with a long beep for the full minute.

Not enough to tell the time, but enough to adjust your wrist watch, I guess!

32: Receive a weather fax

• Frequency: 3855, 7880, and 13882.5 kHz (see weatherfax.com for more)

The German Weather Service broadcasts weather maps throughout the day! You can decode them using fldigi’s “WEFAX-576” setting.

I caught this one only halfway through. According to the schedule, it’s the “Surface weather chart North Atlantic, Europe”!

If you squint really hard, you can make out the coast of Spain and the Mediterranean Sea on the right side!

33: Decode images from a weather satellite!

• Frequency: 137.62, 137.9125, and 137.1 MHz

I couldn’t stop trying to capture a weather satellite, it’s just too cool to receive an image from space!

That evening, an American satellite called NOAA-15 passed right over us, so I thought I’d try again. And this time, I got parts of an image! \o/

This is real-time data! At night, both transmitted images are infrared recordings.

I recorded the FM signal using SDR++, and then decoded the image using noaa-apt, which also added country outlines.

34: Estimate the speed of satellites

• Frequency: 136-138 MHz

Here’s what the NOAA-15 weather satellite sounds like, by the way! tick-tock

While recording, I noticed something strange: The transmission didn’t happen at the frequency I had expected it to! And also, the frequency changed.

Then it hit me: Doppler effect! At the time of the recording, the frequency was around 4250 Hz higher than expected.

After looking up the formula, I calculated a relative speed of 9 km/s! (Which got close to its real speed, 7.5 km/s.)

35: Listen to number stations

• Frequency: 5-30 MHz?
• Modulation: Differs by station

These stations send encrypted messages using number sequences, possibly for espionage purposes!

So why not listen to one? There’s a surprisingly well-maintained database of them on a site call Priyom.

So I tuned into the next frequency that was listed, and: Bingo!

Allegedly, this was a station in Moscow. That day, it sent “218, 218, 218” in a loop, followed by three long beeps, which is the format of a “null message”.

So no news for the Russian spies.

Saturday

The week was really intense for me. Initially, I thought I’d do 10 things per day, but it turned out that that was too much. I had to learn so many new things.

Many things I tried don’t work on my first attempt. Finding LoRaWAN signals, decoding packet radio, finding something on PMR446, decoding the satellite – those were all things that required a second (or third) attempt.

This project was exhausting, but also joyful – having committed to it, I got in a nice flow state, where I could focus on it for hours.

Often, I thought: “Okay, this is it. I can’t possibly find more things.” But this is the power of the 50 Things technique: I have to keep looking, leave my comfort zone, be creative, try things I otherwise wouldn’t have tried!

So, 15 more things, huh?

36: Receive images from amateur radio operators

• Frequency: 14.230, 14.233, 21.340, 28.680, 145.625 MHz seem to be popular

Using a protocol called “SSTV” (slow-scan television), amateur radio operators send each other postcards! :D

I’ve been browsing the usual frequencies, and tried to decode images using the software QSSTV on Linux. And I accidentally caught a piece of what seems to be a test image!

SSTV has the prettiest noise! :3

37: Listen to The Buzzer

• Frequency: 4625 kHz
• Modulation: Upper side band

There’s a mysterious Russian station broadcasting at 4625 kHz. Sometimes, it sends encrypted voice messages.

But usually, all it does is send a honking sound every two seconds, to deter other stations from using the same frequency.

The purpose of the station is unclear, but most theories think it’s military communication.

38: Catch a LoRaWAN chirp

• Frequency: 868.1-868.5 MHz

This was a bit like trying to catch a rare insect! 🐛

LoRaWAN is a low-power, wide-area networking protocol, intended for “Internet of Things” applications.

You can see transmission in the lower half of the screenshot! It has a very cute structure: You can see eight “down-chirps”, followed by two “up-chirps”. That’s the header, followed by the payload.

To look for the signal, I made a “baseband capture” in SDR++, and opened the recording in Sonic Visualizer.

39: Read data from utility meters

• Frequency: 868.95 MHz

Devices like smoke detectors or meters for water or heat are sending their readings via a protocol called Wireless M-Bus.

Again, I was surprised by how many devices seem to be around! Thanks for the tip, @envy :)

wmbusmeters is a really nice tool for decoding the messages.

40: “Watch” TV

• Frequency: 174-786 MHz

The chips in my SDR stick are also being used in DVB-T dongles! So, can we watch TV? Unfortunately, no.

From what I pieced together, there’s a difference between using the stick in SDR mode (where it sends the full spectrum), and in TV mode (where it sends the decoded video).

In Germany, there’s now DVB-T2, which my hardware doesn’t support in TV mode. And in SDR mode, the bandwidth is too narrow for DVB-T2. But we can scroll over a channel and look at it! :3

41: Track cars and buses

• Frequency: 433.05-434.79 MHz

Did a little walk to a big intersection, to see what “device signals” I’d find there at 433 MHz.

I could confirm that the IBIS beacons are in fact being sent by buses! The included “vehicle ID” even matches the white number that’s printed on it.

I also saw some messages from tire pressure monitoring systems in cars! They also include an ID, and usually, the brand of the car! The owners probably aren’t aware how easy it would be to track them… (Thanks, @scy!)

Side note: I wonder why some signals in that band are warped like the one at 433.96 MHz here!

At first, I thought “Ah, Doppler effect again, it’s coming from a moving car!” But if that’d be the case, that car would be moving at over 700 m/s…

Friends later suspected that this effect is due to weak batteries affecting the crystal in the sending devices, or temperature changes.

42: Receive Morse code from a satellite!

• Frequency: 145.860 (status information) and 145.960 (beacon)
• Modulation: CW

So I caught a satellite again! :D This time, it was school project, the Italian satellite “Max Valier”. It continuously sends Morse code on a beacon frequency.

Pretty weak signal, but here’s what I could hear:

3MV MAX VALIER SAT ... MANFRED ES CHRISTA FUKSE 73 ... II3MV ...

Super happy about this! I got both the name of the satellite, as well as its callsign at the end, and what seems to be some kind of greeting? I later learned that ES is Morse code shorthand for “and”, and that Manfred and Christa Fuchs were the founders of a company that helped launch the satellite!

(Thanks for the tip, @manawyrm!)

43: Receive emergency service pagers

This is another thing that’s not allowed in Germany, so you shouldn’t do it.

Pagers use a format called “POCSAG” (Post Office Code Standardisation Advisory Group…), which you should not decode using multimon-ng.

Because you would find that the content is short and cryptic anyway. It would probably be repeated by several stations all around you, to make sure the whole region is covered.

Do not read the English Wikipedia page! It contains frequencies!

Sunday

At this point, I was pretty tired. Focusing on this project for 6 days straight took a lot of energy, and I was always uncertain if I could actually complete all 50 things in that week! But I woke up with a fun idea:

44: Detect when a smartphone is turned on

• Frequency: 13.56 MHz

I was curious whether I could see the NFC transceiver in my smartphone! And yeah, especially using my random wire antenna, this works really well!

My smartphone seems to emit at the NFC frequency a couple of times per second. And when unlocking the screen, it emits five very strong beeps on that frequency! I can see those from the other side of our apartment.

Surely, these signals are the same for every device, right? 😶

Observe the five beeps here:

45: Communicate wirelessly using… a book

• Frequency: 13.56 MHz

Piko and I played around with NFC a bit more, and we found out that when getting close to an NFC tag, a smartphone emits at 13.56 MHz continuously!

So, we started sending Morse code to each other between rooms, using a smartphone and a library book! :’D

Take that, Bundesnetzagentur!

Seems that the shortest signal you can create is 0.7 s long, resulting in a meager communication speed of 3-4 words per minute…

46: Receive navigational aids for airplanes

• Frequency: 108.00-117.95 MHz

There are ground stations that emit a signal that allow calculating your angle relative to it! If you receive two, you can determine your position. (Thanks, @fly_it!)

I heard the one close to Hamburg! And SDRangel has a decoder, of course! It calculated angles between 210° and 230°, which is pretty close to the actual value of 224°! I don’t think they are meant to be used from the ground.

The neat navigational map is from https://skyvector.com!

I spent ages trying to build my own decoder in GNU Radio. But I wasn’t familiar with it at all, and I eventually gave up. Still, that seems to be the software you wanna learn for tasks like these!

By the way, how the ground stations work is fascinating: In my case, it’s a “Doppler VOR”: It transmits a static frequency via amplitude modulation, and adds another signal that moves around in circles, so you get a Doppler frequency shift.

If you compare the two, you can calculate the angle!

47: See how low you can go in the frequency spectrum

• Modulation: mostly AM

This was a fun exploration: What’s the lowest-frequency broadcast I can receive?

The RTL-SDR Blog V4 stick I’m using has a neat feature – a built-in “upconverter”, which is enabled automatically when you try to listen to frequencies below what the chipset supports. This allows it to receive down to ~500 kHz!

The first stations that are comprehensible started at 1 MHz for me.

48: See how high you can go in the frequency spectrum

The chipset in my SDR stick go up to maximum frequency of 1766 MHz. It seems pretty quiet up there, probably because I lack proper antennas. I found these three lines in an amateur band, but they probably originate from the stick itself, or another device.

So the highest-frequency thing I’ve received is ADS-B at 1090 MHz (see entry #5)! 🎉

49: Listen to marine radio

We’ve been over this. Not allowed in Germany. Don’t do it. ⛔

But if you’re in the US, anyone can purchase a marine radio, and even use it to transmit! :D

50: Go mobile!

Just now, I was wondering whether there are any Android apps for controlling SDRs.

And it turned out, the software I liked best that week, SDR++, had an Android version since a couple of weeks! \o/

So now I could go track down the source of some of these strange signals! :3

Looking back

And with that, … 🥁 … I was officially done with my “50 things to do with a software defined radio”! 🎉

This were seven very intense days, where I learned a lot of new things about radio waves and the many things they can be used for!

I was proud! I was tired! I was amazed that all those things I received are all around us, everywhere, all at once – if you know where to look. :O

More things to explore

Here’s some things that I haven’t tried or that haven’t worked:

• Receiving digital voice modes (SDRangel should be able to do it, but I couldn’t figure it out)
• Receive something from the ISS
• Use the GRAVES radar to detect meteors (couldn’t detect it)
• Receive videos on ham bands
• Receive Iridium satellites
• Listen to pirate stations
• Receive Cubesat

Also, doing things with Wi-Fi/Bluetooth/Zigbee could be fun, but I’d need a more expensive receiver for those frequencies.

Future thoughts

So, was this project in fact a gateway drug to getting an amateur radio license?

Yeah, probably. I’d love to transmit something and experiment more! :D

In Germany, a new license class will be introduced in summer 2024, that’ll allow you to send on the 10-meter, 2-meter and 70-cm bands (the “N class”).

In fact, there’s a really good German online course that teaches you everything you need to know: 50ohm.de

Highly recommended, even if you’re not planning on getting a license.

Finally, thanks to Piko, Chris, and Cqoicebordel for proof-reading this blog post! <3

In the talk, I explain how my wiki works, what I use it for, and encourage you to build one too! Here’s the (German) recording:

You can also open the slides!

The SVG source is available, if you want to repurpose this design for something! The font is Geo.

Wearing such a device seems to give some people a new sense of direction, so I was super curious to try it!

In this post, I want to document how I built one, hoping to give other people who want to build one in the future a head start! My design is cheap (the parts cost around 15 EUR) and has a straightforward design.

Overall design

The simplest implementation I could think of was to use a microcontroller to control the vibration motors, and then connect it to a smartphone via USB, to receive commands.

This means that we don’t an extra magnetic sensor, and no battery pack, because we can use the smartphone as a power supply. This is the finished compass belt in its current form:

Hardware

Belt

I found this belt at a clothing store a couple of weeks ago, and immediately thought that it might be a neat basis for this project! Any belt with double rows of eyelets all the way along the belt should work. If you don’t find such a belt, you’d need another way to mount the motors, and to route the cables.

Motors

I used coin vibration motors with a diameter of 10 mm, a nominal voltage of 3 V, and a nominal current of 70 mA. These “closed” motors have the advantage that they don’t have external moving parts you need to look out for.

Board

The electronics of the belt are based on a Raspberry Pi Pico, a tiny, cheap microcontroller with lots of output pins.

It’s not a good idea to attach the motors to the output pins of the Pico directly, as they are not designed to provide enough current.

So I asked around a bit, and Kenneth and Electronic Eel suggested using a transistor array chip called the ULN2803a (which is similar to the ULN2008A, but has 8 input and output pins). The ULN can be used to connect and disconnect the motors to the ground on demand. They also already contain a “flyback diode”, which will prevent the transistors from being damaged when the motors wind down.

Electronic Eel also helped me with finding suitable capacitors: One 100 nF capacitor acting as a bypass capacitor per ULN, and a bigger one (I used 220 µF) for stabilizing the voltage of the Pico itself.

I used the software Fritzing to design this circuit:

Fritzing also allowed me to translated the circuit into a design for stripboards, which gave me a much more stable result, compared to a solderless breadboard:

You can find the Fritzing file for both designs here: https://github.com/blinry/compass-belt-hardware

This was the first time I used a stripboard, and overall, it was a good experience! :) I was super anxious when putting it together, because it seemed easy to make mistakes, but in the end, it worked flawlessly on the first try!

Motor clip

To attach the vibration motors to the belt, I designed parts which would house the motors and their thin cables, and clip to two of the belt’s eyelets. I used the Python library CadQuery to model this part in a parametric way. Quite neat!

I then printed one clip for each motor on a 3D printer.

I published the source code for the motor clips here: https://github.com/blinry/compass-belt-clip

Software

Firmware running on the belt

The Picos can be programmed using MicroPython or CircuitPython. Both would work for my prototype, but I picked MicroPython to be able to use the Picos’ Bluetooth features at a later point. To communicate with the attached Android phone, it suffices to use Python’s input() function, which will read text from the Serial connection via USB.

The firmware is pretty simple: It reads numbers between 0 and 1 from the serial connection via the USB cable connected to the Android phone, and then activates the matching motor. 0 means “at the front of the human”, 0.25 is right, 0.5 is back, 0.75 is left. Essentially, the angle is a clockwise “factor of tau”.

The MicroPython code has a list of motor positions and pin assignments baked in – if you want to use it with our belt, you have to modify the array at the top: https://github.com/blinry/compass-belt-firmware

I copied the firmware to the Pico using the following Linux command. Naming it main.py on the controller makes it auto-start this program after booting:

ampy -p /dev/ttyACM0 put firmware.py main.py

To test the firmware with my computer, I connected to it using this command (but other serial terminal emulators like picocom or minicom would also work):

python -m serial.tools.miniterm ACM0 115200

Android app

To send serial data over USB with Android, I originally envisioned a simple solution like “write a bash script and run it on Termux”. There is a termux-usb command which passes a file descriptur under which the USB device can be accessed to another program, and with a bit of work (like started by Querela), it seems possible to write software which uses this to write serial data. But I couldn’t get Querela’s code to work.

For testing purposes, I was already using Kai’s Simple USB Terminal, and I was delighted to find that Kai published a simplified open-source version of it, published under the MIT license.

So I forked it, and added a bit of code to the SerialService class, which permamently calculates the desired vibration angle (currently assuming the device is held upright in front of the person), and sends it to the board.

This seemed like the fastest way to get the job done. With more time, it’d be nice to write a cleaner app with additional features (like allowing the user to enter a GPS coordinate to guide them to). But because this was a weekly project, I needed something fast.

You can find my modified app here: https://github.com/blinry/compass-belt-app

My experiences

I’ve just built the belt this week, and taken a short walk with it, so I don’t have tons of experiences to share.

But I’m surprised by how strongly the vibration can be felt through the belt!

Also, I thought I might attach 16 motors to the belt – but I don’t think I could differentiate between them. The current 8 seem enough.

Here’s some things I’d try next:

• Extending the app to guide me to a certain GPS coordinate.
• Changing the calculation so that I can put the smartphon in my pocket (at a fixed, known angle?), instead of having to hold it in front of me.
• Later, maybe experimenting with an on-board magnetic sensor, so that I can twist the attached smartphone however I want?
• And it’d be great to get rid of the USB cable. If I attach a small battery to the Pico, I could probably communicate over Bluetooth.

This is the story of how I got there: how I started running in 2020, to how I ran 42 km (26 miles) three years later.

How I got started

When the Coronavirus pandemic hit in 2020, I was feeling restless and anxious, and was looking for an outlet.

Running seemed like an good choice. I didn’t need a lot of equipment, and could do it outdoors. I found the Couch To 5K running program, that’s designed to gently guide people towards running 5 kilometers. In the first week, you run only for 60 seconds, followed by 90 seconds of walking. In the eight weeks after that, the time you run is gradually increased.

My favorite overview is Tom Benninger’s visual overview of the program:

I remember that initially, the 60 seconds of running were pretty exhausting! That’s because I was running way too fast. When I slowed down, the program seemed more manageable, and after nine weeks, I ran 5 kilometers without stopping for the first time! It took me 42 minutes! I was mighty proud! :)

I used a smartphone app that would keep track of the walk/run rhythm for me, I think it was this one. It worked pretty well for me.

After that, I just kept running 3 times a week, because I just… intrinsically enjoyed it a lot! I got fresh air and sun, and moving outside through nature is just really nice! For the first time since a long time, I paid a lot of attention to the changing seasons! I saw the first flowers in spring, and mushrooms in autumn. A site that’s helpful for figuring out nice routes is Strava’s Global Heatmap.

I reached a number of other milestones:

Running 5K in under 30 minutes

I sometimes tracked the time I needed to run 5 km, and noticed that I got faster! In October of that year, I ran that distance in under 30 minutes (with a pace of under 6 min/km):

Running 10K

One advice I found was that for running faster, you’d need to run longer distances. It seemed safe to increase the distance by 10% each week, so I did just that! I’d run 5 km two times a week, and for the third run, I’d gradually increase the distance. In June, I ran 10 km in 01:19:00!

Running a half marathon

I wanted to keep increasing distances! A marathon seemed like a huge goal, though.

In June 2021, I started seriously considered training for one, but thought that a half marathon would be a more suitable first step. In Braunschweig, where I lived at the time, there would be a small combined marathon/half marathon race at the end of October 2021.

I found a really in-depth comparison of marathon training plans, and one of the most beginner-friendly ones was Jeff Galloway’s training plan! I made a big spreadsheet with the required distances. Again, the rhythm would be to run 5 km (or 30 minutes) two times a week, and then do a “long run” as the third run.

I’d run along the “Ringgleis” in Braunschweig, a circular green track around the city, which has almost exactly the length of a half marathon. It was a nice feeling to know that eventually, I would be able run completely around it! But for shorter distances, I ran half of the distance in one direction, and the then back.

My training went pretty smoothly, and I completed the race without much trouble:

Training for the Frankfurt Marathon

In the summer of 2022, I was at a decision point for whether I wanted to train for a full marathon or not. I calculated that training for it using Jeff Galloway’s training schedule would require me to run a total distance of around 450 km. With a pace of 7 min/km, I’d need to run for around 50 hours in total. I thought that sounded okay!

So I made a training plan, which would end in November 2022 with the Frankfurt Marathon!

Well, turns out I hated running in summer. :/ On some days, it was so hot that I was afraid to get a heat stroke, and I just walked some distance. I sweated a lot.

And in addition, a surgery took me out of my training for two weeks, and I realized that I wouldn’t be able to follow my schedule in September.

Training for the Hamburg Marathon

So I picked another goal: The Hamburg Marathon, in April 2023! Again, following Jeff Galloway’s training plan, I started training in December, and for motivation, actually signed up for it officially this time (which cost about 100 EUR). This gave me a lot of motivation!

One thing that was great about training for a spring marathon was the cold temperatures in winter! I ran 5 kilometers every Monday and Wednesday, and did a “long run” on Fridays, with gradually increasing distances.

Following this went rather well, except for a two-week break I had to take in March due to unrelated heath reasons. The next long run after the break was supposed to be 35 km. Usually, runs would be exhausting, but would go smoothly. This time, after 30 km, my knees started to hurt so badly that I stopped running and walked the rest of the distance. This left me a bit anxious, because I didn’t know whether or now I would be able to run the marathon distance of 42 km three weeks later!

The day before the race

I was on a calorie deficit diet in the weeks before the marathon, but the day before the race, I decided to pause it, and just eat whatever I wanted. Among runners, “carb loading” is a technique to increase glycogen stores in the body in preparation for the race. I don’t know much about how this worked, but getting a lot of energy seemed like a good idea.

It was an interesting feeling to allow myself to eat until I didn’t want to eat more. After months of dieting, I very rarely got that sensation.

Also on the day before the race, I went to fetch my starting number. Close to where the marathon would start, the organizers had set up a “marathon expo”, where other cities advertised their marathons, and companies advertised their clothing products.

I showed my national ID card and my registration, and was handed a big red bag, which contained a booklet with all important info, a map of the race track, deodorant, protein bars, and most importantly: the starting number! It’s a big piece of thick paper, with my name and my racing number. Glued at the back, there’s a passive electronic chip, which is used to track me during the race.

There was also a stand where you could get official running shirts, if you had ordered one. I hadn’t, but I found a shirt from last year – red, with the marathon route on the front, and with 42 tally marks on the back (as a reference to the marathon distance). I’m proud to wear it! I fixed the starting number to the shirt with four safety pins.

This Saturday there was another event: the “Long Museum Night” in Hamburg, and I explored a museum about food additives, and an astronomical observatory, and arrived back home pretty late. I packed the bag with fresh clothing and my running clothes.

I slept really badly this night, rolling around in bed and wondering whether I had forgotten anything…

Morning of the race day

I woke up before my alarm at 7:30, ate a slice of bread and a protein shake.

I grabbed my bag, and, together with Piko, took a subway to the start of the track! Wow, there were a lot of people! In the starting area, the organizers had installed a big sound system, and an announcer entertained the crowd with fun facts about the race. I wasn’t really focused enough to listen.

We found the entrance for runners, and hugged goodbye. I followed signs to a big hall inside of the conference center where you could change into your sports clothes. During winter, I had trained mostly in jeans and a warm fleece jacket. But on the race day, the weather report said it would get warm enough to run in a sport shorts, and my new red shirt!

I was also wearing the running shoes I had gotten after my half marathon 1.5 years ago, a running belt with a zipper pocket borrowed from Piko, and put my smartphone and a chocolate bar in it. I put on a bone conduction headphones, to listen to podcasts while running, and an Android watch to track my pulse and have an easy way to assess my speed.

Important preparation: Putting bandaids on my nipples! On long runs, this prevents chafing, which can hurt a lot. And as another precaution, I rubbed some vaseline on the place where my thighs would rub against each other, to reduce friction. Another runner approached me: “Hi, um, this is a bit awkward… but could we have some of your vaseline? We forgot it!” She pointed at her friend. “Sure, happy to help!”, I said, handing it over.

After changing, I put all things I wouldn’t need on the run in my red bag, and handed it in at the back of the hall. Teenagers were tasked with watching over them. My bag had the same number on it as my race number on my shirt.

I followed signs to my starting block. When signing up, you could specify your guess on how long it would take you to run the full course. My guess, 4 hours, had been a bit optimistic, and I knew it when I got in line: I was more likely to take around 5 hours, which I knew from the speed of my long runs. But this put me approximately in the middle of the field, which I was happy with.

The organizers had tasked several “pacers” to help people keep track of their current timing: these are people wearing signs announcing the time they’d take to reach the finish line: “4:00”, “4:15”, and so on.

It was a chilly morning, but according to the weather report, it would get sunnier and warmer later. Some people wrapped themselves in emergency blankets to stay warm.

When I reached my starting block, there were only 10 minutes or so left before the race would start! The announcer made some jokes, and instructed us to do a wave from the front to the back. Finally, there was a short countdown, a bang, and the race had started!

The beginning of the race

The runners at the front were first to start, but they were so far away that I couldn’t see them. It took a few minutes until we could start walking, then jogging slowly, then running over the starting line! Piko had texted me that they would sit in the first spectator’s stands at the right, I spotted them and waved excitedly, happy to have them cheering for me!

A passive chip at the back of the starting number was used to track the time. At multiple places along the track, there were rubber mats, making beeping noises as people ran over them. They would be used later to calculate the official finishing time.

The course was marked with a dashed blue line, which I had already seen being painted all over the city in the weeks prior to the race. At first, it was barely visible among the running crowd, but it would be my guide for the next few hours.

During the race

Route

The 42 km of the marathon route started and ended at the Hamburg TV tower. It went alongside the Elbe and the harbour, and around the inner and outer Alster, which are artificial lakes in the center of the city. It then surrounded a big park, and went back to the TV tower.

In addition to the blue dashed line, which marked the officially measured marathon course, there were also markings on the ground for every kilometer. Sometimes, I saw signs alongside the street making those kilometer markings more visible. And especially every 10 kilometers, there were big, very visible signs, together with electronic mats for timekeeping.

Speed

For the first couple of kilometers, the running crowd was so dense that it needed some navigating around others. I knew that I’d need to let myself fall back a bit – it’s a common mistake to start out too fast. But for the first 10 km or so, I was surprised how much everyone pulled me with them. According to my tracking, I ran a speed of around 6 minutes per kilometer for the first 15 kilometers, with kilometer number 10 being my fastest one, with a pace of exactly 6’00”!

I took a pee break at kilometer 15, there were portable toilets all along the track. After this, I slowed down a bit, to a pace of 6’30”. As I’ll talk about later, I sped up quite a bit in the end again! :)

The pacers with the “4:15”, “4:30” and “4:45” signs slowly passed me during the course of the track, often followed by a rather big crowd, who wanted to stick to that time!

Crowd

The crowd alongside the race track was amazing! So many people were there to cheer on the runners!

Some held up signs. My favorite one simply read: “Remember: You paid for this!” Another good one: “The pain will pass, but the pride will stay!”

Multiple people had cardboard signs with a painted-on Super Mario mushroom on it, with a text like “Touch for power up!”. I touched at least three of those, thankful for the support.

Many people cheered when runners passed them by, and because everyone had the sign with their first name fixed to their shirt, people in the crowd could actually call the runner’s names! A couple of times, people actually dared to pronounce my name and shouted “Yay, blinry!!”, which was a great feeling! :D

A lot of children stretched out there hands, inviting high fives, which also felt like a nice, encouraging interaction. One child handed out flowers, but I was too slow to react to it. Others kindly handed out cups of water, or small salt pretzels! And one even offered sunglasses to people: “Look, they even have baseball caps attached to them!”

There also were music performances, like drumming bands. The music definitely pushed me forward, but I also had to pause my podcasts in those sections… At the beginning of the race, someone on the third floor of a building had put their speaker system next to their windows, filling the street with music.

Food

Taking enough food had been a problem during my training. Sometimes, I had stopped at a gas station to get something to drink or a snack half-way. During this run, there were a lot of food and drink stations. I think the first food station was after 10 km, and repeated every 5 km after that. There were banana pieces, and later, energy gels. I didn’t enjoy their taste, but I knew that they would be an ideal source of energy, so I ate at least 5 of those, as well.

There were also drinking stations, which always provided water in plastic cups, often isotonic drinks, and sometimes cola or energy drinks. I often used these to take a walking break, to drink my cup or eat my banana, happy to be able to give my legs some rest. A hundred meters after those drinking stations, there were big garbage cans, it was fun to aim at them and throw the cups! Nevertheless, hundreds of plastic cups also littered the ground around these stations, and made spectacular noises when people ran over them.

I saw a lot of runners who brought their own energy gels, and put a couple of them in their belt. Another option was to hand in your own snacks and drinks the day before, the organizers would then put them on special tables along the track.

Pain

So… how did my body feel during the 42 km of running?

One thing I was afraid of was knee pain. During my training, when I was supposed to run 35 km, after 30 km, my knees hurt so badly that I had to stop running, and walked the rest of the distance. This was maybe overly cautious, but it was a few weeks before the race, and I didn’t want to risk an injury. This time, I felt even more “locked in”, determined to finish the distance. It would’ve been okay for me if that included some walking in the end, but also, it would’ve sucked a bit. Luckily, my knees never became a problem on the race day. I paid a bit of attention to them, and sometimes they would sting a bit, but the pain didn’t last – maybe the adrenaline rush during the race also prevented me from feeling that a lot.

The thing that did start hurting after a couple of kilometers were my shoulders, surprisingly! With my arms swinging below them, maybe they got an unusual amount of force.

After the first half (21 km), my legs definitely hurt, and were feeling heavy. My body wanted to stop running. I felt similar to how I felt after my half marathon. But the crowd and the commitment kept me going. Especially in the second half, time seemed to pass more slowly. The kilometers felt really long, and I was happy about every food or drink station, where I allowed myself to walk for a few minutes. Starting to run again after those breaks didn’t feel great, but I had enough motivation.

Other runners

In addition to people who ran the full marathon, there were also people running a half marathon, who took a shortcut after going around the outer Alster.

And also, it was possible to run the 42 km distance as a team, as relay runners. The track was divided into four segments, and after each segment, there was a special “pit stop” for the runners, where they could pass on the task of running to the next person! Close before the finish line, there was such a section where all people in the team could then cross the finish line together. I hadn’t heard of this system before, but it sure sounds like a nice way to run a marathon!

When new relay runners came in, they would often be faster than the rest of the crowd, and would surpass us. Fortunately, they had signs on their back telling others about their special role, so people wouldn’t be too disappointed to be surpassed.

Some people ran in a costume! For example, I saw someone dressed as a chimney sweep, one as Scrooge McDuck, and one as a water carrier, carrying two buckets on their shoulders. According to the print on their shirt, they had been running the Hamburg marathon for 20 years in a row or so, and had completed over one hundred different marathons! Wow!

Some people seemed like they were dressed way too hot, with a warm jacket. And some were even still carrying their red cloth bag.

Last kilometers

Along the course, there were several first aid stations, especially alongside the last kilometers. I saw one person lying on a stretcher, close before the finish line. :/ Another person lay next to the track, with a infusion bottle connected to their body. Maybe they drank to little? Medics were observing them, and seemed in a good mood.

Knowing that these first aid stations were there was a big relief for me. I knew that, in the event that I would hurt myself, I would be able to get fast help.

There were also two stations where you could get a massage along the last few kilometers! I briefly considered using their services; it would’ve been a fun experience, and would probably have felt good! But as I was approaching the finish line, I didn’t want to spend too much time there.

I had brought a chocolate bar, and had eaten half of it after the first 21 km. To motivate myself, I made an agreement with myself that I would eat the rest when there were only 5 km left to go! This turned out to be a huge motivation! :D When the last 5 km rolled around, I happily gobbled it up, yum!

As I said, the last half of the race was especially tiresome. But when the track led us back into the city center after kilometer 31, there suddenly were a lot more people cheering us on, that was also a really nice motivation!

In the last 5 kilometers, I saw many people talking long walking breaks. And to be honest, it felt good to surpass them!

The professional runners at the beginning of the field finished the course in just over 2 hours, which I think is pretty amazing! They must’ve ran with an average speed of over 20 km/h!

Bernard Koech, a Kenian runner, ran the fastest time, with 02:04:09! For comparison, the official world record, as recognized by World Athletics (the international governing body for athletics), is 2:01:09, set by Eliud Kipchoge at the Berlin Marathon 2022! Here’s the “top 10” places of my marathon:

The website said that the finish line would be closed after 6 hours, and I was confident that I would make that, even if I’d need to walk at the end of the race.

My mindset for this run was that I wouldn’t care about my finish time at all, I was just aiming at making it the full distance. But at the end of the run, when it was only 5 more kilometers, and I already saw the TV tower where I knew would be the finish line, I got a bit ambitious! :D Looking at my watch, I realized that I could make it in under 5 hours, if I kept running at the pace in which I had trained. In my recording, you can see that I indeed sped up a bit when I realized that. I skipped the last water station, and just kept running. At the last water station, there were people with a water hose, offering to spray the water on people, which I definitely made use of!

The last stretch was coming up, covered with a red carpet. And there already was the finish line! I threw my arms in the air triumphantly. The electronic mat beeped one more time, and I slowed down to a walk. After running such a big distance, it felt wrong to stand still, my legs just wanted to keep walking!

I made it 04:56:51!

Behind the finish line

Very close after the finish line, there were people handing out silver medals! As they put the band over my head, they remarked: “Well, someone’s looking super happy!” I was! :D I snapped this picture:

Walking further into one hall of the conference center, there was a big buffet with pieces of fruit, and chocolate cookies! I snatched a few cookies, but I wasn’t very hungry. They also served alcohol-free beer, which I happily gulped down.

The sun had come out in the last hours of the race, and I had a bit of sunburn in my face.

I got back my red bag, and took a cold shower. At this point, I could only limp, and I observed many others doing the same. I had my name and finishing time engraved into my medal. The organizers also offered massages in the finish area, but when I went there after showering, they told me that, unfortunately, they had already closed. Piko would give me an extensive leg massage later at home, which felt great!

The days after the race

So… how painful were the next few days? Would I ever walk normally again? Well, going down flights of stairs sucked in the first two days. I had to brace myself on the railing to take some weight off my legs.

But I’d been worse, after some of the long runs in my training! After 4 days, my legs were almost back to normal, and on the fifth day after the race, I was back to running in the morning (albeit carefully).

A friend asked after the marathon if I was now sick and tired of running, or if I wanted more of it. To my own surprise, I was already looking forward to doing this again! There’s the Frankfurt Marathon in autumn, for example…

Resources

• I can recommend the C25K for getting started with running!
• The Fellrnr wiki is a great, nerdy resource for everything related to running.
• I followed Jeff Galloway’s marathon training program, and liked it!

Table of Contents

   1. Introduction ................................................... 2
      1.1. Purpose ................................................... 2
      1.2. Range of application ...................................... 2
      1.3. Intended audience ......................................... 3
      1.4. Compliance ................................................ 3
   2. Containers ..................................................... 3
      2.1. Material .................................................. 4
      2.2. Shape ..................................................... 4
   3. Labelling ...................................................... 4
   4. Usage .......................................................... 5
      4.1. Initial adoption .......................................... 5
      4.2. Supply of empty containers ................................ 5
      4.3. Physical layout ........................................... 5
   5. Security Considerations ........................................ 6
   6. Suppliers ...................................................... 6
   7. References ..................................................... 6
   8. Acknowledgements ............................................... 7
   9. Author's Address ............................................... 7




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1. Introduction

   1.1. Purpose

      The purpose of this specification is to define a system for
      storing cooking ingredients that:

          * Provides home cooks with a good overview of their available
            ingredients, in an elegant and minimalist way;

          * Is affordable, and can be implemented quickly;

          * Uses shelf and appliance space efficiently and flexibly, due
            to stackability and lid-compatability;

          * Is suitable for the large temperature range required for
            storing and preparing ingredients in a kitchen;

          * Allows different implementors to easily exchange ingredients
            and prepared meals, and integrating them into their own
            systems.

      The system is designed to be an alternative to other storage
      standards, like Gastronorm containers [1], which only provide
      big volumes of 1 litres and more, which is not suitable for most
      home applications.

      Other plastic containers are often much less affordable, or not as
      easily stackable.

   1.2. Range of application

      The described system can be used to store all dry, paste-like and
      liquid substances in a kitchen.

          * On the shelves, the containers can store dried legumes,
            flour, sugar, all kinds of spices, pasta, rice, baking
            ingredients, or nuts.

          * In the fridge, they can store leftovers, pre-cooked or
            pre-cut vegetables, condiments, or dough.

          * In the freezer, they can store prepared dishes, vegetables,
            bread, herbs, or ice cubes.

          * During preparation, containers can be put in the microwave,
            or receive boiling water.

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   1.3. Intended audience

      This specification is intended for home cooks who need to store a
      small to medium amount of ingredients.

   1.4. Compliance

      Unless otherwise indicated below, a compliant home cook must be
      able to accept and integrate any container from other implementors
      that conforms to the specifications presented here; a compliant
      home cook must produce containers that conform to all the
      specifications presented here.


2. Containers

  Containers used in this system are cylindrical, lidded containers
  made from translucent polypropylene.

  2.1. Material

     Polypropylene is a thermoplastic polymer with a combination of
     convenient properties: With a melting point of 160 °C (320 °F), it
     can withstand applications like microwaving, which produces a
     maximum temperature of 100 °C (212 °F), dishwashing, and filling
     directly with boiling water.

     Below 0 °C (32 °F), Polypropylene becomes brittle, and
     occasionally, a container might crack.  But handled with care, this
     seldomly poses a problem.

     Polypropylene withstands acids and bases, and is a good barrier
     against fat.

     Translucency is important for being able to see the containers'
     contents easily.




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  2.2. Shape

     The most important property of the containers' shape is the lid
     interface, which is the same for all containers: Containers have an
     inner diameter of 110 mm, and an outer diameter of 119 mm.  The
     lids have dimensions that fit the resulting rim.  While in theory,
     commercially available "deli containers" often seem very close to
     each other in dimension, care has to be taken to make sure that
     they are, in fact, lid-compatible.  It can be wise to pick a single
     manufacturer, and stick to their products.  Recommendations are
     listed in section 6.

     The lids have an outer rim that secures containers that are stacked
     on them from sliding off to the sides.

     The containers are cylindrical, and taper towards the bottom, to
     fit the lid of the container underneath.

     While the lid diameter of all containers is the same, they come in
     different heights, ranging from 145 mm to 44 mm, resulting in
     volumes between 250 and 1000 mL (8 to 32 fl oz).

3. Labelling

    In the absence of other packaging, most containers should be
    labelled, to identify their contents.  Exceptions can be made when
    the content is clearly and unmistakably recognizable (as is the case
    for walnuts or pasta).  But especially for white powders (which
    could be salt, sugar, flour, citric acid, or monosodium glutamate),
    labelling is important.

    This specification prescribes using blue tape as labels, which can
    be spotted easily (deep blue is a very uncommon food color).  Using
    painter's tape with a width of 24 mm (0.94 in) is recommended.

    For optimal visibility, a white paint marker should be used for
    writing on the tape.  Recommendations for both products are given in
    section 6.

    Often, writing the name of the stored content is enough, but
    sometimes, adding some crucial preparation detail from the original
    package can be helpful.  Examples include water ratios for cooking
    rice.

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4. Usage

   4.1. Initial adoption

      Implementors should screen their existing ingredients first,
      regard their volumes, and thus, estimate how many containers of
      which size are required.  Adding at least 30% to each count is
      recommended to avoid running out of supply later.

      Converting to the containers should be a straightforward and fun
      process.  For ingredients which implementors expect to re-fill
      frequently, it makes sense to pick a container size that will fit
      an entire new package of the ingredient.

      Note that the Blinry Container Specification is highly compatible
      with zero waste shops, which sell ingredients without packaging.

   4.2. Supply of empty containers

      Implementors MUST have an easily accessible stash of empty
      containers available in their kitchen.  Not having that stash will
      lead to sluggish and incomplete adoption of the specification.

      Storing the containers in upside-down stacks is preferred for
      hygienic reasons.  Lids are to be stored in an extra stack.

   4.3. Physical layout

      When distributing the containers in your kitchen, make use of the
      "first-order retrievability" rule: Don't cover container stacks
      with other stacks, because doing so will prevent you from seeing
      all available ingredients at a glance.

      Stacking is highly encouraged to make use of the available space.
      Stacks higher than eight containers have proven to be ineffective.

      As for which algorithm to use to sort the containers, this is a
      highly subjective matter.  We recommend trying one first and
      changing it later on demand:

          * Categories: Group ingredients by type; possible categories
            could be: legumes, baking, spices, nuts.
          * Color: Sort ingredients by color, so that you know where
            white ingredients will be stored, for example.

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5. Security Considerations

   This speficiation is mostly limited to storing ingredients in a
   stationary environment.  While dry and paste-like ingredients can also
   be transported between homes, the described containers are not
   fully safe for transporting liquids.  While technically, some
   leak-proofness has been observed, in practice, it seems like too much
   of a risk tradeoff to just put salad dressing in the containers and
   throw them in your backpack.  Containers with more sturdy lids or
   bottles with screw-on caps should be preferred for this purpose.

   For ingredients which decay quickly under sunlight (fats and
   preserved products), the containers' translucency can be a problem.
   It is recommended to store those in a dark cupboard.


6. Suppliers

   6.1. Containers

      At the time of publication of this specification (April 2023),
      suitable containers can be found under the name "deli containers"
      for around 0.50 EUR per container.  A reliable brand is Solo's "PP
      Deli Container" [3].

      A good distributor of Solo's products is the company Monouso,
      which has multiple online stores in Europe, and the
      WebstaurantStore in the USA.

   6.2. Markers and tape

      A recommended paint marker is the "edding 780 paint marker" in
      white [4].

      Good blue painter's tape is sold by 3M under the brand name
      "ScotchBlue Painter's Tape (2090)" [5].


7. References

   [1] https://www.en-standard.eu/bs-en-631-1-1993-materials-and-articles-in-contact-with-foodstuffs-catering-containers-specification-for-dimensions-of-containers/
   [2] Jonah Reider's YouTube video: "These Are The Only
   Kitchen Containers You Need" https://www.youtube.com/watch?v=y-dGZXAi1vc
   [3] https://www.dartcontainer.com/products/foodservice/containers/plastic/microgourmet-plastic-deli-containers-and-lids
   [4] https://www.edding.com/en-us/products/edding-780-paint-marker/
   [5] https://www.scotchblue.com/3M/en_US/scotchblue/products/catalog/~/ScotchBlue-Original-Painter-s-Tape/?N=4336+3294340635&preselect=3293786499&rt=rud




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8. Acknowledgements

   The author gratefully acknowledges the work that Jonah Reider [2] has
   done to promote the use of deli containers in home kitchens.  The
   author hopes that providing this document to the Home Cooking
   community will help to promote a style of cooking that's diverse,
   spontaneous, and reduces wasted resources.  Many thanks also for the
   the typo correction that Ithea Piko Nwawa provided as feedback to
   this BFC.


9. Author's Address

   blinry

   EMail: mail at blinry dot org
   URI:   https://blinry.org

I’ve found a structure that seems to work well for me: come up with small-scope projects (3-5 days), and add accountability mechanisms and deadlines. This helps me do focused, satisfying work. Let me tell you all about it!

Flow in game jams

In 2016, I started participating in game jams, where you make a video game from scratch in 2-3 days. I noticed that these events often would get me in a very nice flow-like state, where I could focus on the game from waking up until going to bed! After the event, I’d often be exhausted, but really happy with what I’d made!

I’m attributing this effect to two things:

1. Short duration with strict deadline: The game has to be made in two or three days, and then has to be submitted. After that, other participants are invited to play it, rate it, and comment on it.

   Of course, three days is very little time to make something substantial! I usually have more ideas and plans than I have time to implement them. That means that it seems worth it to put in a lot of time and energy during the jam, because I know that it will make the end result better! The short duration also forces me to prioritize what to work on: What’s the most important thing to do right now to make the game better?

2. Group enery: Knowing that other people are doing the same thing at the same time. It’s just a motivating idea to know that thousands of other people are participating in the same game jam!

   And also, I often participate in a group, and we’ll make a game together with friends! It’s nice to support each other, and it gives everyone a bit of accountability, which makes it easier not to get distracted.

In January 2023, Piko and I participated in a game jam together, and made a puzzle game called Carrot Conundrum. Once again, I was fascinated by how well this worked for me, and how rare this flow feeling was in the rest of my life. I started thinking: Could I reproduce this effect without an actual game jam?

As part of a self-reflection check-in I’m doing with my friend Moritz, I came up with an idea I wanted to try: Doing a one project every week! At the beginning, I set this up as a challenge for myself, as an experiment that would go over four weeks.

Here’s how that worked out:

How I do weekly projects

Accountability

Moritz kindly offered to keep me accountable for this experiment. This was extremely helpful for me. He would often be curious about which projects I picked, ask questions about it, and remind me to give him progress reports. He was surprised to find that he found it easier to keep me accountable, than to keep himself accountable sometimes!

We agreed on three check-ins I would send him, every Monday, Wednesday and Friday, as described in the following sections:

Monday: Pick a project

I come up with a project idea on Mondays, and commit to it, by describing it to Moritz in a text message before midnight.

Subject: I’ll often brainstorm a bit, or look at my big lists of project ideas. I have a shortlist of project ideas that seem especially suited for doing as a weekly project.

Most of my projects are related to programming or creativity. Examples:

• Write a short story
• Make a chiptunes song with Ardour
• Write your own ActivityPub server
• Create a 3D model of my room
• Sew a backpack

Generally, I’d try to follow my curiosity, and emphasize topics I wanted to learn about. In other weeks, there were outside factors which determine my project – if I wanted to submit the finished project to an event, for example.

Scope: The size of the project has to hit a sweet spot between being too easy and being too large, to create a flow state. I try to pick projects which seem challenging, but where I think I’ll be able to complete if if I put in a lot of work.

Prototyping: Sometimes, I’ll quickly prototype one or two ideas, or do some research on them, before I decide. For some project ideas, that allowed me to figure out that they would be too challenging to do in a week. And for others, they immediately seemed like so much fun that I decided to pick them and to just keep going.

Tuesday—Thursday: Work phase

During the week, the project I picked is my default activity during the day.

In the first few weeks, I sometimes worked very long hours into the evening, which didn’t seem sustainable, and often left me exhausted. So now I have the rule that I’m “allowed” to call it a day at 17:00. Still, since I made that rule, I’ve often worked longer, because I enjoyed what I was doing.

For many of my projects, it’s helpful to get feedback from other people. So often, I’ll send the current status of the project to some friends on Thursdays, so that I can still ingetrate their feedback on the next day.

Friday: Release day

Finally, on Friday, I’ll do some sort of “release” of the project. Often, this would mean posting about it in the Fediverse, and making an entry on this homepage about it.

The release day feels a bit nice and celebratory, and I try to keep Friday afternoon free in my calendar for this purpose.

Four projects in four weeks

Initially, I set up the weekly project structure as an experiment for a month. Here’s the projects I picked:

• Week 1: Finish making a learning game about navigating using the sun, which I called Compass in the Sky! I’d started to work on this project one year earlier, but had never finished or released it. This was an intense week, that reminded me of game jams a lot, and included lots of playtesting.
• Week 2: Make a chiptunes song. I wanted to learn (again) how to use Ardour, an open-source music-making software. This project forced me to work with all the bugs and annoyances that Ardour has, and come up with something catchy! The result was the song Floppiness.
• Week 3: “Make something with ActivityPub”. This was not very well-defined, and I think this was a mistake. I spent quite some time brainstorming what I should do. A quick result was the JSON Explorer. I also experimented with making my own ActivityPub server, and it was able to post stuff! A plan I had was to turn my homepage into an ActivityPub actor, so that people could comment on my posts. But on the last day, I realized that it would be much easier to just embed comments from a specified toot, so that’s what I’ve been doing, using a modified version of Patrick’s Toot Embedder.
• Week 4: Make three audio-visual demos for Lovebyte, a size coding party. This was easy to decide on, because I knew I wanted to participate. This was special because I didn’t release it publicly on Friday, but released the demos at the party! I made a 32-byte demo for TIC-80, a speech synthesizer in 256 bytes, and a crossword puzzle grid thing in 34 bytes!

I liked the experimental month so much that I’ve kept this structure going since then. Whenever I’ve had free weeks, I’ve done weekly projects:

• Revamp the layout of this homepage.
• Write a short story: Personal Growth
• Make a prototype for building interactive Linux tutorials in the browser.
• Sort my project ideas and write new open-source funding applications.
• Create a prototype for collaborative editing on local files.
• Learn Nix, and build 15-year-old software with it.
• Write three blog posts. (This week!)

What I like about weekly projects

Variety! I’m easily bored. When I feel I have a good grasp on a topic, I tend to move on. So having the opportunity to pick new projects every week feels wonderful! I often fear comitting on the wrong thing, but because these projets are so short, I don’t have that problem at all.

Having free weekends. Because I release projects on Fridays, and I’ll only decide on the next project on Monday, I can take weekends off. There’s no chance for me to keep working on the project, leading to burnout, because there’s no active project on weekends!

Short feedback cycles. I get some feedback on my projects each week, and can take that into account when picking the next project.

And, of course, it often gets me in a flow state, when the projects have the right degree of challenge, and when I have accountability and a deadline.

And generally, I’m really excited that, using this structure, I could potentially do 52 small projects per year! <3

What’s not great about weekly projects

When I’m working on a new project each week, I seem to neglect maintaining the old ones. For example, for Compass in the Sky, several people reported technical issues on Friday and the weekend after that, but I didn’t take the time to fix those things.

Limited depth: Because I only have 5 days (or around 30 hours) to finish a project, they necessarily have a rather small scope. I won’t write any books that way, or do really deep work. I think that most big projects could be decomposed into smaller weekly projects, and build on each other. But that’s not how I’ve been using this structure so far.

Ideas for the future

I have a couple of modifications of the weekly project structure I’d like to:

• Doing a project together with someone else!
• Doing a project in another context, like in the online Recurse Center.
• It would also be interesting to try to do some two-week projects, and see how that changes the scope and the depth of the projects!

If you have more ideas on how to develop this format, I’d love to hear your thoughts!

What is Nix? Among other things, Nix is an ecosystem of tools that you can use to build software in a reproducible way: Usually, when I try to compile a program, I need to make sure that I have all libraries and other dependencies I need, in the correct versions. With Nix, you can describe exactly which other things a piece of software depends on, and also how to build those.

So I thought: Could we try to build some really old software? Like, for example, Firefox from 15 years ago? :D Let’s try that, and let’s also try to build the graphics programs Blender, Inkscape and GIMP.

What you will get out of this post

This post is written for two audiences: If you’re actually interested in building this old software yourself, and playing around with it, it will show you how to solve some of the problems you’ll encounter.

But also, if you’re just curious about solving computer problems in a more general sense, this post will show you some methods and tools you can use when attempting to fix bugs yourself!

If you just want to try these old software versions yourself, you can use my modified nixpkgs repository (the 2008 branch), which includes all the described changes I made.

Blender 2.45 (from 2008)

First, I tried building an old version of the 3D graphics program Blender!

Where do we get software packaged with Nix? There’s a giant collection of Nix software packages called nixpkgs, living in the Git repository nixpkgs. As I write this, it has 470,000 commits. 😳 And, according to Repology, it bundles over 90,000 software packages!

I cloned the nixpkgs repo, and located the files describing Blender using fd blender (a find-like tool). They’re in pkgs/applications/misc/blender/. Let’s look at the history of that directory:

$ git log .
...
commit 5bca69ac34e4b9aaa233aef75396830f42b2d3d7
Author: Yury G. Kudryashov <urkud.urkud@gmail.com>
Date:   Wed Jan 30 17:20:48 2008 +0000

    Nix-expr style review

    Unneded args.something replaced with
    args: with args;
    line. After this line args is the only place where we can recieve variables from.

    Also removed several
    buildInputs = [];
    lines.

    svn path=/nixpkgs/trunk/; revision=10415

commit 8779bd423223b47bf523b1feab0d9cfb3c664f9c
Author: Yury G. Kudryashov <urkud.urkud@gmail.com>
Date:   Mon Jan 28 19:39:27 2008 +0000

    Removed unneeded cmake dependency for blender


    svn path=/nixpkgs/trunk/; revision=10332

commit 30669073d52466f34ac3aca52a1c26ed1a60c9fd
Author: Marc Weber <marco-oweber@gmx.de>
Date:   Sat Dec 1 18:05:26 2007 +0000

    blender default.nix

    svn path=/nixpkgs/trunk/; revision=9813

Whoa, the log goes back to 2007! Looks like this used to be an SVN repository, but they imported it into Git. Very cool. And the full repo goes back to 2003! Let’s use the 5bca69ac commit as our base, it’s a slighly improved version of the very first Blender package in the nixpkgs. We can check out this commit, change into another directory and try a build.

The following command tells Nix to build the blender package, according to the Nix source code currently located in path/to/nixpkgs:

$ nix-build path/to/nixpkgs -A blender

Problem 1: Couldn’t resolve host ‘nix.cs.uu.nl’

error: builder for '/nix/store/0ri9g54hbni4x7xrid45a2n195bb6p1i-glibc.tar.bz2.drv' failed with exit code 6;
       last 3 log lines:
       > downloading /nix/store/vkkr1r2gdldn0j9l8vm9csl01mip3ky6-glibc.tar.bz2 from http://nix.cs.uu.nl/dist/tarballs/stdenv-linux/x86_64/r6905/glibc.tar.bz2
       >
       > curl: (6) Couldn't resolve host 'nix.cs.uu.nl'

Nix tries to download some source code from a domain that doesn’t exist anymore. It’s the source code of an old version of glibc, the GNU Project’s implementation of the C standard library. Nix needs to build it because Blender depends on Python, Python needs to be built using gcc, and gcc depends on glibc.

The domain nix.cs.uu.nl might’ve belonged to the computer science department of the University of Utrecht? Yeah, it’s archived in the Wayback Machine:

This page in the NixOS wiki suggests that to resolve the issue with the broken domain, you could replace the references to those URLs with the more modern mirror tarballs.nixos.org.

For this project, the only file where I needed to do this replacement was pkgs/build-support/fetchurl/mirrors.nix:

hashedMirrors = [
  http://tarballs.nixos.org
];

Problem 2: More missing source files

Here’s what happens when we try to run the nix-build command again:

downloading file curl-7.17.1.tar.bz2 with sha256 hash 0yz50r75jhfr2ya6wqi6n90bn4ij30299pjglmlckzq6jp28wrkz...

trying http://curl.haxx.se/download/curl-7.17.1.tar.bz2
  % Total    % Received % Xferd  Average Speed   Time    Time     Time  Current
                                 Dload  Upload   Total   Spent    Left  Speed
^M  0     0    0     0    0     0      0      0 --:--:-- --:--:-- --:--:--     0^M  0     0    0     0    0   >
curl: (1) libcurl was built with SSL disabled, https: not supported!
error: cannot download curl-7.17.1.tar.bz2 from any mirror

Okay, even with the updated mirror, some other URLs where you could download the source code of programs also have stopped working. I learned that if you find other sources for the programs, you can add them to the Nix store using nix store add-file <file>, and Nix will happily take them, as long as the hash is the same.

Often, plugging broken links into the Wayback Machine worked well! I needed to download the following sources for missing files:

• curl-7.17.1.tar.bz2
• Python-2.5.1.tar.bz2
• blender-2.45.tar.gz
• openal-soft-1.1.93.tar.bz2
• cmake-2.4.7.tar.gz
• fontconfig-2.4.2.tar.gz
• libxml2-2.6.30.tar.gz

In my modified nixpkgs repo (on the 2008 branch), I already replaced the specified URLs, so you won’t have to download them manually.

Problem 3: Impurity in Python package

Let’s try to run the nix-build command again!

error: builder for '/nix/store/zpnw9n45d92fj28bqprqdfws1fhxhfgq-python-2.4.4.drv' failed with exit code 1;
python$EXE ../../Tools/scripts/h2py.py -i '(u_long)' /usr/include/netinet/in.h
Traceback (most recent call last):
  File "../../Tools/scripts/h2py.py", line 175, in ?
    main()
  File "../../Tools/scripts/h2py.py", line 75, in main
    fp = open(filename, 'r')
IOError: [Errno 2] No such file or directory: '/usr/include/netinet/in.h'
make: *** [Lib/plat-linux6] Error 1

During the build process, Nix tries to access the path /usr/include/netinet/in.h, but it’s not there! It can’t find it because builds happen in isolated “sandboxes”, which only have the things which the package explicitly specified. If builds try to access things from the outside, they would no longer be reproducible, because those outside things could be different on different computers.

I searched the nixpkgs commits for a reference to that file, and found this commit from 2013:

commit 723d5a5581a1ec4dc32eec3b197abb49def666e2
Author: Florian Friesdorf <flo@chaoflow.net>
Date:   Wed Jan 9 08:26:15 2013 +0100

    fix python-2.6 build: purity for systems with stdenv.gcc.libc

    On other systems python26 will continue to look for
    /usr/include/netinet/in.h among others. I don't know whether/what to
    do about that.

That commit introduces a patch that substitutes a couple of references to /usr/include with ${stdenv.gcc.libc}/include/, a path that’s now dependent on the package’s inputs. I added this to the preConfigure step of the python/2.4.nix file:

for i in Lib/plat-*/regen; do
  substituteInPlace $i --replace /usr/include/ ${stdenv.gcc.libc}/include/
done

I backported those lines into the python package from 2008, and it would now successfully build, yay!

When I continued the build, I discovered that, in addition to Python 2.4.4, Nix would also try to build Python 2.5.1. It’s probably a dependency of another of Blender’s dependencies? The same fix helped here, too. \o/

Problem 4: OpenAL has no Makefile

I tried running the nix-build command again…

error: builder for '/nix/store/60sysjw0cnm48q2a3vdwzaaczpmvnwpv-openal-soft-1.1.93.drv' failed with exit code 1;
       last 10 log lines:
       > openal-soft-1.1.93/OpenAL32/alThunk.c
       > openal-soft-1.1.93/OpenAL32/alBuffer.c
       > openal-soft-1.1.93/openalrc.sample
       > source root is openal-soft-1.1.93
       > configuring
       > no configure script, doing nothing
       > building
       > make flags:
       > make: *** No targets specified and no makefile found.  Stop.
       >

Nix complains that the source code of OpenAL (an audio library) has no makefile. (A makefile is something like a recipe for building software.) And indeed, when I looked at version 1.1.93, it only had a CMakeLists.txt file, which is related to the CMake buildsystem. I knew that running cmake . would generate a makefile. Nix has a “default builder”, which knows how to build typical projects.

I would’ve expected that this default builder would know about CMake, but surprisingly, running rg cmake in the whole nixkpgs only yielded about 10 packages where it was mentioned. Maybe it was not a big thing back then?

So, how would I add a step that would run cmake before the rest of the building continues? After some googling, the answer was adding these lines to the OpenAL package:

configurePhase = "cmake . -DCMAKE_INSTALL_PREFIX=$out";

Problem 5: linux6-config.py doesn’t exist

So, we run the nix-build command again! I got my favorite error in this series:

error: builder for '/nix/store/69sa0wgax1ijd7pw7cdq6xi4dyzib2pq-blender-2.45.drv' failed with exit code 2;
       last 10 log lines:
       >   BF_OPENEXR_LIBPATH = /nix/store/4vdd02llb0gs4jk2pv5kfcrmp5z2hr87-openexr-1.4.0/lib
       > Command-line targets
       >       No targets given, using default
       > config/linux6-config.py doesn't exist
       > user-config.py not found, no user overrides
       >
       > scons: *** Error converting option: WITH_BF_OPENAL
       > Invalid value for boolean option:
       > File "SConstruct", line 171, in ?

This stumped me for a while, and I was looking at the wrong places. I tried setting the WITH_BF_OPENAL variable to different values, but eventually I realized that the error was trying to tell me something else: There was no config/linux6-config.py file. My guess was that this file would set a bunch of different things, depending on the operating system. I’m using Linux kernel version 6.2.9 currently. So, what other configuration files are there? I extracted the source code of Blender 2.45, and was amused to realize that the most “modern” configuration was in a file called config/linux2-config.py. I guess the the Blender developers back then didn’t think Linux kernel versions would ever start with a 6? :D

The platform was being set in the SConstruct file, so the most direct thing I could think of was to force it to always be “linux2”. I added this line to the beginning of the buildPhase string in the Blender package, which performs that substitution:

sed -i -e \"s/^platform.*$/platform = 'linux2'/\" SConstruct

Now, when running nix-build, Blender actually compiled, and I ended up with a binary, wheeee! Or, as the included README puts it: “Welcome to the world of Blender!”

Problem 6: X_GLXCreateContext fails

We have a binary, let’s run it:

$ ./result/bin/blender
Checking for installed Python... got it!
X Error of failed request:  BadValue (integer parameter out of range for operation)
  Major opcode of failed request:  152 (GLX)
  Minor opcode of failed request:  3 (X_GLXCreateContext)
  Value in failed request:  0x0
  Serial number of failed request:  29
  Current serial number in output stream:  30

Oh. When I saw this error, I immediately knew that this would be a hard one to solve, because I know so little about graphics drivers. GLX is the OpenGL extension of the X Window System, so it’s used to display 3D things in graphical applications on Linux.

Usually, when I got these types of GLX errors, the solution was to update whatever I tried to run, or to reboot. But I had never really understood what was going on here, and I had no idea on how to debug it. I asked for help on Mastodon, and jix had a couple of ideas.

• Compile the offending program and its dependencies with debug symbols. (Never figured out how to do that in a way that wouldn’t take a lot of work.)
• Run it in gdb (the GNU debugger) and see where exactly it crashes.
• Enable the indirect rendering mode in Xorg (I tried this, but then Blender crashed Xorg.)

Other approaches I tried:

• Use nixGL as a wrapper (it sets some environment variables in a wrapper script, which fixes modern OpenGL programs built with Nix in a way I don’t understand).
• Boil down an OpenGL example program to only leave the lines that reproduce my crash.
• Use xtruss to trace calls into the X Server (didn’t give me new information).

I talked to jix again a few days later, and they suspected that the easiest workaround would be to fall back to a way of rendering 3D graphics that wouldn’t go through a graphics card, and instead, just be a software implementation of OpenGL. This would be slow, but it might avoid some incompabilities between my modern X Server/graphics driver, and old 3D software.

They came up with the fix to build the mesa library (an open source implementation of the OpenGL API, which talks to graphics cards) in a way where it would only use software rendering: Replacing the “linux-dri-x86-64” target in the mesa package with “linux-x86-64”. This seems to remove the “Direct Rendering Interface” capabilities.

Success!

After rebuilding using nix-build, we can now finally run Blender! <3

Sweet, sweet nostalgia! Of course, there already was default cube in the scene back then. And you had to right-click to select objects by default…

Inkscape 0.45 (from 2008)

Another program I started using a lot 15 years ago is the vector graphics program Inkscape.

Problem 1: Missing source files

When running nix-build path/to/nixpkgs -A inkscape, I encountered a similar error as before, where two source files were not present at their original locations anymore. I downloaded alternatives from these URLs:

• inkscape-0.45.1.tar.gz
• gc-7.0.tar.gz

Problem 2: Segmentation fault

That gives us a binary. Let’s try to run it:

$ ./result/bin/inkscape

Emergency save activated!
Emergency save completed. Inkscape will close now.
If you can reproduce this crash, please file a bug at www.inkscape.org
with a detailed description of the steps leading to the crash, so we can fix it.
fish: Job 1, './result/bin/inkscape' terminated by signal SIGSEGV (Address boundary error)

That doesn’t sound very good. SIGSEGV is a signal related to a “segmentation violation”, which happens when a program tries to write to memory outside of its allowed regions. I tried using various tools to inspect the coredump, but didn’t get very far.

Maybe we can run a debugger and see more detail about what happened? Let’s use the GNU debugger:

$ gdb ./result/bin/inkscape
Reading symbols from ./result/bin/inkscape...
(No debugging symbols found in ./result/bin/inkscape)

No debugging symbols, okay… let’s try it anyway:

(gdb) run
Starting program: /nix/store/vx7f9ihpd7ahvgp8x17c0plqddwz35hc-inkscape-0.45/bin/inkscape

Program received signal SIGSEGV, Segmentation fault.
0x00007ffff54e523a in translate_array () from /nix/store/4shfp39ixrjz7riga3n26v53arb0vwpc-freetype-2.3.1/lib/libfreetype.so.6

This is the same crash as before, but now we can try to print a backtrace:

(gdb) bt
#0  0x00007ffff54e523a in translate_array () from /nix/store/4shfp39ixrjz7riga3n26v53arb0vwpc-freetype-2.3.1/lib/libfreetype.so.6
#1  0x00007ffff54e9134 in load_truetype_glyph () from /nix/store/4shfp39ixrjz7riga3n26v53arb0vwpc-freetype-2.3.1/lib/libfreetype.so.6
#2  0x00007ffff54e99cf in Load_Glyph () from /nix/store/4shfp39ixrjz7riga3n26v53arb0vwpc-freetype-2.3.1/lib/libfreetype.so.6
#3  0x00007ffff54dda41 in FT_Load_Glyph () from /nix/store/4shfp39ixrjz7riga3n26v53arb0vwpc-freetype-2.3.1/lib/libfreetype.so.6
...

I’m not sure how this works so well without debugging symbols, but yay!

Huh, so the crash happened somewhere in a “load glyph” function. One very neat tool to see more about what a program does is called strace, which prints all system calls the program does in the Linux kernel. You can see which files it accesses, for example. Let’s try it:

$ strace ./result/bin/inkscape
...
stat("/usr/share/fonts/handjet/Handjet[EGRD,ESHP,wght].ttf", {st_mode=S_IFREG|0644, st_size=372832, ...}) = 0
open("/usr/share/fonts/handjet/Handjet[EGRD,ESHP,wght].ttf", O_RDONLY) = 6
fcntl(6, F_SETFD, FD_CLOEXEC)           = 0
fstat(6, {st_mode=S_IFREG|0644, st_size=372832, ...}) = 0
mmap(NULL, 372832, PROT_READ, MAP_PRIVATE, 6, 0) = 0x7f217ef13000
close(6)                                = 0
brk(0x2f50000)                          = 0x2f50000
...
--- SIGSEGV {si_signo=SIGSEGV, si_code=SEGV_MAPERR, si_addr=0x7f217ec1b000} ---
+++ killed by SIGSEGV (core dumped) +++
fish: Job 1, 'strace ./result/bin/inkscape' terminated by signal SIGSEGV (Address boundary error)

Interesting, the font library that Inkscape uses tries to load various fonts installed on my system… and crashes after opening one called Handjet, that seems to be a very fancy variable font with multiple parameters? Maybe the Fontconfig from 2008 isn’t able to handle it?

Let’s, um, “fix” this problem by moving the font somewhere else:

$ sudo mv /usr/share/fonts/handjet/ /root

Success!

Firefox 2.0.0.11 (from 2008)

Another program I wanted to build is Firefox.

$ nix-build path/to/nixpkgs -A firefox

Problem 1: No rule to make target Linux6.2.mk

error: builder for '/nix/store/dkdxljpvhdr2bn3i5cvpj5p9fy50hwpr-firefox-2.0.0.11.drv' failed with exit code 1;
       last 10 log lines:
       > building ../coreconf/Linux6.2.mk
       > /nix/store/36sp3r35nxhhj5m83bxsvf7xqgdrhz1l-gnumake-3.81/bin/make -j1: *** No rule to make target ../coreconf/Linux6.2.mk.  Stop.
       > make[3]: *** [../coreconf/Linux6.2.mk] Error 1
       > make[3]: Leaving directory `/build/mozilla/security/coreconf'
       > make[2]: *** [.nss.cleaned] Error 2
       > make[2]: Leaving directory `/build/mozilla/security/manager'
       > make[1]: *** [tier_50] Error 2
       > make[1]: Leaving directory `/build/mozilla'
       > make: *** [default] Error 2
       >

This is a similar problem like we’ve encountered before with Blender: The build process didn’t expect there to be a Linux kernel version more modern than version 2.6. I solved this by applying ckie’s solution, which just copies over a config file for version 2.6. I added this to firefox/builder.sh:

patchPhase() {
    if test -z "$patchPhase" -a -z "$patches"; then return; fi
    header "patching sources"
    startLog "patch"
    patchW
    stopLog
    stopNest
    cp security/coreconf/Linux2.6.mk security/coreconf/Linux6.2.mk
}

Success!

“Congrats! You’re using the latest version of Firefox! An even newer Firefox is available.” 😂

Firefox uses the codename “Bon Echo” here, I think Mozilla didn’t allow binary distributions using the original Firefox branding back then…

For some reason, Firefox showed “Server not found” errors for all websites I tried to visit, until I configured a Proxy server (under Edit -> Preferences -> Advanced -> Network -> Connection -> Settings). I just installed and started mitmproxy, and used 127.0.0.1:8080 as the proxy.

I couldn’t access blinry.org, I think the allowed SSL algorithms are too new for Firefox 2.0…

GIMP 2.4.3 (from 2008)

After all fixes from before, this one “just worked”:

$ nix-build path/to/nixpkgs -A gimp

Today’s GIMP still uses the same icon set!

Closing remarks

This was fun! Trying to build old software allowed me to get some pretty deep insights into various parts of Nix. So many different errors…

One thing I still would like to try is building a full GNOME desktop (version 2.16). There is a pkgs/desktops/gnome directory, but the support seems very rudimentary, only packaging the window manager metacity, the gnome-panel, gnome-terminal, and a couple of helper libraries… other components, like a GNOME settings program, don’t seem to be packaged, so I’m not sure how to get started. The “operating system” related things used to live in the nixos repo back then, before it was merged into nixpkgs, so maybe there’s something in there?

Other open questions:

• What would I need to do to have 3D-accelerated graphics in Blender?
• Why can’t Firefox 2.0 resolve domain names?
• Why was I able to debug the Inkscape crash, even though it had no debugging symbols?
• Is it possible to “override” Nix derivations from 2008, to fix them in a more elegant way than to modify the nixpkgs repo?

Wanna time travel to 2008 yourself?

Again, I published a modified nixpkgs repository (the 2008 branch), which includes all required changes to build an run Firefox, GIMP, Inkscape and Blender from 2008 on my Arch Linux machine in 2023. Give it a try and let me know how it went for you!

The only instrument I used is the Helm synthesizer.

A grid-based puzzle game about breaking the fourth wall,

Made for Ludum Dare 52, together with Piko! Play here!

Trailer

It’s an arcade game taking place inside an alarm clock! Inside the first digit of the seconds display, to be precise!

Quick, start the alarm to wake up your human! But make sure not to be in a segment when it turns off!

Play it at the Ludum Dare website!

This was really fun to make – the game even has its own intro animation, and features lots of fun sounds!

• Slides (on Google Docs)

• A detailed interpretation of the message
• About the Cosmic Call as a whole

Zine

Print, cut, and staple your own zine!

Message Data

The binary message (reconstructed by me from this document): message.txt

Interactive tool

You can try the tool I made for interactively exploring the xyY color space here!

Links

• Slides (on Google Slides)
• Slides (PDF)
• EnthuasiastiCon talk about gamma correction

There’s a recording on YouTube:

Online version

You can play the demo here (works in Chrome, click to start the music).

Make your own animations

I remade the framework as an interactive, minimalist creative coding tool! You can try it at https://sliderland.blinry.org!

You can find the current build here:

https://blinry.github.io/everything-exhibition/

🐞 Report bugs!

If something doesn’t work or looks broken, please let us know! You can describe the issue you’re having in our issue tracker.

✏ Write a content plugin!

We’d like to make it easy to add more content sources, besides MediaWikis! We think that HTML will be an even better “intermediate format”, compared to Markdown.

But we’re not quite there yet! Feel free to follow us to get notified as soon as we build an easy way to add content plugins:

🔭 Follow us!

• Twitter: @bleeptrack and @blinry
• Mastodon: @bleeptrack@chaos.social and @blinry@chaos.social

💰 Support development!

Our current funding will run out at the end of February. If you wanna help us put more time into making open software and content, you can support us on Patreon! Here and here!

📩 Get in touch!

Want to use this game in your teaching? Or at your workplace? Something resonated with you? We want to hear from you! :) Drop us an email: bb@blinry.org

Slides

Here are the slides we used: (Open them in fullscreen)

So, on a free weekend in early December, I decided to try to make 50 programs for the open-source retro fantasy console TIC-80!

On this page, I document my experience, and release all resulting programs/”carts” under the free CC0 license, so you can study, modify and reuse them however you like!

You can click on “play in browser” below each video to see the cart in action! To see the source code, press escape, click “Close game”, and press escape again!

Saturday morning

I started by compiling a list of rough ideas. The first thoughts that came to my mind were about trying technical things, like graphical effects, or exploring the features of the console. I cracked my knuckles, opened TIC-80, and got to work!

1: Dissolving

This doesn’t clear the screen each frame, but instead clears 5000 random pixels before drawing the circle!

play in browser – download .tic file – view tweet

2: Pattern fill

TIC-80 doesn’t have a built-in pattern fill, so here I rasterize the circles myself, using the 16-bit patterns 0xada7, 0xaeab and 0x8520.

play in browser – download .tic file – view tweet

3: Text effects

We can offset the plain print() function a bunch of times to get these effects! For the striped version, I use clip() to limit what is drawn in each color to a single line.

play in browser – download .tic file – view tweet

4: Smooth rainbow

TIC-80 normally just has a 16-color palette, but it’s possible to change it in each scanline! :)

play in browser – download .tic file – view tweet

5: Sprite drop shadows

Using the palette swap region in the RAM, I swapped all colors to black before drawing a shifted copy of the sprite.

play in browser – download .tic file – view tweet

6: Patterned shadows

Similar idea, but drawing each shadow 32 times and using clip() to constrain it to a checkerboard pattern. There’s… probably a way to do this more efficiently! :D

play in browser – download .tic file – view tweet

7: Alien art

Drawing bit fields using a simple formula on the pixel coordinate. The modulus can be changed with the arrow keys. Shoutout to Martin Kleppe! :)

play in browser – download .tic file – view tweet

8: Shaking text

Another text effect. We have to split the string into individual characters to do this.

play in browser – download .tic file – view tweet

9: Thick lines

TIC-80 has a line() function, but it’s only 1 pixel wide. We can use tri() to draw a thicker rectangle, and close it off with circles at the ends. Doesn’t seem to work very well for odd line widths.

play in browser – download .tic file – view tweet

10: Chromatic aberration

I love this retro effect, which separates the color channels more as we get closer to the edge of the screen!

play in browser – download .tic file – view tweet

Saturday afternoon

Making the first 10 carts took me roughly three hours. I felt good about this challenge! I had plenty of more ideas in my list, and with around 20 minuts per carts, I was well on track time-wise! I started tweeting about my progress, here’s the thread, which gave me a good medium for reflecting on my own progress, and invited encouragement! :D

I got lunch, and kept going:

11: Sprite outlines

Another effect on sprites, swaps all palette colors to black and drawing shifted copies of the sprite! The cartoon style of the second tree should come in very handy games!

play in browser – download .tic file – view tweet

12: Piano

TIC-80 has built-in editors for sound effects and music! Here’s a virtual piano that you can play with your computer keyboard! I like how arpeggios (fast pitch patterns) instantly make a sound chiptune-y! :)

play in browser – download .tic file – view tweet

13: Sliding notes

The sfx() can only play fixed semitones, without any effects. I wanted a “note slide” effect, so I prepared a music track which uses that effect, and when playing a note, poke around in the RAM to insert the source and target pitch!

play in browser – download .tic file – view tweet

14: RAM viewer

I was curious about TIC-80’s RAM (virtual computer memory), so I wrote a visualizer! In this video, I show two cool things I found: The default character set (not really readable in this layout), and the two bytes where the mouse position is stored! :D

play in browser – download .tic file – view tweet

15: Floating letters

A text animation that pushes away letters that are further from the “focal point”. The things you can do with trigonometry! <3

play in browser – download .tic file – view tweet

16: 2D distance functions

I love writing pixel shaders in GLSL, and with TIC-80, you can use the same approach (but much slower)! Here’s two distance functions describing circles, combined with a smooth minimum function.

play in browser – download .tic file – view tweet

17: 3D distance glitch

A pretty bug I encountered while trying to implement a 3D renderer using ray marching! I think the factor I was using to cycle through the color palette was way too high.

play in browser – download .tic file – view tweet

18: 3D distance functions

And here is a “properly” rendered 3D sphere. Without a 3D vector library, coding prettier shading felt like a hassle, so I just did a simple rainbow pattern and moved on. :)

play in browser – download .tic file – view tweet

19: Direct sound

Diving deeper into TIC-80’s audio capabilities, I found the “sound registers”, which you can directly write to! Okay, first experiment: filling them with random bytes! 🎶

play in browser – download .tic file – view tweet

20: Theremin

Neat, this allows us to have much more control! We can set the waveform, the volume, and the frequency! So let’s build a theremin! :>

play in browser – download .tic file – view tweet

Saturday evening

At this point, I realized that making 50 of anything is a lot! But I also really enjoyed the exercise, it made me think outside the box, and allowed me to follow my curiosity! To spread the 50 carts out equally over two days, I decided to make 5 more that day:

21: Noisy gradient

The further we progress on the x-axis, the more probable the right color becomes!

play in browser – download .tic file – view tweet

22: Day of the week

TIC-80’s tstamp() function gets us the seconds since 1970-01-01! Compared with most other date calculations, finding out the day of the week is relatively straightforward! (Famous last words.)

play in browser – download .tic file – view tweet

23: Screen shake

An effect that helps make games 💦juicy💦! This is really satisfying. :D I’m sorry, Japan. Today’s earthquakes are on me.

play in browser – download .tic file – view tweet

24: Particles

Another 🥵juicy🥵 part of many games! These particles have a position, a color, a direction, a speed, and a “frames to live” counter. They shrink and slow down as they age.

play in browser – download .tic file – view tweet

25: Liquify

Quick effect to finish the day off! Because TIC-80’s UI is still in the screen RAM when a cart runs, we can do effects on it! Here, each pixel has a chance to assume a neighbor’s color!

play in browser – download .tic file – view tweet

Sunday morning

Encouraged by my friends cheering me on on Twitter, I started into the second day with a lot of energy! Saturday had been exhausting and exciting! I had some more ideas on my list.

26: Tree

Here, I’m doing a simple recursion with a dash of randomized angles, using a green color gradient.

play in browser – download .tic file – view tweet

27: Bliss

Having some fun with TIC-80’s sprite editor, and assembling dynamically-sized objects from tiles!

play in browser – download .tic file – view tweet

28: Inversion

Again, this is a custom circle rasterizer that checks the current pixel value, and inverts it. A little shadow to round it off. Kudos to TRASEVOL_DOG, whose Doodle Insights were a big inspiration for me!

play in browser – download .tic file – view tweet

29: Vignette

I love vignetting effects, where the image corners fade out into darkness. It’s harder to replicate with a 16-color palette, but I’m not unhappy with this.

play in browser – download .tic file – view tweet

30: Animated character

In many games, you move around with a character, and it looks much nicer when it’s animated! This was good practice for implementing a system like that.

play in browser – download .tic file – view tweet

31: Fuzzing

Okay, let’s just put random bytes all over TIC-80’s entire RAM! This can change the screen offset, the border color, or make cute noises! And if you watch the recording until the end, you can watch me learn that there’s a bit for capturing the mouse! :’D

play in browser – download .tic file – view tweet

32: Cross-stitch

I had the idea to make a filter which takes the current screen content, and replaces each pixel with a stitch! Here it is being applied to the duck cart! :3

play in browser – download .tic file – view tweet

33: Paint

A very rudimentary drawing program. Really wanted to spend more time on this, but I had to move on!

play in browser – download .tic file – view tweet

34: Falling sand

The same program as #33, but with an additional rule! :D

play in browser – download .tic file – view tweet

35: Water reflection

Each pixel from the top half of the screen is reflected to the bottom half, mapped to a darker color, and shifted around a bit horizontally! Really happy with the interactive part here!

play in browser – download .tic file – view tweet

Sunday afternoon

At this point, I was in a deep flow state - similar to what I experience when I participate in game jams: I have a lot of focus, and can work on something basically from waking up until I go to bed. That’s pretty unusual for me, and a really intense feeling! Also, at this point, I felt like I was out of ideas. Every idea felt like it would be the last. I think it is exactly the point of this exercise - to exhaust the obvious ideas, to get to the weird ones!

I badly neede another break, so I made vegan gingerbread cookies, went for a quick walk, and continued after that. To be able to finish the remaining carts during the weekend, I started using a 20-minute timer to remind me to move on.

36: Rain

A modification of #24, but with two types of particles – raindrops and water splashes!

play in browser – download .tic file – view tweet

37: Spirograph

Three connected arms with random lengths and rotation speeds. We trace the last arm’s path (and memcopy to an unused part of the RAM, so we can draw the arms on top)!

play in browser – download .tic file – view tweet

38: Voronoi diagram

I’ve never implemented Voronoi cells before! Each point has an associated color, and we paint each pixel according to which point it’s closest to.

play in browser – download .tic file – view tweet

39: Game of life

A classic “cellular automaton”, which simulates its cells in a particular way, often leading to interesting patterns. This starting pattern is called “Acorn”!

play in browser – download .tic file – view tweet

40: Cursor impostors

Only one of these cursors is real! Can you figure out which one? The others dance with you in the same speed. (Note to self: make a real game around this idea at some point.)

play in browser – download .tic file – view tweet

41: Television

A filter that adds noise, some horizontal lines, and cheap distortion using the SCN() function.

play in browser – download .tic file – view tweet

42: Typewriter

TIC-80 has access to the states of most buttons on your keyboard, so we can build a typewriter! With some letter imperfections, “editing” capabilities, and *ding* sound at the end of the line! :P

play in browser – download .tic file – view tweet

43: Moiré pattern

An interference pattern created by two sets of concentric circles.

play in browser – download .tic file – view tweet

44: Map generator

For this, I distribute some colored pixels on the plane, and make them grow outwards, like bacteria. Surprisingly effective and cheap!

play in browser – download .tic file – view tweet

45: Truchet tile editor

This patterns is made from four tiles, which all fit together. You can click on a tile to change it. Would be fun to make a font with this!

play in browser – download .tic file – view tweet

Sunday evening

I was into crunch territory now, wringing out my brain for new ideas. I felt mentally and physically exhausted, but I also said to myself: “I can do this!”

46: Mountains

The layers keep track of a up/down direction for changing the height. They add noise to it, but also try to flatten it out over time. I like how smooth this makes them.

play in browser – download .tic file – view tweet

47: Timeline

I heard you like timelines, so I put a timeline in your timeline so you can scroll through a timeline while you scroll through your timeline!

play in browser – download .tic file – view tweet

48: Squircle

The so-called squircle is a superellipse defined by x^4+y^4=r^4. It’s close to a rounded rectangle, but I like it much better! It’s being in UI design, for example for app icons!

play in browser – download .tic file – view tweet

49: Mandelbrot set explorer

A famous fractal! It has a simple definition, but a highly complex boundary! The colors show how many iterations we did from that point before diverging.

play in browser – download .tic file – view tweet

50: Fireworks!

And finally, let’s do another application for a particle system. Here, I spawn the particles along some hand-crafted lines and ellipses. Whoa, I really made it!! 🎉

play in browser – download .tic file – view tweet

Aftermath

After completing the 50 carts, I felt pround, and excited, and completely exhausted! In total, I had spent around 16 hours on creating the 50 carts, and around 4 hours on tweeting about them!

My ears were ringing, my eyes were dry, and my mind felt restless. This was a really intense exercise! Similarly to how I’ve experienced it after game gams, I needed around three days and a lot of sleep to fully recover from this.

I really encourage you to try this sometime! You could paint 50 small-scale paintings! Or write 50 koans! Or, I dunno, cook 50 sandwiches?

And here’s a Twitter thread with the individual drawings:

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What I built is a “cat tree generator”! I modelled the tiles in Blender, and wrote an algorithm that makes sure that the final structure will be consistent. For example, a ladder will only be placed if:

• there’s nothing over it,
• there’s something solid under it, and
• there’s a solid block next to it.

Check it out here! Each time you refresh the page, you’ll get a new cat tree!

You can find the source code on GitHub. I use THREE.js for 3D rendering.

Specifically, it’s printed in the field “Ordens- or Künstlername/Religious name or pseudonym”, which is present both on the Personalausweis, as well as the Reisepass!

Why have it officially recognized as a pseudonym?

There’s no clear single reason for me. I was curious how the process would work. It might make it easier to use it to sign contracts or to receive letters under this name.

Really, it’s mostly about closing the gap between the name I identify with, and the name printed in official documents.

Requirements

Who can have their pseudonym officially recognized in Germany? There don’t seem to be precise requirements, unfortunately. The Law on National ID Cards is very brief on this, and just mentions that there is a field for a pseudonym, and that applicants need to produce evidence if they want something printed in there.

But when trying to find out what the requirements might be, I found a few recurring themes:

• You’ve been using that pseudonym for a while.
• You’re doing art or other forms of publication under this name.
• You’re known under this name on a nationwide or international level.

That seemed like it all applied to me! So I started collecting evidence.

My application

I put together a 10-page letter with lots of screenshots, here’s what that looked like for me! (German original here, feel free to base your application on it!)

I hereby request that my pseudonym “blinry” be printed on my national ID card.

I am known by this name internationally since around 2017, and do publishing and art under this name. As an independent designer, artist, and speaker I am only using this name at this point, meaning that it displaced my birth name. I am introducing myself as “blinry”, and most customers, colleagues, and friends only know me by this name. I would like to be able to use it when sending invoices or opening bank accounts.

I have attached eight pieces of evidence to demonstrate that I am internationally known by this name.

If you have questions, feel free to reach out at [email address].

Google search

A Google search for “blinry” (in an anonymous browser window, without being logged in, to make the results more neutral), results only in hits concerning my person, including my homepage and various social media accounts.

Twitter

I’m doing art and other publishing on the social networking service Twitter, and have over 2800 followers.

My tweets regularly get over 500,000 people per month.

Talks and publications

On my website morr.cc I’m linking to many of my public appearances. Some of the contexts are conferences like the Chaos Communication Camp north of Berlin or the yearly MRMCD in Darmstadt. In addition, I’m part of different groups who create small video games. Since 2017, I publish these only under the name “blinry”.

My website has had over 400,000 impressions on Google in the past three months.

Opening of the 36th Chaos Communication Congress

A the end of 2019, together with a friend, I gave the opening speech of the 36th Chaos Communication Congress, one of the largest meetings of tech enthusiasts, artists, and hackers of the Chaos Computer Club, which is taking place each year in Congress Center Leipzig. Over 27,000 people watched the recording.

Deutschlandfunk and the Dresdner Neuesten Nachrichten reported on this opening:

Report in the c’t

After publishing a video game, the c’t, a magazine for computer technology of the publisher Heise, reported on it in the 13th edition of the year 2017.

Pixel art poster

At the end of 2016, I designed a pixel art poster, which I offered on a pay-what-you-want basis. About 1500 posters were handed out. The poster is signed with “blinry”.

Freelance design work

In my freelance design work, I also use the name more and more. Here’s an example for how a customer announced one of my logo designs.

Commercial design work

Together with a friend, I designed a t-shirt for the online shop “getDigital”. The product page has the following description:

I printed all of that out, put it in a thick envelope, and sent it to my city’s municipal office (“Bürgeramt”).

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The response

And then waited. 10 days after mailing this out, I got this email!

After reviewing your documents, I don’t see any reason why we can’t put the pseudonym “blinry” on your national ID card. Please call me to schedule an appointment. […]

I was excited, and really surprised how fast and unproblematic this went!

Visiting the office and doing the paperwork went almost exactly like doing any other extension of the ID card. The office worker told me that she had never entered a pseudonym before. She also told me that her colleague (who had sent me the email) “had done some additional research, and had attached some more screenshots to my letter”, and that it all seemed to check out!

By the way, because all information in the German ID card is in ALL CAPS for some reason, I didn’t have to explain why “blinry” should be written in lowercase…

After this appointment, the ID card was printed and mailed to the Bürgeramt, which took a few weeks. Because of the pandemic, and because the Bürgeramt is placed inconveniently far away from where I live, I only went to get it today!

Finally holding it in my hand feels super meaningful to me! :’) It feels validating for what has become my core identity.

The future

Next steps probably involve putting the name on my mailbox, so that I can receive letters with it! And possibly changing my main email address, oof.

I also anticipate that it will be challenging using the name in any official context. I guess I’m mononymous now, and forms asking for a “first name” and a “last name” don’t really make sense.

But whenever I get strange looks, I now can pull out my ID card and show them that it’s officially recognized! :)

Resources

If wanna try this for yourself, and have questions, feel free to ping me! I don’t have a good sense for how many pieces of evidence you might have to produce in order to apply successfully, or how they need to look like, overall, but if more of us do it, maybe we can find out!

There’s one other person who I know of who documented how to apply for a pseudonym in Germany: leitmedium – it’s also a super interesting read!

Slides

Here are the slides we used: (Open them in fullscreen)

Between the number rings, there is a thin, slightly bent “tension ring”, which holds the number rings in place.

Print your own!

I designed and tweaked the ring using a Prusa Mini+.

1. Download the .stl file, and open it in PrusaSlicer.
2. It seems important to activate the “Detect thin walls” option under Print Setting -> Layers and perimeters -> Quality. Without it, the thin walls of the inner and outer ring would consist of multiple extrusions, and they wouldn’t fit together. Other than that, I used Prusa’s standard 0.20mm QUALITY print profile, with an extrusion width of 0.45 mm.
3. Slice and print! This will take around 20 minutes.
4. Cut off any blobs or stringing from the parts.
5. Bend the thin tension ring into a zig-zag shape. Three upward zigs and three downward zags seem to work well. Strongly crease them!
6. Put the pieces together in this order:
   1. Outer ring (the wider of the high, thin rings)
   2. A number ring, with the dents facing outwards
   3. The bent tension ring
   4. Another number ring, with the dents facing outwards
   5. Inner ring
7. Align the outer cutouts in the inner and outer rings, and carefully push them together all the way. Done!

Make modifications!

If you want to make changes to the models (like changing the inner diamete), you can find the OpenSCAD source file on GitHub. It has a lot of comments! :)

And here’s a Twitter thread with the individual drawings:

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@zormit

Moritz’ wish was an avatar in a hand-drawn cartoon style. I drew this one in Krita, from a photo reference:

@marudor

Marudor asked for a panda in a vector graphics style. There are also two alternate versions: For his protected account, and for the bot, @markovdor.

@jochris451

Christina liked my pixel art poster of the CCH, so I made her a simple pixel art avatar from a photo reference. Theres also a robotic version for @botchris451.

@fucx@chaos.social

Thomas described the honey badger as his “spirit animal” – judging from a few popular YouTube videos, it seems to be super fearless! For this one, I aimed for a cartoon look. I always make sure that my avatars look good when they are placed inside circles, like Twitter does these days:

You?

You can bribe me! :D

Version 0.1.0

Pengutronix’ logo is a cute penguin, so that it seemed like an obvious choice to put it front and center! I put together a small 3D scene, and rendered it with Blender:

Version 0.2.0

In the next version, I added snow and an audio jingle, incorporating dial-up modem sounds. :D

Version 0.2.1

… which turned out way too Christmas-y, so I removed the snow again, and changed the instrumentation.

Version 0.3.0

Here, I swapped out the jingle to something more soothing, changed the camera movement to go through two phases, and added a fish friend! 🐟

Version 1.0.0

A bit of polishing, and a few hours of render time later, this was the final intro video!

I really enjoyed the whole process, and being able to create this using open-source software is a great feeling. If anyone else wants an intro video like this, I’m open for commissions! :)

Play it here!

Here’s the logo we ended up with:

Clean SVG here, PNG here, multi-resolution favicon here.

Development

I usually start a logo design with some sketches with ink on paper. Here are some directions I came up with:

We settled on the “letter m” direction, I digitized the sketch and made some variations with different letterforms and different outlines:

Finding a good logo usually involves making a lot of variations. This is a playful process I really enjoy, and it usually leads into some hilarious dead ends, like these:

Play it in your browser!

Some early praise

“god I hate this game so much <3 <3 <3”

“Loved and hated this! Playing it on a laptop trackpad was an experience, would highly recommend.”

“So good! This is a 10/10 for me!”

Story

The GMTK Game Jam is organized by a team around the British video game journalist Mark Brown, and has grown into one of the largest online game jams! It focuses on clever game design and mechanics, which I really like!

This year’s theme was “Out of Control”! Bleeptrack and I made an action game involving a lot of popups, a very disobedient mouse cursor, and a paperclip that’s definitely not helping! :P Winnie composed an original score for us, which is released under CC BY-SA: Windows 9001. Thanks to Winston for playtesting!

This is also my first game that comes with a silly trailer:

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We made the game using the open-source game engine Godot, which I’ve really grown fond of this year! You can find the source code on GitHub.

Development

The GMTK Game Jam is 48-hour jam, and whew, after doing a lot of 72-hour jams, I really felt the difference! You need to start playtesting and polishing much earlier, at the beginning or in the middle of the second day.

We spent quite some time brainstorming. Some alternative ideas:

• A game where you play as a dog, who is out of control (or wants to get out of control?) while being on a leash, on walk through the park with its owner. You’d bark a lot, pee on everything, and if you poop somewhere, your owner would have to come pick it up, allowing you to control them a bit. :P I thought this might’ve been a fun toy, but we didn’t find a good angle on what the actual goal of the game could be.
• A game with random time travel. You’d play Pacman or something, and at random points, the game would jump back into the past, or even ahead into the future. I’m really intrigued by the question how the future should look like if you haven’t played until that point yet - would we simulate all characters? Overall, without other gameplay elements to balance this, it might become frustrating quickly.

But we also had several ideas involving an out-of-control mouse cursor. Initially, we thought you would need to lure the cursor somewhere by putting down little food pellets or something. But when we started collecting ideas on how the cursor might misbehave, we quickly realized a fun and chaotic action game where the control mode changes a lot might be fun!

Some main challenges when developing this game was to implement our own UI system for the windows, and making sure that you can only click on the topmost one, and balancing the modes, making them not too easy and not too hard.

Two tweet from during development:

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It’s a game about finding the perfect password that fulfills all criteria. :P It has three levels, and takes a few minutes to play.

Play it in your browser!

Development

We developed the game using Glitch, which worked amazingly well! You can look at the source code (or remix the project) here.

As so often, we got a lot of super helpful input from our followers on Twitter and Mastodon when we posted about your work-in-progress, see the replies to theese tweets:

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We definitely had more ideas than time, so who knows, there might be an extended ersion in the future? :)

The game looks back on the soundtracks of the games I’ve worked on in the past, and it’s a declaration of love to the people who made them with me: Agustín, Alan, Byung, Kiki, larkinia, Lena, Leslie, Mai, Moritz, Pecca, rohieb, Steffi, Tim, and Winnie! <3

Play the game in your browser! The submission page on the Ludum Dare website is here.

Development

When brainstorming, I thought I had a strong initial idea, but I dropped it after half a day, and I think this was a good decision!

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In this case, I wanted to practice making music, so I asked around whether someone needed intro music for a podcast or something like that:

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And to my delight, I got several nice requests! For example, Ihro and Maya just started producing a German podcast about BDSM and polyamory. The name they picked (“Ihro Mayastät”) is a play on words on a phrase used to address people of high royal position.

Intro music

The intro music reflect this by using a baroque instrumentation, and announces the podcasters with fanfares and a orchestral buildup. I also like how the lead instruments – a trumpet and a cello playing pizzicato – seem to have a conversation, much like Ihro and Maya in the podcast! :)

Emotionally, I wanted to evoke a strong, proud, and optimistic mood.

Outro music

There’s also an outro version, which is softer, has a reduced instrumentation, and is less dramatic and epic. It also flows downwards, musically, to give listeners some nice closure at the end of the episode.

I used the open-source DAW Ardour to produce these, as well as the Creative Commons-licensed orchestral sample library Virtual Playing Orchestra.

The podcast

Make sure to check out “Ihro Mayastät” here:

To practice this language, I started to translate some of the “xkcd” webcomics by Randall Munroe, which are published under a CC BY-NC 2.5 license. To make my life easier, I’m basing my translations on the SVG files of the German translation project xkcDE by Peter Schlömer, released under the same license.

My translations are released under the terms of CC BY-NC 2.5, as well. The font is Comic Jens Bold by Jens Kutilek, published under CC BY-ND 3.0, you can download it from 1001 Fonts.

mi toki e pakala la sina o pona e ona! musi pona!

505: kiwen mute lili

Thanks to jan Ne for proofreading! (Original version)

1133: tomo tawa mun nanpa luka

Thanks to jan Kiki for proofreading! (Original version)

2287: jaki li ken ala pakala

This was a collaborative translation with jan Kiki. (Original version)

So for the Berlin Mini Jam in March 2020, I made a tiny prototype about a human-eating giant spider in Godot! :)

You can play it in your browser! Move your mouse, and click-and-hold to jump/eat people! :>

Made with Godot. You can find the source code on GitHub.

Development

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Alternatively, you can download binaries for Linux, macOS, and Windows.

Praise

“My favorite game at Global Game Jam Berlin!”

“You should add a few more levels, and then just put it on Steam!”

“Obviously, you know how to design puzzle games.”

Story

This year, I participated in the Global Game Jam for the first time! I have a lot of experience with the Ludum Dare game jam, where you participate with your group from your own home. But at GJJ, you actually go to predefined sites, to participate with other follow jammers in person! I joined the folks in Berlin meetin at the SAE institute, and I enjoyed the experience a lot, especially demoing the resulting games to each other in the end in a fabolous presentation!

Also, it’s the largest game jam in the world, with about 50000 participating at the same time. This year’s theme was “Repair”! I intentionally wanted to make a solo submission, to see what I could come up with in 48 hours, and I’m super happy with the result!

Winnie created an original score for the game, which I really love! Thanks!

Development

I tweeted a bit about the development of the game:

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After Bine did the design for this year’s Chaos Communication Congress (a large, annual hacker conference taking place in Germany), she was asked whether she also wanted to do the opening and closing sessions! These sessions are intended to give the official part of the Congress a nice frame, and set a positive mood. So, this conversation happened in late November:

Bine: “Hey, you?”

Me: “Yeah?”

Bine: “I was asked whether I wanted to do the opening and closing. I can take a second person on stage, and thought you might be up for that?”

Me: “Oof. That would be pretty scary. But I bet we would make a good team. Let me sleep on that.”

Me: “Hmm, we could do some absurd statistics, like ‘the amount of Club-Mate consumed, in swimming pool equivalents’!”

Bine: “Or try a data poetry performance!”

Me: “Ohhh, yeah! Or highlight the work of those who don’t get a lot of attention. Or give tips against post congress depression?”

Bine: “Or use GPT-2 to do some completions?”

Me: “Or visualize Twitter trends over time?!”

(Next day)

Me: “Alright, it seems that I basically already decided yesterday, huh? We’re gonna rock that stage!”

Here’s what we came up with:

Opening

(We talked in German, live translation into English and French available via the cog icon.)

Alternatively, there are recordings on YouTube in German and English.

Closing

Same here, the original is in German, English translation available via the cog icon. Be warned that it’s a lot of untranslatable puns, though. Philipp (“the official dubbing voice of bleeptrack and blinry” :P) can frequently be heard sighing: “Ugh. It’s a pun. I’m sorry.”

Special thanks to lastfuture, who provided us with the awesome chaosschau-jingles. You can listen to the raw jingles here: intro, outro (CC BY lastfuture).

And thanks to everyone who contributed a newsticker headline! <3

Alternatively, there’s a recording on YouTube in German.

In this edition, we talked about strange chess variants, artsy Twitter bots, ray marching, daily drawings, mathematical paradoxes, leaf venation simulation, illegal prime numbers, and fun in latent space! Enjoy!

Recordings

We gave the talk in German, but some kind friends did an awesome job live translating it into English! \o/ In the media.ccc.de player, you can switch languages using the cog icon:

Alternatively, the recordings are also on YouTube in German:

and English:

Slides

Here are the slides we used: (Open them in fullscreen)

Find the print files here: SVG, PDF

Until 2019, my backup strategy was not very sophisticated: I occasionally made backups of my notebook on an external hard drive, using the command line tool rsync. It was a manual process, and I didn’t have a regular schedule, which meant that I basically only made a backup “when I thought of it” (often several months apart). If my notebook had been stolen, I would’ve lost a lot of work.

In 2019, I set up automated backups using borg, borgmatic, and rsync. My server had a backup of my notebook on it, and the other way around. If one of them exploded, I could’ve restored it using the other. This worked well, but eventually, my server ran out of disk space, and adding more storage would’ve been rather expensive.

In 2022, I switched to restic, another great open source de-duplicated backup solution, which felt a bit simpler and faster compared to borg. The only downside is that it needs more storage space, because it doesn’t compress the backups.

For storing the (encrypted) backups, I’m using Backblaze. They charge 5 USD to store 1 TB of data for a month, that seems very fair to me. I currently pay around 2 USD per month. I’d like something self-hosted even better, but I also badly needed to make automated backups happen again.

This page is documenting how I set up my backups, and how to restore them, mostly for myself. :P

Notebook

Setup

• Register a Backblaze account, and create a bucket.
• Then, follow this guide.

Restore

• If your notebook explodes, get a new machine, and install restic.
• Log into backblaze.com using my main email account. You’ll need the Backblaze password.
• At “Account -> App Keys”, create a new application key, and write down the keyID and the actual keyphrase.
• Set the environment variable B2_ACCOUNT_ID to the keyID, and B2_ACCOUNT_KEY to the keyphrase.
• Run restic -r b2:blinry-restic mount directory/to/mount/to, you’ll need the password of the blinry-restic backup for this step.
• Copy out all of what you need.

Passwords

I store all my passwords in a password manager called gopass. It’s a minimalist command line tool, and a reimplementation of the classic password manager pass. The passwords are stored as GPG-encrypted files in ~/.password-store/ on my notebook.

Setup

To install and set up gopass, basically follow the instructions on gopass.pw.

Restore

To access the passwords, you need physical access to your notebook and the passphrase for your GPG key. If you don’t have access to your notebook, you’ll need the password for the user account on your server, the keyfile (see below) and the passphrase for the backup of your notebook, and the passphrase for your GPG key.

So I put some more thought into it. My backup strategy revolves around two devices: my notebook “thinkerbell” and my server “morr.cc”. At this point, Internet connections are fast, and online storage is cheap, so I just store a backup of my server on the notebook, and a backup of my notebook on the server, using a combination of rsync, borgmatic, and gopass. The backups are fully automated and run once per day.

The motivation for this post is threefold: first and foremost, I wanted to write documentation for myself on how I do backups, and how to restore them. Second, I want to give you all the resources you need to set up a similar system for yourself. And third, this might be useful information in an emergency – some people I trust have access to my secrets listed below.

Server

I do daily, nonincremental, unencrypted backups of all files on my server to my notebook, using rsync. Most projects which are deployed on my server I have locally versioned in Git anyway, so a single copy of the server’s files seems sufficient. I mostly care about configuration and log files, and it wouldn’t be catastrophic if I lost them.

Setup

Make a copy of the backup-server script. It uses rsync to make a full copy of the remote host, excluding some irrelevant directories, and especially excluding the directory where the notebook backup is stored, avoid cyclic backups (see below). Modify it to your liking. The script uses gopass to read the root password of the remote host, and stores the backup locally in ~/permanent/backups/morr.cc/.

Set up a systemd timer to run the backup-server script each day. Copy the two backup-server.* files from my dotfiles repo to your local ~/.config/systemd/user/ directory, and run this command:

systemctl --local enable backup-server.timer

Alternatively, you could use a cronjob.

Restore

If your server explodes, you still have a snapshot of all files on your notebook, which you’ll need physical access to. Get a new server, and either install a base system and copy back the files you need. Or if your hoster has the option to mount the server’s complete emtpy file system, you can try to copy back all the files, I guess?

Notebook

I do daily, incremental, encrypted backups of my notebook’s home directory to my server using borg. I really care about many files on my notebook!

Setup

Install borg (a command line tool for making incremental, encrypted backups) and borgmatic (a wrapper script for borg which simplifies its use). Create a copy of my borgmatic config, and modify it to your liking. Take care to exclude the location of the server backup to avoid cyclic backups. borg supports multiple modes to encrypt backups, we will use the “keyfile” mode, which stores an encrypted keyfile in ~/.config/borg/keys/. My configuration uses gopass to read the passphrase for decrypting borg’s keyfile, so you need to create one before you continue.

Run borgmatic init --encryption keyfile to initialize your backup. To make actually make a backup, you can use my (pretty trivial) backup script, which basically just runs the command borgmatic prune create.

Setup a systemd timer to run the backup script each day. Copy the two backup.* files from my dotfiles repo to your local ~/.config/systemd/user/ directory, and run this command:

systemctl --local enable backup.timer

Again, alternatively, you can use a cronjob.

Restore

If your notebook explodes, get a new machine, and install borg. You’ll need the keyfile, its passphrase, and the password for the remote user on the server who owns the backup directory. Copy the keyfile to ~/.config/borg/keys/. To list the available snapshots, run the following command:

borg list sebastian@morr.cc:~/permanent/backups/thinkerbell/

To list the contents of an available snapshot, run a command like this:

borg list \
sebastian@morr.cc:~/permanent/backups/thinkerbell/::thinkerbell-YYYY-MM-DDTHH:MM:SS.mmmmmm

To extract files from an available snapshot, run a command like this, or leave out the filename to extract everything:

borg extract \
sebastian@morr.cc:~/permanent/backups/thinkerbell/::thinkerbell-YYYY-MM-DDTHH:MM:SS.mmmmmm home/seb/wip/cool-project/

Secrets

To summarize, the passwords you need to access all of my stuff are the following:

• The password for seb@thinkerbell, the user account on my notebook.
• The password for sebastian@morr.cc, the user account on my server.
• The passphrase for the GPG key A624F8B6, which is used by gopass to encrypt my passwords.
• The passphrase for the keyfile, which is used by borg to encrypt the notebook backup.

In addition, you’ll need the following two files:

• My GPG private key (for the key A624F8B6) used by gopass to encrypt my passwords.
• The keyfile used by borg to encrypt the notebook backup.

I hope this gives you an idea of how all the components I use for making backups play together. If you try implementing a similar system for yourself, and get stuck at any point, don’t hesitate to ask me for help! :)

My entry is called “SillyPond” (thanks for suggesting that name, sofia! It’s a generator for unplayable sheet music in the style of John Stump’s “Faerie’s Aire and Death Waltz”. Using a mixture of generative grammars, a linguistics library, noise functions, and a lot of hand-stitched random distributions, SillyPond constructs a description of sheet music, which is then converted to an image using the open-source music engraving software LilyPond.

You can find the source code on GitHub, and you can use it to generate your own sheet music! The README contains usage instructions, you’ll need Ruby and LilyPond installed. Both the code and the generated files are released under the terms of CC0 1.0. The official jam release is on itch.io.

When working this generator, I really enjoyed that it’s basically a bunch of smaller generators, bundled together: a title generator, a subtitle generator, a melody generator, an instruction generator… – and that each part can be improved separately.

Giving the page some interesting high-level structure was the most challenging part for me. Because I don’t really keep a state while generating the elements, they tended to be distributed on the page pretty evenly. I solved this by using Perlin noise to influence some of the random distributions slowly, progressing down the page.

Fun fact: LilyPond can actually create MIDI files, so if you want to listen to “On the Beautiful Blue Penguin”, you can find an MP3 file here!

Some more examples:

And here’s a Twitter thread with the individual drawings:

Loading tweet...

You can open the slides here, and here’s a recording:

Alternatively, you can find a recording on YouTube.

Content of the talk

The Recurse Center is a continuous experiment on how to build and maintain a healthy, diverse, and inclusive Community. Over many years, it established some structures and traditions which I really liked, like the weekly feelings check-in, or the coffee chat bot, which supports people getting know each other quickly in a group. I think many of these ideas can be transfered to other communities.

There are four simple social rules, which promote mindful and kind behaviour, and lead to an environment where people can focus on learning from each other. What happens at RC is almost completely shaped by the participants - they are trusted to know best how to structure their time, in the tradition of the Unschooling movement.

This is a quite personal talk where I tell the story of how I got into the Recurse Center, what I did and learned there.

Here’s the recording - you can switch between English audio and a German live translation via the cog icon. If you prefer, there are also English and German versions on YouTube. You can open the slides here.

Links

Game Jams

• Indie Game Jam
• New Ludum Dare Website
• Old Ludum Dare Website
• Ludum Dare mailing list
• @ludumdare Twitter account
• Global Game Jam
• Nordic Game Jam
• TOJam
• Game Off
• GMTK Game Jam
• Indie Game Jams, a giant calendar
• Game Jams on itch.io
• One Hour Game Jam
• 0h game jam

Engines

• LÖVE, a cute 2D engine
• PICO-8
• TIC-80

Software

• Aseprite, a pixel art editor
• Recording of my pixel art workshop at 34C3
• Inkscape
• Freesound Project
• bfxr, a sound effect synthesizer
• Incompetech, background music

Game I worked on:

Ludum Dare

• You’re a Floor Lamp Now
• 20,000 Pixels Into the Sea
• Was ist das für 1 Room?
• A Bloody Small World
• Ten Little Letters
• Spring Clean - DO NOT CROSS
• Splendid Adventures on a Sunday Afternoon
• Writespace
• Arden’s Artisan Artefacts
• Capitalist Piggies

One Hour Game Jam

• The Floor is Lava
• Nuts and Bolts

I had been flirting with the open source music creation software LMMS for many years, and always found it quite archaic and ugly. But a few weeks ago, I was annoyed how that prevented me from actually making music, so I decided to try to become friends with it. And while there are some annoying things missing for a really smooth workflow, I was actually pretty happy with the software.

I had the lead melody for this track in a drafts folder for several years, and expanded it to a full song. Thanks a ton to lastfuture, who gave me incredibly helpful advice, that made the song a lot better!

You can listen to it on SoundCloud or download it as MP3 or FLAC. The LMMS project file is available here, you’ll need the FluidSynth soundfont for the distorted guitar.

Video

With dancing mousecursor, in the style of Kevin MacLeod. :D

From Reykjavik to Mosfellsbær

For the first three nights, we booked an AirBnb in Reykjavik (or, as we abbreviated it, R7k, because we’re lazy and have no manners). I slept pretty badly the night before we had to leave our apartment, and was nervous all morning. What would happen? Where would we end up? Would we actually be able to find a place to put our tent, and find water and electricity? And would people actually stop when we put out our thumbs?

Adding to that, it was raining that morning, not ideal conditions for trying this for basically the first time. We sighed, put on our rain jackets, pulled rain covers over our backpacks, and headed outside. We had a destination in mind: Þingvellir (the Þ is pronounced like the th in “thing”), which is of historical importance to Icelanders - an early form of democratic assembly met there for hundreds of years, and it’s also where the independence was declared in 1944. To get there, we knew we had to get to the Ring Road (Road 1) that goes all the way around Iceland, follow it a bit to the north, and then head east. We walked up to a somewhat traffic-heavy street in central Reykjavik, found a bus stop, and raised our thumbs.

We had written a sign (on a sheet of A4 paper) that said “[1] North / Þingvellir”, that we showed to cars that passed by. Of course, the sign got wet and soggy, and people didn’t really seem to notice us. We tried another section of that street, a bit further down the road, but didn’t really notice a difference. A man who lived in a nearby building stepped outside and approached us, and recommended to take a bus to a better traffic hub. We thought that seemed like a good idea; positioning ourselves closer to the edge of the city in the right direction would make it more probable that cars would go our way. So we paid 440 Icelandic króna each (about 4 USD/3 EUR), and actually took a bus to one of the last towns inside Greater Reykjavik - Mosfellsbær (the æ is pronounced like the i in “icy”), which also already was located on the Ring Road.

From Mosfellsbær to Þingvellir

We figured that Þingvellir might be a popular destination for people passing through Mosfellsbær, so approaching tourists at a gas station might work. We spent 15 minutes or so asking people who stopped for gas “Excuse us, are you going to Þingvellir?” Not a single soul did. A friendly-looking man with an Icelandic accent recommended we should position ourselves next the street that went alongside the gas station. We decided to also take that advice, and soon realized that was a pretty good spot: that section of the street came out of a roundabout, so people were driving slowly, and actually had time see us and our sign. There also was a conveniently placed lay-by, where cars would be able to stop safely.

It was here where we first got some reactions from the drivers: some shrugged apologetically, because they had no room left (either because their car was filled with their own luggage, or with kids riding in the back seats). Some seemed to applaud our valor, and cheered us on with various gestures - shaking their fist, flexing their biceps, or putting up their thumb in response to ours. Some waved very friendly, a reaction that was not very helpful for us. Many people just seemed to be delighted and amused by the idea of people trying to hitchhike along the Ring Road, and we exchanged many smiles with people, which was always nice. Standing in a spot like that was actually a lot of fun for me! By far the most common reaction, though, was no reaction at all.

Very quickly, though, after at most 10 minutes, an older lady stopped in the lay-by. For a second, we were unsure whether she actually stopped for us, but after she waved at us, we approached the car and opened a door. “I can take you in the right direction!”, she said. She allowed us to put our luggage (two large backpacks, two small backpacks, and a tent) in the trunk of her car, and we got in. She told us that she lived a bit behind the intersection where we needed to turn east, but kindly offered to take us a bit into the correct street, to a place where other people would be able to pick us up again. We mentioned that we were from Germany, and, after maybe half a minute of consideration, she said “Wir können uns auch auf Deutsch unterhalten!” Which we did for the rest of the short trip! She dropped us off at a campsite on the road to Þingvellir, and recommended to check out the nearby farm, where they would grow delicious vegetables!

We decided we wanted to keep going instead. Figuring out the best place to stand always took some guessing – we wanted to be seen by as many cars as possible, with many of them going in the right direction. They had to drive pretty slowly, and it had to be safe for them to stop. In this case, we stood next to the street to Þingvellir, in front of another bus stop, on the corner to the road to the campsite, so we would catch both streams of traffic. The road to Þingvellir was very straight at this point, so people could see us from far away – plus, all cars heading east were going in the right direction!

It took maybe 15 minutes for another car to stop, which was large and fancy. We introduced ourselves, and the driver introduced himself as Omar. He was headed for a place well behind Þingvellir, where he was going to spend the next weeks in his summer house with his family, which was already there. He enthusiastically described landmarks as we passed them – Þingvallavatn, the largest lake in Iceland, and Hengill, a nearby, prominent volcano. “You’re not scared of the car, are you?”, he asked, as he stepped on the gas pedal. “The speed limit is 90 km/h here, so we can drive 140!” He strongly stepped on the brakes again, as the car he wanted to overtake pulled out. “Tourist…”, he sighed. “Uh, I trust you!”, I said. We chatted a bit about our impressions of the country so far, and how there were so few trees. Omar told us a joke: What do you do when you get lost in a forest in Iceland? – You stand up! He also told us that all sheep in Iceland were roaming freely during the Summer, and that the owners would find them by their markings later in the year. Omar also spoke some German, because he had worked in Stuttgart many years ago, but he didn’t feel very comfortable using the language. He dropped us off at the Þingvellir Tourist Information Center, which was also where the campsite we wanted to go to was located. We were so excited after that, seeing that our plan had actually worked out, and getting there had been so much easier than we expected!

From Þingvellir to Mosfellsbær

Two nights later, we were ready to leave Þingvellir again. This section of Iceland has no bus network whatsoever, so we knew that hitchhiking had to work somehow. But, given how well getting there had worked, we were not too worried. Our destination for the day was Húsafell, a small town with a charming campsite, about 90 minutes to the north. There was a road directly going there, but we knew it passed through mountainous terrain, and we were not sure how many cars would take that route. We gathered our things, found a good spot to stand at the side of that road, and waited. We started the habit of using a timer on our phones, to know how long we had been there. This road indeed seemed to have very, very little traffic. We counted maybe 7 or 8 cars in the 30 minutes we waited there. One driver made a gesture to signify he wasn’t going very far. He stopped in the picnic parking spot opposite to us, got out with another person, they walked up a nearby path, and disappeared. When they returned 10 minutes later, we approached them. “If you’re trying to hitchhike there, you’re going to wait for three days”, he said with that distinct Icelandic accent, “few people take that road, because it’s so mountainous. Going back to the Ring Road and heading north would be your better option.” We nodded, as that was indeed our backup plan. “We don’t assume you’re going there?”, we asked. “No, I’m actually working, I have to safe a company bus. Uh, also, if you walk up that path, you’ll find a pretty creek! No tourists there, at all!” Again, we decided to take both pieces of advice. We quickly checked out the creek (it was indeed very pretty!), and then found another spot by the street going back to the Ring Road.

I think we waited for another 20 minutes, before someone stopped. Again, the person behind the wheel was an Icelander who was driving by himself. He introduced himself as Helgur. I had gotten into the habit of asking people about their experiences with hitchhikers, because we started to see a pattern: all people who picked us up told us that they often would see hitchhikers on the road, and would take them whenever possible. Helgur was no exception. He was just returning from a stay at his summer house, and was on his way to Reykjavik, where he lived. Getting to casually chat with locals was something I really enjoyed; we asked about Hákarl, the fermented shark that we had seen in the supermarket. At least Helgur didn’t like it at all, but had some family members who did. His hobbies included skiing, and he said that he would sometimes do that after work, half an hour away from Reykjavik. He also mentioned that, close to his summer house, there would be a geothermal area with hot water in the ground. His family had made a special bread there called hverabrauð (“hot spring bread”): you put a special bread dough in a container and bury it in the ground for 24 hours, after which it is done. As we stopped at the intersection with the Ring Road, he got a large package of that bread from his trunk and let us try it – it was delicious, very dark and sweet and dense, almost like cake. “Here, you can have it all!” We couldn’t thank him enough. This seemed worth the long wait!

We scouted around for the next location to stand. We needed to go north, and Helgur had dropped us off at a traffic-heavy, almost highway-like street coming out of another roundabout, with no buildings in sight whatsoever. In the direction we needed to go, the best spot we found was next to an emergency lane, but we soon realized this was a bad location to hitchhike: cars were going too fast, and they were busy watching the road, and where they needed to go. To make things worse, two tracks of the street merged into one at that point, so drivers were focusing on that, as well. We first sat down in the middle of the roundabout for lunch, and then headed in the direction of the closest village, which was a few kilometers away. This was one of the things we learned that day: try to get dropped off at a good location, definitely not at busy highway-like intersections, and preferably, close to some civilization… The village we reached was, again, Mosfellsbær, where we had started our first hitchhike. We stocked up one some food in a nearby supermarket, and stood at exactly the same place as the first time, this time only showing the half of the sign that said “[1] North”.

From Mosfellsbær to Borganes

We had luck again: after 15 minutes or so, a woman stopped. “I’m not going far”, she said, “only to Grundarhverfi”. We looked it up on the map, it was mabye one fourth of the way to Borganes, where we would have to leave the Ring Road again. But we thought that going in the right direction was a good idea. The woman seemed quiet and a bit shy, but while I was careful not to annoy her with too much conversation, she was the one that kept asking questions and finding things to talk about. She was driving back from work to where she lived. Interestingly, Grundarhverfi still belongs to Reykjavik, even though it is seperated from the city center by 10 kilometers of water, and there are no bridges or ferries, you have to drive all the way around a fjord. We told her that we were interested in the Icelandic culture and the language, and that we had installed Icelandic keyboards on our phones, which she found hilarious. Because of Iceland’s history, all school children learn Danish, and I asked about how that language compared to Icelandic from her point of view. “It’s so bad! Ughh!”, she spat out, and imitated some cawing noises, “all that chhh and tchhhh! I don’t like it!”

As we approached Grundarhverfi, we realized we might run into a problem: the village was tiny, and there were definitely no good places to stand - cars would move way to fast along the Ring Road. So our only option was to stay on the town’s gas station, and hope that someone of the few people stopping there would take us with them. A bit worried, we showed our sign to the few cars leaving the gas station. Incredibly, after at most 5 minutes, a driver lowered his side window. “Hi, I can take you!” Another Icelander. Of course. “Are you afraid of dogs?” We told him that we would be fine, and he made some room for our luggage in his little bus. One of us had to squeeze in next to a cage on the back seat row, which contained a calm, 1-year-old dog, which was sleeping pretty much all the time. The driver, Ivar, was a young, athletic person with a short beard and a restless energy. His bus was old, but seemed to be cared for well. Ivar turned on the radio. He was actually going through Borganes, and then was headed into the backcountry, to go to… his summer house. Well, what else did we expect. He showed us some pictures on his phone, which was mounted next to the steering wheel. They showed an aerial view of a large house next to a lake, built into a thick forest, unusual for Iceland, and also some jets skis. “Yeah, it’s fun there! We also have snow mobiles!” “And camera drones, apparently?” He smiled. “Yup!” Ivar was going to meet a friend, who would stay in the house the next weeks, and in exchange, Ivar would borrow his caravan.

The way to Borganes was long, and we got to touch on many different topics. Ivar also had been in Germany, “to train with GSG 9.” “Are you working in security, then? Or for the police here?” “Yeah, police.” I asked about Icelandic names, and if people would ever use someone’s last name. “No, never. I’m just Ivar, the second part of the name is not important.” He told us that a recent law had allowed people to take on arbitrary first names, independent of their gender identity or presentation. “Times are changing”, he remarked, but from what I could tell, he rather liked that change, and thought it was progressive. “And the second part of the name is derived from the father’s name, most of the time. My son is called ‘Ivarsson’, for example. But that doesn’t have to be the case.” I asked how he had experienced the financial crisis of 2008, which had hit Iceland especially hard. “Oh yeah, I lost a lot of money back then… that was not a good time.” We drove through one of Iceland’s longest underwater tunnels, and passed a long fjords, which housed two aluminium smelters, and a whale hunting company – a touchy subject for many Icelanders, so I bit on my tongue, not to ask any more questions about that. Ivar also remarked on how he thought Icelandic politicians were corrupt and not telling the truth most of the time. While my impression of Icelandic politics had been pretty positive, I guess the internal perspective can be quite different…

“We’ll be in Borganes soon! I’m going to take you over the bridge, into the city, so you can go to another gas station.” That was really thoughtful. Ivar even recommended a specific gas station, and dropped us off there. We said our heartfelt thanks, and he went on his way. At this point, it was already pretty late, and it had been a long, exhausting day, so we decided to stay in Borganes for the night. That’s one of the great things about Iceland: it has a really extensive network of campsites! There’s one in practically all larger towns, and also in some of the very small ones, which gave us a lot of flexibility.

After that night, we changed plans. The final leg of the journey we now had in mind was getting to the peninsula Snæfellsnes, all the way in the west of Iceland. (A friend remarked that Icelandic place names all sound like little dragons :3) That day, we spent many hours at gas stations and bus stops trying to get a hitchhike, but this time, it didn’t work out at all. Granted, the road there was long and lonely, and doesn’t have a lot of traffic. So in the evening, we concluded our hitchhiking adventures in Iceland, and just took a bus there.

Lessons learned

The only people who took us were Icelanders driving on their own, and we sometimes wondered why that was. Maybe Icelanders felt more obliged to help people visiting their country? Maybe the tourists travelling along the Ring Road had a lot of luggage of their own, and were not sure we would fit in? Maybe they were anxious about what would happen if they took us with them (I certainly would be!), or maybe couples wanted to spend their time alone? Another hitchhiker we met on the campsite in Borganes told us that some tourists had stopped for her, and that two guys would probably have a harder time.

Our A4-sized sign was definitely too small, it was only readable from a distance of 15 meters or so. We thought that getting a large piece of cardboard from a supermarket, and using a felt pen instead of a pencil would be a good idea. During our fruitless wait in Borganes, we looked around online for tips and tricks. Some people recommended holding the sign upside down, so people would stop out of pity. :P Or writing something silly on it, like “I DON’T STINK!” or “Runaway bride”…

The location makes all the difference. Like mentioned, places where drivers go slowly, don’t have anything else to focus on, and are headed in the right direction anyway, seem optimal, but they can be hard to find. Talking to people at gas stations didn’t work for us, but that’s maybe also because we had rather obscure destinations in mind. Taking locals’ advice on where to stand or on how to behave, however, worked well for us.

Doing this trip definitely gave me a strong sense of self-efficacy, the feeling that I’ll be able to deal well with similar situations in the future. Travelling as spontaneously and flexibly as we did was exactly what I needed, and I can’t wait to do more of that!

Maybe hitchhiking is also something you could try? :)

Further resources

While writing this post, I found Hitchwiki, which is a brilliant, extensive resource. Wikivoyage also has a short site about hitchhiking.

2019-06-03

Hey everyone! :green_heart:

Friday:

• Created an animation with @Winston Smith (S1’19)! We used p5, and learned things about easing functions, and about how to plan and structure this kind of multi-step animation! Also, publishing this as a GIF on Twitter was a pain in the ass, we got the best result when exporting all frames individually, opening them as layers in GIMP, and then exporting them as a GIF. :confused: Even though, in the resulting tweet, everything still looks a bit blurry. As for actually making the animation happen: we don’t store any state, but have formulas in place that give us the transformations we want. You can peek at the p5.js source code here, if you want. Fun fact: we actually had another movement pattern in mind, but a bug produced this, so we decided to keep it! Out of appreciation of the fabulous @beesandbombs, we internally called this project wasps and (gre)nades. :P
• Crawled the RC API to get people’s metadata and profile descriptions, then finetuned a GPT-2 model on that. Again, I’m amazed by how fast I got good results. Funny highlights:

Bio

My name is Dasabuki Shinoda. I was born in Kyoto, Japan but spent most of my life in Tokyo. I was a professional model in two stylists’ and an assistant manager’s jobs. I then started working as a model in a fashion photography studio, and found that modeling, photography, and editing were not the most exciting and fulfilling of my interests.

I’ve since discovered the power and joy of design and programming, and have been working for a well-appointed desk ever since.

I’m now trying to figure out what the heck I really am.

I’ve been programming for a while, and recently fell in love with the idea of living in the past, and using computers as a tool for self preservation.

What I’d like to learn and work on at RC

Go, go, go

In programming I’ve primarily used Python, which is my natural language and the most natural language for programming I have.

Other than programming I love to listen to and study to the same.

Most of all, I want to get better and master my passions (music and food).

Installing ImageMagick 3.0 and getting some testing/predicting working.

Installing and setting up a “no-fuss” automated testing environment for my codebase.

Getting some “yes” questions from the community about my codebase and project in general.

Today:

• Give a juggling workshop!
• More GPT-2 finetuning. Maybe create a tiny web interface to display the results?

2019-06-04

Hello, friends! :recursecenter:

Yesterday:

• @Tim Vieregge (SP2’19) and I wanted to get back into the habit of meditating regularly, so we made an accountability/support group in the #meditation stream, and are doing micro check-ins there since Monday. Join us! :slight_smile:
• The juggling workshop was so fun, thanks everyone for joining! Let’s do another iteration of the Recurse Circus next Monday!
• Paired with @Alan Chu (SP2’19) on the command line tool that helps you insert Co-authored-by tags into commit messages. All Git repositories have the convenient .git/hooks/prepare-commit-msg hook that allows you to modify the commit message before it is opened in your editor! We first wrote a shell script to insert co-author tags, and then rewrote the thing in Go, which took 10 times as many lines, but is also (at least) 10 times prettier! And it’s unit tested!
• Was surprised to see that my brain still can spit out some Blender shortcuts after almost a year of not really using it. (@Nick Aversano (SP2’19) tried to extrude 2D vector graphics of bugs into 3D, and had some… bugs in his workflow :P)

Today:

• I didn’t get to the thisrecurserdoesnotexist web frontend yesterday, so I might do a bit of that today! よし！！

2019-06-05

Hey :}

Yesterday:

• Started making an ambient generative art thing with @Kate-Laurel Agnew (SP2’19)! The vision is a Zelda-style pixelart garden landscape. We started out with a prototype in Nicky Case’s Emoji Playground, where we defined rules for a complex cellular automaton: empty spaces sometimes spawn a seedling, which can grow into a tree, which occasionally drop nuts. Then we had squirrels moving around, which multiply when there are many nuts, but die from overpopulation. And so on.
• After that, as a first step for implementing something similar ourselves, we wrote some Javascript that fills a canvas with randomly colored squares! :palette: Also, keycodes.info seems helpful for figuring out the keycodes of Javascript input events!
• Made a web interface for This Recurser Does Not Exist! You can check it out here: REDACTED! Because the model could hypothetically leak real personal information, it’s password protected: Username “REDACTED”, password “REDACTED”. This version contains about 500 pre-generated profiles. Please send me a screenshot if you find something funny! :)

Today:

• Would be a fun exercise to also generate photos for This Recurser Does Not Exist! The model would probably take the full name of a person as an input? I might do some research on how to do that today.
• I brought my roommate’s watercolor supplies for crafternoon! Never tried that before!

2019-06-10

Long time no see, #checkins stream! :O I had a lovely, quiet weekend. Got some organizational stuff done, got eaten by mosquitoes, and tried using watercolors for the first time! Wrote 25 postcards in total, that I’ll send off to 5 countries today! \o/ #victory

Wednesday

• Attended the fast.ai study group, and learned about embeddings and convolutional neural networks!
• Read the GPT-2 paper, and skimmed the two papers it’s based on. Biggest takeaway: the researchers probably also don’t really understand why and how the resulting models work. You just wire together a network in a way that makes sense to you, train it, and hope for the best! :D
• Spontaneously paired with @Winston Smith (S1’19) over dinner on drawing plane-filling fish and a tool to do so, and on snakes^Wcaterpillars moved by Perlin noise.
• Chilled with @Maren Beam (SP2’19) to some sick techno/house beats in Church. We gotta do that again! :green_heart:

Thursday

• Paired with @Vidhi S Shah (SP1’19) on training a GAN on the photos in the RC directory. Interesting to see how such a setup can be coded from scratch – we mostly sticked to this PyTorch tutorial. While the results are not realistic per se, I’m (again) super amazed by that training a this from scratch for a few hours gives so good results!
• Gave a demo on This Recurser does not exist, which was super fun!

Friday

• Made another animation with @Winston Smith (S1’19)! This one is based on an optical illusion called “contrast asynchrony”. Brains are weird!

Today

• Another juggling meetup aka Recurse Circus :P
• Put together tomorrow’s talk about tools for self-organization. Fun fact: I wanted to give a similar talk at another event last year, but… didn’t find the time to prepare it. Oh, the irony!
• Faculty invited me to give a talk at this month’s Localhost! :open_mouth: Gonna think about a good topic today. Which technical talk I gave at RC did y’all enjoy the most?

2019-06-13

Hey all! :sunflower:

Monday

• Recurse Circus! Thanks for joining, everyone! Good to see so many of you being happy with their progress! We ran out of juggling material on Monday, and had to improvise with paper cups and these little rubber animals for making tea! :D
• Spicy thai food at Ugly Baby! :chili_pepper: Sweet/salty food at Milk Bar!
• Submitted a talk proposal to the Chaos Communication Camp in August (about the why and how of game jams!)

Tuesday

• Continued working with @Kate-Laurel Agnew (SP2’19) on the Infinite Garden ambient art project – we got some CC-licensed pixel art plants, and and planted them randomly in a grid! :seedling:
• Great evening of non-technical talks about marathon running, technical diving, and lucid dreaming! Followed by an exursion to ssh torus@ascii.town! We collaborated on making a screen dedicated to RC (southeast of the Red Outpost, if you wanna visit)!

Wednesday

• Paired with @Valerie Woolard (S1’19) on some NLP fun in Python: The Antonymizer replaces words in a text with their antonym, the Glossifier replaces words with a longer definition, and the Emojifier replaces words with their emoji equivalents. Running the first paragraphs of Alice in Wonderland through those filters was fun! :P
• Paired with @Winston Smith (S1’19) on an interactive animation using nannou, a multimedia framework written in native Rust (thanks for mentioning this, @Zach Krall (S1’19))! The animation is based on the perpetual diamond illusion, which is pretty mindblowing! We might share a more finished thing later.

2019-06-18

Yo, what’s up? :cat:

Thursday

• Most people I’ve ever seen in an in-batch feelings check-in! :O Thanks for your vulnerability, everyone, it means a lot to me! I shared the realization that I really like it if people use a neutral pronoun like they/them for me, so feel free to try that sometime, if you want! :blush: (But other pronouns are okay, as well!)
• Gave a presentation about the Museum of Accidental Art (please don’t share the link publicly yet). I probably want to change the name, not to clash with the @accidental__aRt project – I’m attaching a poll, if you want to help me find a good one! Please submit your pretty bugs!
• Really enjoyed exploring group theory using @Alex Berke (SP1’17)’s coloring book, thanks for making that event happen, Alex! I wish my algebra professor had framed cyclic groups that way! :D

Friday

• Did a weekend trip to Washington, DC! (Uh, I always thought that was short for “District of California”, even though I found that strange… also, I always wondered which state Washington was in, heh. Was good to learn about the history of that place!) One of the things I liked most in DC was the excellent scooter sharing infrastructure, whee! :kick_scooter: And I touched a moon rock!!

Today

• Gave a dry run of my Localhost talk about legit! Thanks for attending, @Jenny Xing (S1’19) @Jaryn Colbert (S1’19) @Aaron Sikes (S1’19) @Winston Smith (S1’19), your feedback was super valuable for me! :green_heart:
• Continued working on the Emojifier with @Valerie Woolard (S1’19)! We’re now using a better tokenizer and a part-of-speech estimator to only replace nouns, adjectives, and verbs. We tried to be clever about finding grammatical forms which work best when looking them up in Emoji dictionaries (we’re using this one, which also has alternative names embedded in the source code). The results are pretty solid, and sometimes, confusing and funny! (Valerie, wanna share some examples? :D)

(Valerie added the following:)

Yes! So since we stopped pairing on emojifier I polished it up a little so it takes in a file as a command line argument. Some choice transformations:

And the young king was then married to his true wife, and they reigned over the kingdom in peace and happiness all their lives; and the good fairy came to see them, and restored the faithful Falada to life again. -> And the young 👑 was then married to his true wife, and they reigned over the kingdom in ✌ and 😌 all their lives; and the 👍 fairy came to 👀 them, and restored the 🐶 Falada to life again.

(I thought the faithful -> 🐶was particularly inspired)

I should like a drop of sweet red christening wine myself -> I should 👭 a drop of 🍭 👺 christening 🍇 myself.

suddenly a White Rabbit with pink eyes ran close by her -> suddenly a White 🐰 with 💗 👀 🏃 close by her

2019-06-20

Hey all! :green_heart:

Tuesday

• Practiced and gave a Localhost talk about the legit programming language! When I published the language last month, I posed the challenge of writing a quine in it – the output of the program would consist of the Git commands required to create itself. The punchline of the talk was that someone on the Internet actually ended up doing that!!! :open_mouth: Here’s the program, which also contains some tools and documentation: https://github.com/remuladgryta/legit-quine I’m trying to find more about this person. Maybe it’s a soulmate? A soulmate with too much time. After the talk, people proposed new challenges: A transpiler from another language to legit! Or a self-hosting legit compiler! :’D

Wednesday

• Went to @Valerie Woolard (she) (S1’19)’s Surrealist App Workshop, where we coded up Rails apps in 1,5 hours! Before I went there, I thought the concept was intimidating and scary. :scared: The slides which served as an inspiration explain that the event is about making a lot of mistakes, and asking for help. :wink: It was super fun, hectically scrambling for the docs, debugging strange errors, and always wondering if things like model names should be written in singular or plural. The concept was exquisite corpse-style coding: @Finn Boire (he) (S1’19) and me wrote the backend for a peace negotiation app involving camels, the frontend for a song/lyrics database of very distasteful songs, and gave a presentation about spawning rare insects that really like tacos, and why people should invest one million USD in that app. :P
• Paired with @Winston Smith (he) (S1’19) on making a basic web interface for editing L-systems! Very satisfying to see it all fall into place, and being able to modify parameters with fine-grained sliders! Also, I learned that P5.js has functions to easily create interfaces like this (like createInput).
• Got a 15-minute crash course on Haskell from @Tim Vieregge (he) (SP2’19)! What a fun, elegant language! :O I digged out a 2D graphics library called gloss, that feels very satisfying to use. I digged around in the demos, and especially liked the Tree one. @Winston Smith (he) (S1’19) and I modified it to be an ever-changing sequence of STOP sign trees. :D

Today

• Super intense feelings check-in, oof. Thank you all for your vulnerability and love and kindness, it means a lot to me! :hugs:

2019-06-25

Hello! :heart_kiss:

Friday

• Felt exhausted and quiet, so I spent most of the day on the couch in the library, reading Learn You a Haskell For Great Good (which apparently is available online under a Creative Commons license!) I found it mostly enjoyable and easy to read. Some of the examples involve sexism and fat shaming. :sad:
• Point-free style functions blew my mind! That’s when you define a function without explicit arguments, because its definition involves functions which are missing arguments, as well! For example, instead of writing double x = 2*x, this works, too: double = (2*). Weird!
• I had a vague idea of how to do IO in Haskell, but now I think I understand it a bit better. Also, I learned that IO can look very elegant. For example, here’s a program that reverses the lines of its input individually. The interact function is predefined, and runs a String -> String-type function on the input, which we construct using the function composition operator .:

main = interact $ unlines . map reverse . lines

• @Tim Vieregge (he) (SP2’19) showed me how Zippers work in Haskell. I really, really like this way of looking at data structures!
• Tried to print a Hive piece with @Nick Aversano (he) (SP2’19) on the M3D printer in Turing. Uh, we had to disable the warning in the OctoPrint interface running on the Raspberry Pi that this was an unsafe device, and could potentially catch on fire? :fear: The result was… not great, and resembled a warped hexagonal cracker. (Even though PLA is biodegradable, please don’t eat it!)
• Went to the 16th MP3 Experiment in Prospect Park in the evening. It was silly and fun, thanks for joining, everyone!

Monday

• Attended @Winston Smith (he) (S1’19)’s L-systems workshop! Find the online editor here! I never really understood how they worked, but after playing around with them in the editor, I think I’ve got it! I learned that doing things intentionally is hard (making a simple spiral, for example), while doing random things that look interesting is really easy (wildly orbiting loops? Unexplainably squiggly snakes?)
• Paired with @Kate-Laurel Agnew (she) (SP2’19) on implementing movement mechanics for the Infinite Pixel Plant Garden. Right now, we add rows and columns to the 2D grid whenever we’re about to leave it, which I feel is very in line with the garden being potentially infinite! :blush:
• Paired with @Finn Boire (he) (S1’19) on generating chord progressions! Finn has scraped all of ultimate-guitar.com over the last weeks, and we tried to use deep learning to process that. The results were not really overwhelming, but also not unpleasant, and mostly seemed to stay within the same key, and produced some pleasant patterns, including the very common I–V–vi–IV progression.
• And then, we decided just to throw the complete songs, including the lyrics, into GPT-2. As always when I’m working with that model, I’m blown away by how well it worked. This is what we got, rather early in the training (note the “S” chord, and the rather touching last verse). Also, we let it run overnight on a larger input – I can’t wait to check out what happened!

     C# D#          Bm            G
I couldn't understand
   F F#          C#
How could you forget

         F#
I didn't know when they left but I guess

             C#
Fucking shit, I didn't know how long I'd been looking for
           G
Fucking shit, I wasn't able to understand
   F#  C# S F#
I never wanted you and I never want for anything
           Bm                  G
I couldn't understand
   F#   C  S    F A C#
I didn't know when they said goodbye
C  C#      F#  F##
I heard that little boy crying his guts out
  F# D#         F#
I heard that little boy crying his guts out
F#  C           C#
I heard that little boy crying his guts out

     F#
I didn't know when they left but I guess
F# C#         F#
I knew when they left and they came back
C# F#
I didn't know when they left but I guess
F# F#
I never wanted to hear them say goodbye

2019-06-27

Hello! So, here I am, writing my last in-batch check-in! :O It has been a pleasure, thanks for everyone who followed along!

Tuesday:

• @Winston Smith (he) (S1’19) and I made another animation! \o/ In this one, we change the angle of several L-systems, and smoothly transition them into each other. Meet: Sierpinski Arrowhead, Hexagonal Gosper, the Hilbert Curve, and the Dragon Curve!
• Gave a talk about the minimalist constructed language Toki Pona! Slides with resources: toki-pona-talk.pdf I also made a #tokipona stream, for maybe practicing it in the future with you! :) This was the last round of non-technical talks organized by @Jaryn Colbert (she) (S1’19) and me, glad to see that @Zach Krall (he) (S1’19) will take them over! :tada:
• Went to the Plotter People meetup with @Winston Smith (he) (S1’19) and @Wesley Aptekar-Cassels (they) (m4’19), which was a very nice and inspiring event! Paul, the organizer, explicitly expressed that he would love to see more Recursers there in the future!

Wednesday:

• Played against @Yoni Elhanani (he) (SP2’19)’s Ultimate Tic-Tac-Toe Solver with him, and won! \o/ Also Yoni, stepped me through the code – certainly the largest and most elegant Haskell program I’ve seen so far!
• Checked out the results of the longer-trained song generation GPT-2 model with @Finn Boire (he) (S1’19) – it doesn’t seem overtrained yet after 5000 steps. The resulting songs are mostly coherent, and mostly have pleasant chord sequences, that kind of stay in key. We wanted to give an ad-hoc performance at tonight’s presentations, but it seems we missed the opportunity to sign up. :wink:

Today:

• Give hugs to everyone who wants one! :hugs:

2019-06-30

I wanted to add a few closing thoughts to this topic. At this point, I’m back in my hometown Braunschweig, which is conveniently located in the center of Northern Germany. Miss y’all a lot! :green_heart: My time at RC has been one of the most intense, joyful phases of my life, and I feel immensely grateful and privileged that I got to share that with you!

Here’s an open invitation for my fellow batchmates, alumni, and future Recursers alike: come visit me anytime! I can offer comfy places to stay in both Braunschweig and Berlin, and added that info to the couch surfing page on the wiki. If you’re ever in or near Germany, I’d love to meet you, feel free to hit me up!

Also, message me anytime you just want to chat – most things are interesting to me, but I have a lot of experience with interactive and visual stuff, self-organization, and open relationships. My email address is sebastian@morr.cc, and my main phone number is REDACTED (message me via Signal, WhatsApp, or Hangouts!)

You can follow me on Twitter, Mastodon, and GitHub, and probably other places, I’m “blinry” everywhere. :P My homepage has an RSS feed, if that appeals to you. Alternatively, you can conveniently subscribe to my newsletter! I also have a small Patreon page, if you feel like want to support my open source logo design work, or the nonverbal IDEA-style assembly instructions (and occasionally want to get postcards! :3).

A few thoughts for the Summer 2 folks coming in next week (hi! :wave:): in my experience, there’s no “right” way to do RC! Listen to what you need each day, and don’t feel guilty about doing exactly that. At the same time, I’d encourage you to try the things that scare you most. Remember that comparing your own inside with other people’s outside is not a fair comparison. Go to feelings check-in! Practice vulnerability, and make lots of mistakes! <3

See you in #alumni-checkins, and at NGW next year! :)

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2019-05-03

Hey everyone! I really needed some time off :exhausted:, but I’m back, and I feel kind of re-energized at this point. Oof.

Tuesday:

• Went to the event planning meeting and co-volunteered to organize the non-technical talks during the second half of my batch, together with @Jaryn Colbert (SP1’19)!

Wednesday:

• Published a blog post about my first month at RC, which is basically just a collection of these check-in. Wrote some helper scripts to help me with tasks like collecting all images included in these posts.
• Polished up the docs for legit, and made the final logo, preparing a public release.

Yesterday:

• Published a blog post about legit, which includes the specification, and some examples. Happy to see it was well-received! One question that came up a lot is how to pronounce the name – and people agreed that it’s probably pronounced like “GIF” :P Also, I learned that you can actually do this to meta-track the changes in a Git repo:

    cd .git
    git init
    git add .
    git commit
  

• Talked with @Jaryn Colbert (SP1’19), @Kiwako Sakamoto (SP1’19), and @Corin Faife (SP1’19) about organizing the non-technical talks. @Kiwako Sakamoto (SP1’19) made some very helpfull additions to the wiki page on how the event works! Sent my first message tagging Everyone at RC :bell:
• Started working with @Jaryn Colbert (SP1’19) on making faces.recurse.com more forgiving: if a person has multiple first names, it should be sufficient to guess one of them. If a person has an alias (like me ^_^), it should be sufficient to guess that. Adding last names should be allowed.
• Feelings check-in was really important and relieving for me. Thanks, y’all! :green_heart:
• Gave a talk about writing generative grammars with Tracery. I should really make the HTTP status generator into a Twitter bot sometime. “311 No Choice” :P
• Another round of Company Meet & Greets! I enjoy the format a lot.

Today:

• Pair on game engines, Twitter bots, or map.recurse.com!
• Teach juggling?
• Also, visit MoMA later today (it’s free on Fridays!)

2019-05-06

Hello, lovely people! I spent this weekend reviewing talks for Enthusiasticon, walking through East Village, digital painting (I really want to do this more!), and making Biangbiang Noodles (fun fact: The Chinese character for that dish has 58 strokes!)

Friday:

• Continued implementing more forgiving name guessing for faces.recurse.com with @Jaryn Colbert (SP1’19). We think we’re almost there!
• Added a “drop a marker and share the link” feature for map.recurse.com with @Vidhi S Shah (SP1’19).
• The “New Order” exhibition at MoMA was pretty neat, and not as full as I had expected. Also, I found this treasure on the top floor:

Today:

• Even though it itches me to transition to new topics (Machine learning! Functional programming! Generative Art! ALL the frameworks!), I think I’ll keep looking at low-level stuff for a while: I’d like to learn how WebAssembly works (or what that even is), and write a tiny silly module for the Linux kernel! So maybe I’ll start with one of those topics today.

2019-05-07

Hey all, how are you today? :sunflower:

Yesterday:

• Looked at what WebAssembly is and how it works. Especially Mozilla’s tutorial series seemed helpful. I think it’s hilarious that the tool converting the text-based representation to the byte format is called wat2wasm :D Wat! The language itself is interesting: Only four types (i32, i64, f32, f64), a very strict interface on how to use wasm code from JavaScript, a Lisp-like syntax based on s-expressions, and a stack-based computational model.
• Wrote a “hello world” wasm module, here’s how it comes together with HTML and JS:
• Looked at how to compile Rust code to WebAssembly, but that process seems so multi-layered and convoluted to me that it’s losing all elegance and the result is not very aesthetic to me. :/
• Set up auto-formatting in Vim using Prettier (thanks for the recommendation, @Nick Aversano (SP2’19)!) and ALE. It’s so satisfying not having to do code formatting yourself! <3
• Realized that WebAssembly is not interesting to me right now. :grinning_face_with_smiling_eyes: When exploring other technologies, like x86 assembly or the ELF format, I feel like I get new insight of stuff I already know works. WebAssembly adds another layer, and seems targeted at people who want to build high-performance applications (like game engines) for the browser. It does not add new functionality, it adds efficiency to critical pieces of your software. It’s good to know more about it, but I’m not going to explore that more, I think.
• Instead, I wanted to look a bit at the Linux kernel! I wrote my first simple kernel module, xkcdrandom, that creates a device called /dev/xkcdrandom – when you read from it, you always get the number 4 (“chosen by fair dice roll, guaranteed to be random”). Writing kernel modules is a surprisingly pleasant experience!

Today:

• Explorables/Observables workshop with @Toph Tucker (SP2’19)! :eye:
• Finishing that Faces feature with @Jaryn Colbert (SP1’19)! :camera:
• Learning how to play Dwarf Fortress with @Kate-Laurel Agnew (SP2’19)! :pick:
• Looking for more ideas for fun kernel modules! I drew much inspiration from @Kamal Marhubi (m2’18)’s “rickroll” module, which hijacks the open syscall and always opens a “Never Gonna Give You Up” whenever userspace tries to open an MP3!

2019-05-09

Tuesday:

• Made an account on Observable and learned a bit about how to make notebooks there. I think it’s a brilliant tool for making interactive explanations! Thanks to @Toph Tucker (SP2’19) for hosting the workshop! :green_heart:
• @Jaryn Colbert (SP1’19) and me wrapped up our feature for more forgiving name guessing in faces.recurse.com!
• Non-technical talks were so good! Check out @Max Chiswick (SP2’19)’s photos of his 12000 km bicycle tour through Africa, for example! :O
• Built a neat little dwarven fortress with a very patient @Kate-Laurel Agnew (SP2’19). Then, we saved the game, and tried to have some fun by attacking a giant moose (apparently, a dangerous enemy when you don’t have any armor or weapons? In the end, nobody died, but I think the dwarves puked a lot out of fear?) and digging a tunnel to a nearby river to flood the common rooms (surprisingly, the dwarves didn’t care and kept socializing. Pool party? In the end, we built some escape stairs on which they – reluctantly – climbed to the outside).

Yesterday:

• Pairing with pears was great, thanks to @Maren Beam (SP2’19) and @Nick Aversano (SP2’19) for hosting that! Let’s do this again! I started building an Observable noteook about teaching OpenGL fragment shaders and ray marching with @Toph Tucker (SP2’19), and we got on all kinds of tangents :D We ended up with this magnificent shader:
• Photography meetup! I learned about darktable, an open-source photo postprocessing software
• Overcooked is a very neat game!

Today:

• Think about how to make the Map of RC as useful as possible for NGW. Does anyone want to meet up with @Alicia Thilani Singham Goodwin (F1’17) and me to think about that?
• Today the SP1 batch is never-graduating! :cry: The six weeks went by so quickly! :O

2019-05-13

Hello~ everyone! :octopus:

Thursday:

• Discussed some design questions regarding the Map of RC with @Alicia Thilani Singham Goodwin (F1’17).
• Brainstormed ideas for silly Linux kernel modules with @Jeanine Peters (SP2’19)! Shrinking your video output by one pixel every minute? Making your mouse pointer move in reverse? Swapping two random keys on your keyboard? We tried actually implementing the last idea – diving into Linux’ code base was surprisingly fun! We learned how to enumerate input devices, and how to find out which drivers are attached to them – so that’s how we found drivers/input/keyboard/atkbd.c, which defines the driver for my Thinkpad’s internal keyboard. We still don’t reallly understand how scancodes relate to keycodes, but we managed to swap the x and z keys! We just copied the driver, made modifications to the scancode table, recompiled, unloaded the original driver, and loaded ours. What could possibly go wrong. I’d love to do more of this! :D

Friday:

• Worked a lot on the Map of RC, and released v0.2, featuring the positions of the first aid kits, and the fire extinguisher. Also, we’d previously left out the electrical closets, because they were not in the architects’ floor plan. Oops!
• Split out the project into three repositories: map-of-rc contains the base SVG, map.recurse.com contains the framework for the online version, and map-of-rc-tiles has the map tiles in different resolutions, which are used by the online version, and can be regenerated at will.
• Paired with @Tim Vieregge (SP2’19) on making a “self-guided tour” flyer, which we hoped would be useful for the people exploring the new space for the first time during Never Graduate Week!

Weekend:

• Visited the School for Poetic Computation for their student showcase. One of my favorite installations: https://twitter.com/blinry/status/1127356795457085442
• Attended !!Con. Oh wow. I’m so glad the talks were recorded, so I can share some of them with y’all! Will try to take some time this week to do a little write-up.

Today:

• Try not to be overwhelmed by all the amazing stuff going on at RC during NGW! :grinning: I’d like to take a loot at the CTF, and @David E Lu (W1’16)’s AV systems talk sounds amazing!

2019-05-15

Hey there, lovely people! I’m getting more input than I can process currently, which is an interesting feeling, and I think I’m fine with that! :grinning_face_with_smiling_eyes:

Monday:

• Talked about game dev and obscure digital art forms at the artist meetup organized by @Andrew Yoon (F2’16)!
• Went to the CTF intro, and formed a group called Octopus on Toast (because we found an artificial slice of toast and a plush octopus in Sammet when we first met there)!
• @Jacob Kozak (W1’17) gave us a whirlwind intro on the disassembly/debugging suite radare2. Super amazing to see what you can do with it! I had looked at the GUI a few times before, but the terminal version (which includes a visual mode) is so much better! We got really close to solving the IoT pet feeder challenge on Monday!

Tuesday:

• Fixed the remaining off-by-one errors for the IoT pet feeder challenge! I think it’s easy to get addicted to the rush of adrenaline you experience when you’ve solved a problem like this!
• Attended the APL workshop by @phoebe beatrice jenkins (m4’18). We started with basic features, and ended up with a Game of Life implementation (consisting of a single line of scary-looking symbols)! Hilarious!
• Had a lonnng walk over Brooklyn Bridge with @Adelle Housker (W2’19), talking about family, life after RC, and coding bootcamps.
• We solved all challenges except for cakebox! :tada: This is so fun. I’d love to do more CTFs in the second half of my batch! People have told me good things about picoCTF?
• Localhost talks were amazing! :green_heart: Felt a bit like a continuation of !!Con. Good job everyone!

2019-05-20

Hey everyone! :wave:

Very exciting to see so many new friendly faces in the space! Looking forward to get to know you in the next week(s)! I have some catching up to do! Last week was “Never Graduate Week”, and participated in my second “Capture The Flag” event, so a lot of this check-in is about that:

Wednesday:

• Joined @Alicia Thilani Singham Goodwin (F1’17)’s outreach drive and messaged three wonderful people I think would be a perfect fit for the RC community! Also, put recommendations for them in RCs internal application system.
• Pondered some more about the cakebox challenge with @Yoni Elhanani (SP2’19) and @Alex Segura (SP1’19) and @Shanti Chellaram (SP2’19) (the goal was to build a ZIP file containing a single file with the same MD5 hash as itself)… but to me, it felt like we would need to spend many more hours to get it done, so I gave up at this point.
• Went to the place that must not be named, before I knew it was off limits. :surprise:
• Had lovely conversations with @Gabrielle Singh Cadieux (F2’17) and @Adrien Lamarque (S1’16)!

Thursday:

• Joined a discussion on community software and how to maintain it, organized by @Jason Owen (SP2’19) and facilitated by @John Hergenroeder (SP2’15). :green_heart: We identified the problem that an overview of community-built projects are really hard to find (there’s a list in the wiki). We’ll also do some knowledge transfer this or next week for the S1 batch.
• By Thursday, my social batteries were pretty drained, so I spent the rest of the day listening to talks. For example, @Andrew Yoon (F2’16) showed off spectrophone, and @Rachel Hwang (m7’18) and @Adrien Lamarque (S1’16) demonstrated their reaction-diffusion system implemented in GLSL!

Friday:

• CTF wrapup! I was curious to learn how @Cameron Finucane (SP1’18) had set up the Observation is… key! challenge. This is what he answered: “I read the manual” :no_mouth:
• Started doing challenges on picoCTF 2018, a beginner-level CTF that is open the whole year. Exactly what I need right now! If you’re interested in security stuff, definitely hit me up, I’d love to pair on solving some of these challenges!
• Learned what a shellcode is! It’s basically a series of bytes that encode position-independent machine instructions, which, when executed, do something interesting! If you can somehow take control of the instruction pointer, you can jump there! For example, here’s some instructions spawning a shell. The spare slash gets added to make the length of the string divisible by 4:
• When putting together shellcodes, it’s important to avoid zero bytes (because many functions expect zero-terminated strings, and will ignore everything you put after that). Sometimes, you need to use tricks to avoid zero bytes, like only writing to al (the lowest byte of the eax register), which shortens the operand in the machine instruction. Or, if you want to include a call instruction, to avoid zero bytes in the relative offset that goes after the opcode, a trick is to do a near-jump to a position in the end of your shellcode, and then do the call with a negative operand (which will be filled with 0xff bytes). This stuff is so fascinating! :grinning_face_with_smiling_eyes:
• Learned about format string exploits, and how a thoughtless printf(string_from_user) can be abused! I might give a presentation about that this week.

2019-05-21

Good morning! :sunny:

Yesterday:

• Gave guided tours through the physical RC space in the morning.
• Meeting new folks from the S1 batch was exciting! I love what y’all are interested in, the new energy you bring to the space, and I see lots of potential for collaboration!
• @Tim Vieregge (SP2’19) and I wanted to put together some fun Linux kernel modules! Inspired by a conversation with @Jeanine Peters (SP2’19), we had ideas like “move the mouse cursor in unexpected ways”, “shrink the screen by one pixel each minute”, or “filter all network traffic and make images appear upside down”. After some poking around in the source tree, we found that the kernel didn’t feel like the correct place for those tasks, and decided to focus on a higher layer in user space. We discovered that modern X.org versions actually support multiple simultaneous mouse cursors, which is absolutely hilarious on its own! We wrote a program using Xlib and Xinput2 that makes two mouse cursors attract/orbit around each other. :stuck_out_tongue_wink:

Today:

• Continue working through picoCTF.
• Put together simple examples of basic binary exploits.
• More Fun with Mouse Cursors?

2019-05-22

Hey, y’all! Not feeling great today. I’m having a bad headache since Tuesday morning, that makes it hard to focus. That sucks, but I expect it to go away in a day or so.

Yesterday:

• Put together two simple examples of a buffer overflow exploit and a uncontrolled format string exploit. Turns out that’s surprisingly hard to do, because modern compilers have all kinds of security mechanisms built in, like stack canaries, that abort execution of a program if someone tries to overwrite the return address of a function. You need to turn that off explicitly. Also, there’s a kernel feature called ASLR, which randomizes the position of the different parts of a program in virtual memory when it’s loaded and executed, so that functions are not at fixed addresses, for example. You can also turn that off. Third, modern C standard libraries don’t have the gets() function anymore, you need to switch to an older standard to use it. And fourth, modern compilers will scream at you angrily that you really should not use gets()! :grinning:
• @Evy Kassirer (m4’19) and I tried to connect her macbook to the pen plotter. We didn’t succeed, but we discovered that you can write stuff to other terminals if you find out which device in /dev they are connected to!
• Plotter meetup! I like to think about how to use devices in unintended ways, so I suggested controlling the pen in real time, using a mouse! I’m super glad that @Wesley Aptekar-Cassels (m4’19) actually made that happen! The result feels a bit like an etch-a-sketch.
• Continued working on the multiplayer mouse cursor thing with @Tim Vieregge (SP2’19). What we currently have is rather hacky, but fun! We’re planning to give a presentation on it at the end of this week.
• Talked to @Christopher Ray Ertel (S1’19) and @Shae Matijs Erisson (S1’19), who might be interested in forming a team for a CTF in the next weeks!? :tada:

Today:

I’m going to take it easy today. Ideas include:

• Learn more about APL, after being introduced to it by @phoebe beatrice jenkins (m4’18)’s during NGW! It’s a fascinating, concise language with many weird symbols, like the worried face operator: ⍨
• Document how map.recurse.com works, and how future batches can make changes to it!

2019-05-23

I’m better today, my headache is almost gone! :fireworks:

Yesterday:

• Talked with @Glen Chiacchieri (m4’19) for almost two hours. We touched on a lot of topics, and I had some of my assumptions challenged (about psychoactive substances, about the goal of meditation, about the role I could play in other people’s lifes). I took away a lot from that conversation. Thanks, Glen!
• Worked through the APL tutorials on tryapl.org – I still think the language is hilarious! Some of my favorite operators are the domino ⌹ (which inverts a matrix), the fire hydrant ⍎ (which executes a string as APL commands), and the worried face operator ⍨ is actually called commute and modifies the function before it to swap its operands. “But blinry”, I hear you ask, “how do you type all these weird symbols?” Well, some people use APL keyboards (Dyalog is selling a modern one, but on tryapl.org and similar environments you can also prefix ASCII characters with a backtick to generate APL symbols – the domino is ``+`, for example.

• Here’s my first attempt on a FizzBuzz implementation in APL. It generates the numbers from 1 to 100, maps them to pairs of the number and the replacement string, and displays either that one, or the number, if the string is empty:

    {(0=⍴⊃⍵[2]):⍵[1]⋄⊃⍵[2]}¨{⍵,,/(0=3 5|⍵)/'Fizz' 'Buzz'}¨⍳100
  

• Dealing with pairs like that felt really clumsy. Here’s my second attempt – for each number, it creates an index into an array consisting of the replacement strings and the number itself, and select the correct one:

    {'FizzBuzz' 'Buzz' 'Fizz' ⍵[(0=15 5 3|⍵)⍳1]}¨⍳100
  

Today:

• Create some minimal documentation for the Map of RC.
• Community software intro & feelings check-in!
• Give a talk about nonverbal algorithm assembly instructions.
• Visit the student showcase at NYU’s Game Center in the evening.
• I’ve brought Icehouse Pyramids for game night, anyone up for some Zendo? @Yoni Elhanani (SP2’19)

2019-05-28

Hey folks! :rainy: :rainbow:

Thursday:

• Gave a talk about IDEA, and had @Ian Ross (SP2’19) and @Christopher Ray Ertel (S1’19) betatest the BLÖCKCHÄIN one. In particular, we don’t have a good analogy of hashing yet – currently, it’s something like a meat grinder producing Rubik’s cubes! :laughing: Better ideas would be super welcome (please don’t share publicly yet):

  (Censored)

• The showcase at the NYU Game Center was fantastic, see this topic! I want to go to one of their usual Thursday events soon!

Friday:

• Implemented automatic pointer detection and better orbital mechanics for MouseToy. One of the important thing remaining is automatic restructuring of the device tree when you have, for example, three external mice attached. Currently, you need to configure them yourself to be independend from each other.
• Met @Alicia Thilani Singham Goodwin (F1’17) in her office hours. I wasn’t sure what to work on next, and felt a bit lost. There are so many interesting things to learn, and I found it hard to prioritize. Preparing for this meeting already helped a lot – I made a list of things I want to do, and divided them into several categories:
  • Things that seem mysterious/scary, but maybe not fun:
    • Low level stuff:
      • How does Linux start up? What’s an init ramdisk?
      • How is the Linux kernel structured? What exactly does it do?
      • Still a bit more about dynamic linking and the tools around that.
    • Machine learning! Tensorflow! GANs, transformers, style transfer networks?! GPT-2! BERT?!
    • Network stuff: How to configure interfaces? How does IPv6 work? How to properly use Wireshark?
  • Things that seem interesting to me right now:
    • RISC assembly
    • More security stuff/CTFs
    • Haskell/LISP
    • other languages, like Elm, Typescript
  • Things I could benefit from in the future:
    • Devops: How to deploy an application? How to back up its database?
    • Learning frameworks! Flask, React, Vue, …
    • Building pretty web interfaces
    • WebRTC
  • Things I would enjoy, but already feel kind of comfortable with:
    • Making generative art, learn more about algorithms involved and frameworks like Processing
    • Making games, learning Unity/Godot?
    • Learning live coding environments
  • Things others would benefit from:
    • Make interactive articles about stuff I know well
    • Improve the map
    • Make a hub of community projects
    • Make the wiki more accessible/clean it up

  Alicia encouraged me to go for the scary/mysterious things, which is also the rule of thumb I had in mind. So I think I’ll spend the next week or two getting my hands dirty with deep learning. Another tip she had was to use the resources of RC while I’m here – be it the wonderful people with their diverse interests, or the HEAP cluster. I’d love to keep doing visual and interactive stuff after RC, and I’d love to find more people to collaborate with on those, so maybe I’ll also incorporate a bit of that into the second half of my batch.

• Brainstormed about a Toki Pona text adventure with @Brandon Hopkins (SP2’19) and @Nick Aversano (SP2’19)… not sure how to approach it best. Visuals would be super helpful, but a lot of work. We could try to translate an existing point & click adventure? Are there games like this under free licenses? Toki Pona is a constructed language with a very minimalist grammar and about 130 words. Maybe I’ll bring it to the next language exchange. :smiley:

Today:

• I’d like to play with GPT-2! Exciting to see that the medium-sized model has been released by now! I think there are methods for fine-tuning the model with additional training data. While walking to RC this morning, I thought about which kind of text to throw at it – maybe RC directory profiles? “This Recurser does not exist”? :wink: Or my own tweets? I already have a personal Twitter bot that imitates me, @yrnilb, which produces surprisingly interesting results, given that it only uses Markov chains!
• Give a talk about my stem cell donation.

2019-05-30

Moin! (That’s a generic, casual greeting in northern Germany. An appropriate response would be: Moin!)

Tuesday:

• Tried and failed setting up Tensorflow on the HEAP cluster. Seemed to have some incompabilities between the local CUDA version and the Tensorflow version. Consulted with @Vidhi S Shah (SP1’19), thanks!
• Did the first round of non-technical talks with @Jaryn Colbert (S1’19) (and without @Kiwako Sakamoto (SP1’19) and @Corin Faife (SP1’19) :sob:)!
• Gave a talk about the time I donated stem cells four years ago. If you can, please order your own registration kit here! You might be able to save someone’s life!

Wednesday:

• Worked on adding more details to the Map of RC with @Winston Smith (S1’19)! The subdomain currently doesn’t seem to work (investigating!), but here’s how it currently looks like:
• Collaborative Indie Game night was fun, we played an obscure… experience? … called KIDS, Lovers in a Dangerous Spacetime, and The Messenger (the soundtrack is so good)!

• Finished setting up Tensorflow on the HEAP machine mercer. Took me about five attempts to get it right, but what worked for me was installing Conda locally, and then running these commands (which also sets up gpt-2-simple):

    conda create -n tf tensorflow-gpu cudatoolkit=9.0
    conda activate tf
    ~/anaconda3/envs/tf/bin/pip install gpt-2-simple
  

• As a quick test of the finetuning step, I fed the complete text of The Name of the Wind to OpenAI’s pretrained 345M model. I was absolutely surprised by how fast that produced good results! During training, a sample is printed each 100 steps, so I could watch as model learned. After the first 100 steps, it wrote a dark story about death and dying:

My father was not dead. He had stopped breathing. There was a look of pain on his face, but he did not know what was wrong.

I took the dagger and set it against his chest. He lay there, and I let him die. I took the dagger and put it in the water.

Two men came at my father. I went to them and they came to me. I had them all tied to the tree. I had them all tied up. I had them all killed.

After 200 steps, it had already learned about the names of characters and places in the book. After 1000 steps, I didn’t really see improvement anymore. Generated text range from realistic conversations, to mythical background stories, to action-laden fights.

Here’s two characters from the book discussing the composition of a song about in-world places and objects, smoothly transitioning between dialog and poetry. This blew my mind:

“Nahlrout,” I mused. “How is it similar to that?”

She looked at me. “How really? Surprised the hell out of me.” She laughed. “How do you propose we compose the chorus?”

“I could compile a crescendo,” I snapped. “I know an excellent rhyme or meter that would make the most sense.”

She rolled her eyes. “I could, perhaps.”

“In any case, it will serve you right. The second movement of the chorus is:

“On the road to Tinuë

Through Tinuë

I stopped at an inn to get refreshment

And decided to walk to the Eolian

To see if my nahlrout had worn off.”

Today:

• Polish MouseToy with @Tim Vieregge (SP2’19) and give a presentation about it tonight!
• Visit NYC Resistor in the evening!

2019-05-31

Hey lovely people! :green_heart:

Yesterday:

• Converted my fake HTTP status code generator into a Twitter bot: @httpcodesbot
• Also, @Nathan Jonathan Goldbaum (S1’19) introduced me to httpstatusdogs.com and http.cat and httpstatusgoats.net, which are all super cute. :dog: :cat: :goat:
• Polished MouseToy some more with @Tim Vieregge (SP2’19). Tim found out how to change the appearance of cursors, so we could implement a game of tag! Was super fun giving a presentation/demo about it in the evening! If you’re interested in trying it yourself, the source code is here: https://github.com/blinry/mousetoy

Today:

• Check whether the Recursor API gives you access to people’s profile descriptions. Finetune a GPT-2 model to them and see what happens!
• Make some animations in p5 with @Winston Smith (S1’19)!

An animation Winston and I made at the Recurse Center. Out of appreciation of the fabulous @beesandbombs, we internally called this project wasps and (gre)nades. :P

I learned a lot about easing functions and about how to plan and structure this kind of multi-step animation! Also, publishing this as a GIF on Twitter was a pain in the ass, we got the best result when exporting all frames individually, opening them as layers in GIMP, and then exporting them as a GIF. Even though, in the resulting tweet, every looks a bit blurry.

As for actually making the animation happen: we don’t store any state, but have formulas in place that give us the transformations we want. You can peek at the p5.js source code here, if you want.

Fun fact: we actually had another movement pattern in mind, but a bug produced this, so we decided to keep it!

Ever since I gave my first talk about esoteric programming languages, I wanted to create my own one. Well, some years later, at the Recurse Center, I wanted to learn how to build compilers with LLVM, so that seemed like a good opportunity to try that! Presenting:

Programs written in legit are defined entirely by the graph of commits in a Git repository. The content of the repository is ignored.

legit is designed so that all relevant information is visible when running git log --graph --oneline. For example, here is “hello world”:

Thanks to rohieb for the original idea! Influences for the design of this language include Folders, Befunge, Brainfuck, and Elymas.

A fun consequence of programs defined by a Git history is that you can’t properly track versions, because they already are Git repositories. All you can do is force-push a new version to GitHub.

You can find implementations of legit, as well as some example programs, on GitHub: https://github.com/blinry/legit. The entry in the Esolang wiki is at https://esolangs.org/wiki/Legit.

Here’s how the language works:

Memory

In each legit program, two data structures are available: A stack, and a brainfuck-like endless tape, with a head moving on it. Both hold signed integers.

Control flow

Execution starts at the commit pointed to by the master branch. Commit messages can contain a series of instructions, seperated with spaces, which are executed one by one. Only the first line is considered, so lines after that can be used for comments.

• If a commit has only one parent, execution will continue there after executing all instructions in the current commit.
• If a commit has multiple parents (numbered 0, 1, 2, …), the top stack element will be popped. If that element is n, to go n-th parent, or to the last one, if n is outside of the available range.

Instructions

For all instructions, popping from the empty stack will return a value of 0.

Control flow:

• [<tag>]: jump to the specified Git tag. For example, [loop] will jump to the tag loop.
• quit: stop the program.

I/O:

• get: read a char from standard input and place its ASCII value on the stack. On EOF, push a 0.
• put: pop top stack value and write it to standard output as a char. The value is always truncated to an unsigned byte.
• <Number>: push the specified integer on the stack. For example, 42 will push the value 42.
• "<Letters>": unescape string, then push the individual ASCII characters on the stack. For example, "Hi\n" will push the numbers 72, 105, and 10.

Stack operations:

• dup: duplicate top stack value
• pop: pop top stack value and discard it
• add: pop two topmost stack values, add them, push result on the stack
• sub: pop two topmost stack values, subtract top one from bottom one, push result on the stack
• cmp: pop two topmost stack values, pushes 1 if bottommost one is larger, 0 otherwise

Tape operations:

• read: place value of current tape cell on the stack
• write: pop top stack value and write it to the current tape cell
• left: pop top stack value, move tape head left for that many places
• right: pop top stack value, move tape head right for that many places

Examples

I’ll be honest with you: I got tired of writing Git commands by hand to create legit programs. One consequence of the execution going top-down is that you have to write your programs backwards, and each time I’d make a typo, I’d have to start all over, because the commits above that would be invalidated. So… I started to write shell scripts, which would then generate my legit programs. You can generate the examples like this:

make -C examples

Alternatively, you can also clone them directly from GitHub:

hello, a simple hello world program:

rot13, a ROT13 implementation:

brainfuck, a fully-functioning Brainfuck interpreter, conveniently proving that legit is Turing complete!

Implementations

The repository provides both an interpreter (better suited for development and debugging purposes) and a compiler (which produces highly efficient binaries).

For both, you’ll need Ruby, and the “rugged” Gem:

gem install rugged

Running the interpreter

To execute a program, run

ruby interpreter.rb examples/hello/

Running the compiler

The compiler compiles a legit program to LLVM IR. You can then use LLVM tools to build binaries for all plaforms where you have a C standard library available (legit will be linked with exit, getchar and putchar).

First, run the compiler to create a .ll file:

ruby compiler.rb examples/hello/

And then, run a tool like clang to optimize it and produce a binary:

clang -O3 hello.ll -o hello

As an alternative to the second step, you can use the provided Makefile and simply run make hello.

The final challenge

So, after I had written that Brainfuck interpreter, I thought would be the final milestone for my language. But then, Kate-Laurel sat down next to me and asked: “Could you write a quine?”

So this is the challenge I now give to you, dear reader: Write a legit program that prints the Git commands required to create itself! Good luck.

Aftermath

Turns out at least two people were up to the challenge, and actually wrote a quine! I can’t believe it!

One is by remuladgryta, you can find a script to generate the legit program here! Daniel Temkin published a neat article about legit and remuladgryta’s quine on esoteric.codes!

Another one is by LegionMammal978, you can find the legit program here!

It’s one of the best experiences of my life! <3 One of the many helpful traditions and techniques is to do check-ins, where you talk about what you did, and what you plan to do. I’ve found doing daily check-ins in RC’s internal chat system immensely helpful.

So, to share a bit of what what I’m doing at RC, I thought I would just dump all of it here. It’s kind of raw, I didn’t replace the Slack-style emoji syntax with actual emoji, for example – partly because not all of them are offical emojis. :P Enjoy!

2019-04-02

Hey all! I thought I’d try doing these check-ins everyone is raving about!

Yesterday:

• First day at RC! The space seems amazing and full of possibilities! I enjoyed the meet-and-greet a lot, and would love to do that again sometime. Signed up for #Coffee Chats :)
• Was quite overwhelmed by everything going on. Need to remember to take it slowly, intense days like drain my internal batteries quickly. Still jet-lagged. :sleeping:
• I’d like to understand how programs compile down to bytes in an executable! To help with that, I built a tiny command line tool based on the nasm assembler, which interactively translates Intel-style assembly instructions to bytes:
• Skimmed Intel’s x86-64 manual to learn how that translation works. Volume 2, chapter 2 is a good starting point. Started writing a miniature assembler, minias, which can compile a tiny subset of x86 operations to bytes – for now, syscall and some very specific immediate-value mov instructions:

Today:

• Looking forward to the pair programming workshop!
• Wrap the generated byte instructions in an ELF file, to be able to actually execute them. :sparkles:
• Add more operations to minias, maybe cmp and jumps?

2019-04-03

Moin! (In northern Germany, people use that as a casual greeting. A fitting reply would be: “Moin.” :D)

Yesterday:

• Paired with @Stephen Kell (m3’19) on a Game of Life implementation in Ruby, which I enjoyed a lot! I have a tiny amount of pair programming experience from when I participated in game jams, and I’d love to do that more here! Seems to take a bit of courage to initiate pairing, though. :O
• Put together a 64-bit ELF binary header, and add a segment table entry which just loads the complete file into memory, and start execution at the beginning of the instructions. After a bit of fiddling, minias can now create little programs which… quit and return an exit code! :octopus:
• Added more instructions to minias: cmp and ret were straightforward, but adding labels and jump instructions required me to extend the stucture of the code quite a bit. After that, I basically got call for free!

Today:

• I have basic control flow, so the next thing I need is a way to work with data. ELF files have .data and .bbs sections to allocate space for static and dynamic data, I think. I’d like to find out how they work and extend minias to put them in the ELF binary. At that point, I should be able to compile a simple “hello world” program.
• Learn about opsec with @Michael Zaneri (SP1’19)!

2019-04-04

Good morning! How are y’all feeling today?

Yesterday:

• Implemented a simple db instruction, which you can use to put raw bytes into the binary.
• Learned how the section header table is structured, and taught minias to understand section properly, so I can now split my programs into sections like “.text” (for code) and “.rodata” (for read-only data).
• An ELF file also needs a “.shrtrtab” section which contains the names of all the sections. Implemented that. And for some reason, the first entry of the section table needs to be a NULL entry. I still have no idea why.
• I can assemble a simple “hello world” now! \o/ Even though I’m still cheating a bit, and put the address of the text data directly into the instruction:

Today:

• Fix a mistake in the Wikipedia article about the ELF format I stumbled over while implementing sections yesterday! :book:
• To avoid the above “cheat”, the next step is to understand symbol relocation: The position of the “hello world” string in the binary is not known when assembling, that’s the job of the linker. So I’d like to learn how that works today.

2019-04-05

Have a wonderful Friday, y’all!

Yesterday:

• Fixed the Wikipedia article, see above.
• Debugging session on @Stephen Kell (m3’19)’s C++ code instrumentation tool cccppp.
• Feelings check-in, presentations and game night. Had some wonderful conversations with people and maybe fell in love a little bit with this community. :green_heart:

Today:

• I’ll take today off from working on minias. Going to explore the space a bit, see what other people are doing, maybe make some contributions to community tools like @Jason Owen (SP2’19)’s https://faces.recurse.com
• Pair with @Nick Aversano (SP2’19) on his WebGL game engine.
• Give a presentation on hand-writing an ELF binary. :writing:
• Looking forward to the mob programming session tonight!

2019-04-08

Hey :) Hope you had a relaxing weekend, and could recover from last week somewhat. I certainly did, took a long walk over Brooklyn Bridge and through the Financial District, and whew, this city sure is pretty!

Friday:

• Paired with @Nick Aversano (SP2’19) to implement sprite rotation in his game engine using the WebGL helper library TWGL (rhymes with “wiggle” :laughing:). Learned the JavaScript syntax for object destructuring and spread properties!
• Prepared and gave a 5-minute presentation on how a very minimalist ELF “hello world” executable is structured. Got some positive feedback after that, which is super encouraging! :green_heart: Thinking of doing a longer session, where I can explain every single of the 167 bytes that make up the resulting binary.

Today:

• I think I have a sliiight grasp by now of how symbol relocation is supposed to work. I’ll try to implement it for some really simple cases today. I’ve got a string table and a symbol table, and I still need a relocation table. The result will be one of those mysterious “relocatable object files” (.o) I’ve seen before, but never was quite sure what they were. I should then be able to use the standard GNU linker ld to do the actual relocation and generate a binary!

2019-04-09

Hey all!

Yesterday:

• Implemented simple symbol relocation in minias! It only knows how to do a very specific relocation (when using mov with a label), but I can now assemble a “Hello world” without using cheats, which will create an object file which I then can link using GNU’s ld! This feels like a huge #victory! :fireworks:
• Helped a charming group of people levelling up their Git skills! For practising GitHub’s pull request workflow, we started a simple recipe collection :P
• Was convinced by @Tenor Tenor (m3’19) to use Vim’s buffers directly instead of tabs, like I’ve done for the last 14 years :P Installed the “vim-buftabline” plugin to make the transition less painful.
• Paired with @Tim Vieregge (SP2’19) on writing a boot sector in assembly!!! Turns out if the first 512 bytes on a disk end with 0x55aa, the BIOS will just load them into memory and start executing the instructions?! This is so interesting! Here’s us booting into a “Hello world” from @Patrick McCarver (SP1’19)’s USB stick! (It was supposed to say “Hello RC” :P) We also wrote a bootsector which dumps its own contents to the screen!

Today:

• Pair with @Colin Rothfels (SP1’19) on minias improvements in Rust!
• Continue working through the OS implementation series (I’m using this one: https://github.com/cfenollosa/os-tutorial)
• Maybe prepare a non-technical talk for tonight?

2019-04-10

Hey, how’s your day going? :bunny:

Yesterday:

• Implemented proper bytestring handling in minias with @Colin Rothfels (SP1’19), so it can now output Unicode characters and emoji! :D
• Started implementing a “_start” symbol, for the linker to know where the entry point should be. Encountered a weird bug where ld would not be able to see this symbol. Did a debugging session on this with @Jeanine Peters (SP2’19), and it turned out that the reason was the one place in my code that had a “FIXME” comment… ELF sections have this “info” field, which does different things for different section types, but for symbol tables, it is supposed to be “the index of the last local symbol, plus one”. I didn’t set this properly, and as “_start” has to be global, ld probably didn’t look at it at the correct position.
• Read through the nasm documentation and through the x86 Wikibook, to get a feeling of what instructions I haven’t seen so far. I think most of them are very obscure and I will never need them. :D
• Fixed a typo in Zulip!

Today:

• At this point, I feel like I’ll get diminished returns from continuing implementing an assembler by from scratch. Before coming to RC, I thought it might be fun to also implement my own linker at this point, but I feel like I probably have a vague feeling of what it would do. Might be more fruitful to use existing tools to learn how dynamic linking works! When working with C, this has been the greatest mystery of all for me. :wizard_hat:
• Find out how UEFI systems deal with boot sectors. @Tim Vieregge (SP2’19)’s notebook had a dedicated “legacy mode” for booting from those, but my T460s didn’t seem to have that.

2019-04-11

Greetings!

Yesterday:

• Learned about the System V AMD64 ABI, a convention of how functions work on a low level – it defines how to pass arguments to functions via registers and the stack, for example. Used that knowledge to call a C function from assembly, and to call an assembly fom C, and link those pieces together.
• Static linking seems straightforward, dynamic linking on the other hand seems like a huge jump in complexity. I looked at how to call a function from assembly and dynamically linking that (the magic line was ld printf.o -o printf -lc --dynamic-linker /usr/lib/ld-linux-x86-64.so.2), but it still feels very mysterious and I don’t know how it’s implemented.
• Regarding boot procedure on UEFI systems, that seems to be reallllly complicated and I realllllly don’t want to try to do that by hand. :shock: On the upside, I found out that my notebook has a “legacy boot mode”, too! :D
• Had an extended coffee chat with @Joe Mou (SP1’19) about organizing notes. I’m using a very simple Vim plugin called vimboy, which I built about 8 years ago, and which allows you to keep a personal wiki in plaintext. It’s one of those tools I use daily and couldn’t do without.

Today:

• Salad! Coffee chat! Feelings! Talks! No fixed plans besides that for today, let’s see what comes up!
• I don’t have a good idea yet of how I could understand dynamic linking better. Implementing tools has been helpful for understanding ELF files, maybe I should continue that, after all, and generate a simple dynamically linked binary from scratch.

2019-04-12

Hey everyone, I hope your Friday will be really neat!

Yesterday:

• We used the Abstract Salad Factory pattern to successfully implement some delicious concrete salads! Let’s do this again!
• Learned how to use gdb! I have to admit that I solely relied on print-debugging before, beause when I encountered bugs, it always seemed easier to just do that, instead of learning how to use a proper debugger. So it seems like a valuable time investment to learn that before you need it. And it’s pretty neat! Some things I learned:
  • Press Ctrl-X Ctrl-A (or use the -tui command line flag) to switch to a neat graphical mode where you can always see the source code, and have markers for the current line and for your breakpoints! If you remember one thing, make it this one.
  • Additionally, Ctrl-X 2 will show the disassembly of the current program, and pressing that again will show the CPU’s registers!!
  • condition 3 i == 10 will add a condition to breakpoint #3, and only halt execution when the condition is true.
  • You can use print for assigning to variables while the program is running! Example: print i = 10
  • gdb can also debug Rust programs! :sparkles: Use the wrapper rust-gdb (which comes with Rust) to have proper object printing. Use break rust_panic to halt execution when you run into a panic, to be able to backtrace.
  • (YouTuber voice) What are your favorite gdb tricks? Let me know in the comments below!
• Gave a presentation about a project really close to my heart: Timelens!
• Built a little React app with @Isaac Pearl (SP1’19) , which uses the Web Audio API to play back audio files you drag & drop on it – but backwards! Seemed to us like you could give wicked music performances with that tool!

Today:

• On Fridays, I try not to have appointments, obligations, or any fixed plans, really. Let’s experiment!
• I started thinking about what a really good interactive environment for learning and teaching x86 assembly might look like. Might think about that some more.

2019-04-15

Hey everyone, hope you had a relaxing weekend. I did a lot of touristy things in Manhattan, like walking along the High Line, visiting Times Square and the New York Public Library’s Schwarzman building. I also wrote a short, interactive horror story! :D

Friday:

• @Tim Vieregge (SP2’19) and I looked at each other’s .vimrc! blush Some takeaways:
  • The vim-surround plugin is super useful for dealing with pairs of parens, brackets, and so on.
  • Also, why have I never used vim-commentary? It’s great!
  • Mapping ; to fzf’s :Buffers seems like a neat idea.
• Tried these plugins and tidied up my Vim config files a bit.
• Polished the Timelens userscript for YouTube. It visualizes a video’s color deveopment, making navigation more efficient, precise, and active. I’d love some feedback on this! https://timelens.io/youtube/

Today:

• Now that I know my way around assembly language a bit, it might be fun to look at LLVM, and how it abstracts away from that. Maybe write some programs in LLVM’s intermediate representation?
• Debugging, continued: look at how to debug JavaScript in the browser! That also seems like a super useful skill.

2019-04-16

Hej! :)

Yesterday:

• Worked with @Zoe Larissa Statman-Weil (SP1’19) on refactoring and fixing bugs in her Mapbox-powered JavaScript application.
• @Jeanine Peters (SP2’19) and I finished the leetcode problem on Sudoku puzzles we had been working on!
• Skimmed the complete documentation on the LLVM IR, which is actually not that long! I feel like the parts which you actually need for building a frontend for simple languages could fit on a few pages.
• Wrote a hello world and a ROT13 implementation in LLVM IR! This is how that looks like. The language is strongly typed, and definitely not meant to be written by humans! :D You have to include references to your types everywhere! Even though, it feels a bit more convenient than raw x86-64 assembly language, because you can actually type out your functions, and properly call them.
• And then I thought, huh, let’s do a benchmark of the ROT13 binary which is created when you put this IR through all the built-in optimization passes on the one hand, and my raw implementation in x86-64 on the other. Well, turns out that the LLVM version is 60 times faster?!? When looking at what the binaries are doing with straceI found out that apparently, LLVM knows how to bundle my getchar and putchar calls together to blocksizes of 4096 bytes each, and operates on that! Mind blown, I didn’t expect that level of optimization!

Today:

• As LLVM IR is not meant to be written by humans, what would be good ways to generate it? I think it comes with a code generation library in C++, but I’d rather use another language, to be honest! ^_^
• Attend the event planning open meeting and the Localhost talks!

2019-04-17

Good morning RC!

Yesterday:

• Looked at code generation bindings for LLVM. Rust has a crate which gives direct, unsafe access to LLVM’s official C API, and several unmaintained ones, which provide more idiomatic bindings. Both options do not really spark joy. There seem to be okayish bindings for Python and Haskell, even though I think they use older LLVM versions.
• It would be nice to have a very tiny language to implement a compiler for. So why not make my own? I love esoteric programming languages anyway, and I always wanted to make one. The Esolang Wiki is a brilliant source of information around that topic, and there is a nice zine in RC’s library called “New Languages”, which I absolutely recommend to read!
• Brainstormed some ideas for esoteric languages. It turned out that some of these already have been realized:
  • A language consisting entirely of emoji.
  • Write short English snippets describing what you want to do, the compiler will post the description on StackOverflow, and then insert the answer receiving the most upvotes.
  • A language based on knot theory, which can be realized on a piece of yarn.
  • In Russia, “Hello world” prints YOU!
  • A language which only uses expressions from Daft Punk’s song “Technologic”.
  • A language where programs are represented by positions on a Go board.
  • Horror Vacui as a programming language: The number of seconds which pass before you type the first character determines what the program does.
• And then an RC-external friend hat a brilliant idea: A language where the program is described by the graph formed by commits in a Git repository. Have been thinking about that ever since. Writing programs in that language could be a good exercise in using history-rewriting Git commands. The graph could describe the control flow? Branching points are if/else or switch statements? Tags could serve as jump labels? But how to do jumps? And do merge commits have a special meaning? Still have to think about how to do computation. If you wanna talk about this, hit me up! :)

Today:

• Try to write example programs in GitLang (working title), see how that feels like.
• Lots of events going on today: a talk about RSA, a discussion on learning structures, a math workshop about Project Euler, a hackathon planning meeting!
• Go home early! :wink:

2019-04-18

Hey everyone! :cherry_blossom:

Yesterday:

• Lots of events! @Anna Walsh (SP1’19) and @Nicole Baram (SP2’19)’s refresher about RSA felt really helpful, and @Yoni Elhanani (SP2’19) kind of makes me want to do Project Euler problems! :)
• Brainstormed a bit on the Git language. @Jeanine Peters (SP2’19) suggested to call it legit, and I really like that! I think the language could be stack based, like Befunge or FORTH, and have operations like “get” and “put”, “add” and “sub”, “swap” and “dup”, “quit” and “jump”. Need to be careful to make it Turing-complete, however – I might need two stacks, or a way to provide random access to the single stack.
• Started writing a legit ROT13 implementation (on paper). Feels like a language which is easy to learn, but hard to master.
• Went home early! :grinning_face_with_smiling_eyes:

Today:

• Realize the ROT13 implementation in an actual Git repo.
• Think about the minimal feature set to make it Turing complete.
• Maybe start writing a quick-and-dirty interpreter for that language, to find problems in the design?
• Give a demo about the Wikidata Card Game Generator!

2019-04-19

Hey, what’s up? :)

Yesterday:

• Wrote a quick first draft of a language specification for legit.
• Started writing a ROT13 implementation. This is how it looks like:
• Note that the program has a typo: “Z” instead of “z” in 6deaa0c. I have no idea of how to reword that without creating all merge commits which come after that manually again. Creating a program in legit is… um, a challenge? Let’s just say, TIL about git commit --allow-emtpy, git write-tree and git commit-tree.
• Debugged some cronjobs with @Alan Chu (SP2’19), and learned about TypeScript and the inner workings of @chat-bot!
• Feelings check-in made me cry a bit. Thanks for your vulnerability! :cry:
• Demoed the Wikidata Card Game Generator I made with my friend Bine a few months ago.

Today:

• No plans, as usual on Fridays! :) Might be fun to look at how to use c3nav for indoor mapping.

2019-04-22

Hey, y’all! Hope you’ll have a great week! I went to the Brooklyn Botanical Garden yesterday – highly recommended, the cherry blossom is at its peak currently, and the conservatory showcases many bonsai trees, some of which are over 500 years old! :O

Friday:

• Looked at c3nav, the software used for mapping large CCC events like the Chaos Communication Congress. I thought it might be fun to have an electronic map of RC! But. There’s no documentation at all on how to set it up or how to use it, and the maintainer seems unwilling to provide documentation or help. I contacted her, and it seems she doesn’t want to allocate time to that. Maybe drawing a static map would be an alternative.
• Implemented an interpreter for legit in Ruby! That’s a language I’m deeply in love with since many years, and it’s my go-to language if I quickly need to type out something. It was an amazing feeling when my example ROT13 program successfully ran for the first time! Exept for some DSLs, legit is the first language I ever created! :fireworks:
• Started working on a compiler, which will translate legit programs to LLVM IR.
• Wrote a “hello world” program, and introduced a new type of instruction: a string literal will push all contained characters on the stack. As the characters are pushed on the stack in reversed order, the program will first write them all on the tape, then print them in the correct order:

Today:

• Discuss the design of the language with a few people. Check whether anything is very counter-intuitive.
• Add the remaining missing legit instructions to the compiler. Refactor the code a bit.
• Design a logo for legit, improve documentation, prepare public release.
• The “holy grail” would of course be a brainfuck interpreter! :D (Which would also proof that legit is Turing complete.) Maybe write out how that might work on paper.

2019-04-23

Hi everyone! :sunny:

Yesterday:

• Had a legit discussion with @Joe Mou (SP1’19) and @Nick Aversano (SP2’19). We discussed different approaches to do jumps and calls, and I think it helped the language design a lot!
• Worked on the proposal for a GLASS OF WATER emoji, soon to be submitted to the Unicode Consortium, with @Kate-Laurel Agnew (SP2’19), @Ratan (Rai) Sur (SP1’19) and @Tim Vieregge (SP2’19). The process is much easier than I imagined! Emojination has all the links and resources on how to do that yourself!
• Got fed up creating legit programs manually, so I wrote some bash scripts which do it for me.
• Implemented the tape mechanics for the legit compiler, as well as new jump instructions, and adapted the examples.
• Made some quick logo designs for legit. Which one do you prefer? The second already feels very obscure, but maybe that’s appropriate.

Today:

• Continue to think about how to implement a legit Brainfuck interpreter! This is not gonna be trivial. :grinning:
• Give a presentation about Ludum Dare this evening!

2019-04-24

こんにちは、みんなさん！

Yesterday:

• Wrote some Git tools from scratch in @Joe Mou (SP1’19)’s workshop! Super interesting and demystifying! I’m looking forward to continue with that!
• Started writing the legit Brainfuck interpreter. Doing the loop instructions is tricky, the six other ones work by now! Thanks for helping me debug, @Nick Aversano (SP2’19)! Nick pointed out that I’m using a bash script to generate a legit program, which is then compiled by a Ruby script to LLVM IR, to be converted into a binary, which can then interpret Brainfuck, and that’s more layers than I expected. :sweat_smile:
• Gave a talk about how the game jam Ludum Dare works! :joystick: Slides and links here: https://morr.cc/dare-to-ludum-dare/
• @Jason Owen (SP2’19) showed me the current status of his RC project directory. I have a number of features in mind which I think would be great, and we filled the issue tracker with those! :D

Today:

• Try to finish the Brainfuck interpreter!
• Lots of interesting events: a Git mob learning session, the personal website jam, an improv session, and Latin puzzles! :blush:

2019-04-25

Good… morning! :D

Yesterday:

• Fixed all the bugs in my Brainfuck interpreter written in legit – especially the loop instructions took a lot of debugging.
• Fixed one or two bugs in the legit compiler. It can run the same programs as the legit interpreter (both written in Ruby) now, but harnessing the LLVM toolchain makes it faster by at least two magnitudes (2 seconds vs “0 seconds”):
• Went to the personal website jam for the first time, and implemented little icons for external links and my favorite projects on my homepage:
• @Agustin Ramos Anzorena (SP1’19) and @Travis Horton (SP1’19) hosted some improv games, which was something I always wanted to try. Warmup was super fun, but I think I need more practice to feel comfortable participating in scenes. Would love to try that again!

Today:

• I’ve been thinking about how to share what I’m doing at RC publicly. I’m considering creating a blog post for each week, which consists basically of these check-ins?
• Pair with @Jaryn Colbert (SP1’19) to make improvements to https://faces.recurse.com! :camera:
• Give a talk about legit! Polish the README, prepare a public release. Maybe create a page on the Esolangs wiki?

2019-04-26

Hey everyone!

Yesterday:

• @Jaryn Colbert (SP1’19) onboarded me to faces.recurse.com, and we implemented a new feature: Only show people who have photos!
• Gave a talk about legit, forgot to mention the name. :shruggies: @Kate-Laurel Agnew (SP2’19) brought up the challenge to write a quine! :scared:
• Enjoyed the Company Meet & Greet! It was super informal, and many of the people were Recursers themselves. Interesting to see the variety of companies RC works with.

Today:

• RC Hackathon! :sparkles:

2019-04-30

Hi :3

Friday:

• For the Stupid and Useful Things Hackathon, @Jared Pereira (SP2’19) and me made a map of the floors and rooms of RC. It’s meant to be printed and laminated, so that people can add details. Here’s a quick-and-dirty zoomable version using Leaflet: https://blinry.github.io/map-of-rc/ (Soon to be at https://map.recurse.com, if the stars align right? EDIT: The stars aligned!)

Weekend and Monday:

• Participated in the 44th iteration of the game jam Ludum Dare, where you make a game around a given theme in three days! The theme was “Your life is currency”, and @Tim Vieregge (SP2’19), @Byung Joo Shin (W2’19), @Alan Chu (SP2’19) and me made Capitalist Piggies, where you play as a piggybank that wants to escape from evil banker piggies! @Agustin Ramos Anzorena (SP1’19) joined us on Monday to create some pretty visual assets! We used the LÖVE game engine, and it was super fun, and super exhausting! :D

Today:

• I’m gonna take at least a day off. :sunny: Four days of focused hacking are a lot for me, and I need to recharge my internal batteries a bit. See y’all soon!

It’s a game about fast reactions, planning, and cute piggies! You play as a piggy bank that wants to escape a real bank, guarded by cute, but rather dangerous banker piggies.

You can download the game from the Ludum Dare website.

Development

The theme for this game jam was “your life is currency”, and we quickly settled on the idea of linking the life of little piggy banks to their coins. Instead of a fast-paced action game where you can shoot enemies with your coins, we decided to go for a more puzzly game mechanic, where you need to lure your enemies into traps.

Coverage

Joshua McLean did a quick (very distracted) playthrough:

For this game, we didn’t take the time to rate other people’s games, so we didn’t get enough ratings ourselves to get a placement.

Play it in your browser!

Feel free to deploy it on your favorite cupboard! For convenience, here’s a high-resolution PNG image!

While working on this, I also made a bunch of other variants, maybe you’ll like them better than I do? :)

People seem to enjoy it! Check it out here: https://cardgame.morr.cc

Our secret plan is that people will complain that a lot of information is missing on the cards, and will then add it to Wikidata to fix that! :D

Like Wikidata, the project is available under the terms of CC0. The source code is available on GitHub. If you wanna help improve it, have a look at the the issues! And let us know if you find interesting decks!

My first real game done on the “fantasy console” PICO-8. I was impressed by how quickly you can prototype on that platform! I’m especially proud how juicy this game is, including lots of particle effects and screen shake!

You can play the game in your browser!

Here are the slides we used: (Open them in fullscreen)

And here’s a Twitter thread with the individual drawings:

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habitctl is a minimalist command line tool you can use to track and examine your habits. It was born when I grew frustrated with tracking my habits in plain text files using hand-drawn ASCII tables. habitctl tries to get the job done and then get out of your way.

The basis for these flashcards is SignDict, an open dictionary for sign language, developed by Bodo Tasche. Its video content originates from different sources.

Here is an example card, as it looks like in Anki’s Android app:

Installation

You can download the current release from AnkiWeb. Then, in Anki, use File -> Import and select the .apkg file. On Android, you can simply open the file to import it.

Note: Using this Anki deck requires an Internet connection, as the videos are streamed on-demand. Also, the video player does not seem to work on every platform: It is known to work in Anki’s Android app, but not in the Linux desktop version.

Contributing

If you find a mistake, or have other ideas on how to improve the deck, please don’t hesitate to open a new issue!

This deck is built using the CrowdAnki add-on.

License

All videos are released under Creative Commons licenses. To see the license of a specific video, use the “Details” button!

There’s a recording of the talk on media.ccc.de:

(If you prefer, there’s also a copy of the recording on YouTube.)

And here are the slides:

Links

• Moviebarcode Tumblr
• Quiz
• Timelens
• Wikipedia: Moodbar
• Explorable Explanations
• Up and Down the Ladder of Abstraction
• Dynamicland

As for the story: You’re exploring a haunted house and find a strange parchment scroll. When you touch it, something terrible happens: You’re turned into a typewriter! Use your surroundings and find the magic words to lift the curse! Oh, and you can’t type spaces, of course.

You can download the game from the Ludum Dare website.

Development

Last time, our level format was SVG – now we just used text files. Personally, I had the most fun exploring the implications of our own rules. There were quite a few “aha moments”, and we tried to put those into the game for the players to experience, as well.

Coverage

This game got quite a bit of coverage. There were some short articles written about our game. Both contain recordings (without commentary):

• Alpha Beta Gamer
• gamejamcurator

Randomise User recorded a short playthrough:

And EliteKessu also did a full playthrough with hilarious meta commentary through the game’s user interface:

Comments

This is an aesthetic bomb. I absolutely love the visuals you chose, and the theme is implemented beautifully. Extra points for the sound design, the gentle typewriter clicks and dings did it for me! –Shess

Brilliant game. I spent the last 40 minutes playing this game and enjoying myself with puzzles and the beautiful aesthetics. Love the seemly simple mechanics can actually generate4 so many interesting puzzle especially the later ones involving finding out clever ways of getting around tight spaces and dead ends. –jackyjjc

Wow, this game blew my mind, supernice, this is incredible 5/5 –oskarOlausson

Results

Writespace won second place, out of over 2000 jam entries!

Regular version

This is the normal version, which can be used in website headers, on stickers, and other merchandise:

There’s also a SVG of this, which can be scaled up for large print sizes, as well as a clean, plain SVG, which does not include the fancy texture, suitable for 3D printing, milling, plotting, and so on. There are also variants for dark backgrounds of the default and the plain version.

Avatar version

This is a reduced version, which looks pretty in a square and a circle, and can be used as all kinds of avatars.

This also has a SVG version as well as a plain SVG version. And also for this avatar, there are variants for dark backgrounds of the default and the plain version.

Favicon

And finally, there’s a multi-resolution favicon.

Master’s Thesis

The full name of my master’s thesis is Split Packing: An Algorithm for Packing Circles with up to Critical Density. It covers a topic from the field of Computational Geometry: Packing circles into various containers, like squares and triangles.

In the thesis, I invented an algorithm which can pack circles and other objects into these containers, if their combined area does not exceed certain bounds. The special property of the algorithm is that these bounds are tight: For any larger area bound, there are circle instances which can not be packed.

The thesis contains a large number of figures, I’d like to invite you to take a look! :-)

For the presentation I created a nonverbal description of the central algorithm in the style of IKEA assembly instructions. (Later, in 2017, I started a whole series of these, the IDEA project.)

Also, while working on this thesis, I wrote an interactive visualization tool called Circus, which I used as a personal thinking and explaining tool. You can try it out by clicking on the image below, usage instructions are located in the lower left. The tool is written in CoffeeScript and uses the HTML5 canvas for drawing, the source code is on GitHub.

SODA paper

A solo-authored paper version of the thesis, condensed to 10 pages, and lovingly typeset. I presented this paper at the 28th Annual ACM-SIAM Symposium on Discrete Algorithms (SODA 2017) in Barcelona. It only covers packing circles into square containers.

http://dl.acm.org/citation.cfm?id=3039686.3039693

WADS paper

This paper covers packing circles into triangular containers. I presented it at the 15th Algorithms and Data Structures Symposium (WADS 2017) in St. John’s, Canada.

https://doi.org/10.1007/978-3-319-62127-2_32

DCG article

This article combines the two paper versions. You can read the preprint at arXiv.org, or a view-only version of the published article.

The Verschwörhaus in Ulm had a big and secret 2-year birthday party this weekend! The original logo actually depicts the front of the building the Verschwörhaus is situated in, but for me, it always had legs! <3

Here’s the original Aseprite animation.

Liam included this animation his projection mapping:

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You can get this shirt at GetDigital. It’s a collaboration with my good friend Bleeptrack, who designed the front side!

You can also get it as a hoodie and in a cut which emphasizes the waist.

History

In September 2017, Bleeptrack and me had the idea for a festival shirt with nerdy band names on it. We brainstormed a bit, and asked around on Twitter for ideas:

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When we got a lot of feedback, we wanted to set up a website where people could vote for their favorite band names, and could contribute new ones. We discovered the open source project All Our Ideas, which seemed perfect! We set up a poll, which received over 10000 votes and over 260 total ideas in a few days. Whew! The results were really helpful for us to select band names for the shirt, and to put them in a good order.

When designing the band logos, I made sure to only use fonts with free licenses. Bine drew a front side, and we iterated both sides a bit - thanks to our beta testers!

Initially, we wanted to set up our own on-demand printing shop at Spreadshirt, but we discovered that they would not allow parodies at all. So we contacted the nerdy online shop GetDigital, who were immediately enthusiastic about our idea. It took a while before the shirt actually went into print, though, because of internal personnel problems, Christmas time, and our complicated, big designs, which meant they had to look for a new contractor to do the actual printing.

But since June 2018, it is finally possible to buy the shirt! We can’t wait to make more like this. Actually, Bleeptrack has created a ton of other awesome shirt designs, check them out!

I’m very glad to have them. It gives me a lot of confidence, being able to leave my apartment, knowing that I haven’t forgotten anything important.

Short-term packing list

For travels of up to one or two weeks. Most of the time, this list assumes I won’t be doing laundry, and will be mostly stationary. It does not include the things I usually wear on my body (wallet, jeans, hair ties, …).

Preparations

• cut fingernails
• cut beard

Assorted things

• small backpack
• money for all countries I’m passing through (incl. airports)
• passport
• chewing gum
• books
• guidebooks
• water bottle
• tickets
• (digital) map
• pencil
• fountain pen + ink cartridges
• empty paper
• notebook
• games

Electronics

• power adapters for all countries I’m passing through (incl. airports)
• power strip
• Kindle
• Mini USB cable
• external hard drive
• hard drive’s USB cable
• HDMI cable
• HDMI-to-VGA adapter

Body

• towel
• shampoo
• Kleenex
• condoms
• painkillers
• nail clipper
• sunscreen
• insect repellent
• antihistamine
• earplugs
• plaster

Clothing

• long underpants
• underpants
• socks
• T-shirts
• pullover
• headgear
• rain jacket
• swimming trunks
• slippers

Events

• Ethernet cable
• sticker box
• DECT handset & base
• juggling balls
• caffeine pills/powder
• soldering equipment
• throwie ingredients
• googly eyes

In the morning

• laptop
• laptop’s charging cable
• smartphone
• USB-C cable
• USB charger
• headphones
• toothbrush
• toothpaste
• hair brush
• deodorant
• food

Long-term packing list

For indefinite traveling/backpacking. This list tries to be as minimalist and lightweight as possible. Weight measurements are in grams.

Backpack

On the body:

Motivation

Given a page of written content, its structure is pretty apparent. You can easily scan the page and read the parts which seem interesting to you. (Unless it’s written by Leonardo da Vinci, duh. But you get the idea.)

For a video, this is different. You can’t see the structure, because you can only look a single frame at a time.

For example, try to find the scene where the bomb explodes in the following video:

Did you find it? Was it easy?

I think it feels a little like stabbing in the dark. The slider at the bottom just seems terribly inefficient to me.

The solution

I propose adding color information to the slider, to show the structure of the video.

Again, try to find the explosion - but this time, click around in the bar below the video!

(You find pause and resume the video by clicking it.)

Here’s another example. Can you find the scene with the elevator?

I call user interface elements like these visual timelines. Let me show you why they are awesome and how they work!

Why are visual timelines cool?

There are several cool things which happen when you have a visual timeline to navigate a video.

For example, you can suddenly see the intro and the credits of videos:

… and even if there’s a “secret scene” after the credits!

In a recorded talk, you can see when the slides change:

In a talk, you can also differentiate sections and see where the Q&A begins:

And sometimes, you can get a feeling for the arc of suspense of a movie, just by looking at the color development:

How are these images created?

1. Take frames from the video at regular intervals…
2. scale them to a width of 1 pixel, averaging the colors…
3. and append all of them to one single image.

The result gives you an impression of the color development over time, and you can also differentiate between up and down.

There are many other styles of visual timelines which could be interesting. For example, here’s one visualizing the audio track of the video, using a spectrogram:

Footnotes

This work is in the spirit of Bret Victor’s essay Up and Down the Ladder of Abstraction. Visual timelines are an example of an abstraction over time.

I take much inspiration from the Explorable Explanations community.

My Story

In early 2011, I came across the moviebarcode tumblr. The people behind it take feature films, and create similar images depicting their color development. I had fun doing quizzes with some friends – we would show each other three of these images, as well as the movie titles in a random order, and the others had to assign the images to the titles. To my amazement, we managed to recognize Gandhi (1982), soley by the black intermission in the middle of the movie.

And that’s when I thought “huh, wouldn’t it be awesome to use these for navigation”? Now, supported by the Prototype Fund, I’m able to work on this vision properly!

Here are the interactive slides – you probably want to open them in fullscreen.

You play the web version on the Ludum Dare website.

Development

We used SVG as a level format. This was an awesome idea, because it gives you a lot of expressiveness, and a convenient editing environment with layers, locking, unlimited data attributes. The browser also does the rendering for us, and everything scales nicely.

It was also a horrible idea, because elements can be arbitrarily nested, with transformations stacked on top of each other, and path objects don’t have a coordinate at all. We ended up using getBoundingClientRect() to fetch object positions from the browser. Then, we remember the original object positions, wrap each of them in an SVG group with a specific translation, and update that translation from the physics engine. Took us a day to get it right, but I’m happy how it turned out! :)

Recordings

Jupi covered the game in her ongoing mission to play ALL THE indie games:

Joshua did a long playthrough with fun commentary!

Randomise User also tried the game, after the ratings were out! “You decide… to DIE!”

And Coconut Mouse played it without commentary:

Comments

What a way to do the theme! I would have never thought on doing this! Kudos to you guys! Beautiful pictures, the atmosphere and the multiple routes really make it feel like a complete game. I now really want to see more of these types of games in the future! –SaberOfSong

So for the entire game, I played with a childlike smile on my face. –legavroche

Really nice, very soothing. I was hooked and tried all the pathes. I had a very good time, thank you :). –Kevar

Results

To our astonishment, we made the 2nd place in the Overall category, and 3rd place in Fun and Mood! I still can’t believe it. 2nd place is damn close to 1st place! :O

This sticker depicts the first bars of “Never Gonna Give You Up”. It’s super fun to rickroll musical people this way! :3

Here’s the LilyPond source file, and here’s a PDF ready for printing.

Sollten Sie für andere Zwecke einmal Veränderungen an dem Formular vornehmen wollen, steht die Quelldatei im SVG-Format bereit.

Well, absolutely! :) After brainstorming with some of the hackerspace’s members, we ended up with an idea involving Lissajous curves, a family of curves created by sending two sine waves on the x- and y-axis of an oscilloscope. The concrete logo depicts a Lissajous curve with a frequency ratio of 2:3.

Here’s the basic form of the logo, for use on dark and light backgrounds:

License

The creator, blinry, allows free use of the logo for everything and everyone, as long as the usage is related to the hackerspace Freies Labor in Hildesheim.

Typeface

The font is Gidolinya, a modern DIN by Andreas Larsen, dual licensed under the MIT License and the SIL Open Font License 1.1. I added some weight to the individual glyphs.

The logo would also go well with Gidole by the same author.

Variants

There is an extra-fancy version for special occasions:

A header for the blog:

A square avatar for use in social networks, which snuggly fits inside a circle, and a square version for the wiki:

And finally, there’s a multi-resolution favicon.

You can find the GLSL source code of the demonstrated shaders on GitHub.

To run them, you can use glslviewer (on your command line) or this online editor (in your browser).

Shadertoy contains a plethora of cool examples, and The Book of Shaders is a brilliant interactive step-by-step guide to fragment shaders.

Usually, I create Markov chain-based bots like Potterbot, or my alter ego yrnilb. But learning about Tracery, I wanted to do one based on a formal grammar.

The first result is @small_recipes, a random recipe generator! :)

Results are suitable for beginners …

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… and advanced cooks alike:

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If you have access to a plotter and want to create your own, you can use my SVG file as a basis. The measurements of the space key were taken on a T460s.

And here are the slides we used: (Open them in fullscreen)

Here’s a recording of the “theoretical part” from the 34th Chaos Communication Congress:

Slides

The 8x8 pixel characters are by Johan Vinet.

You can also download the source .ase file for the presentation, which abuses Aseprite’s animation feature to do slides.

Spring cleaning time! But be careful to protect your increasing number of cats from your roomba by drawing lots and lots of barrier tapes!

You can download the game (or play the web version) at the Ludum Dare website.

We also had a sister project, Kittychaos, created under the same roof, and partially sharing assets!

Development

This was a rather small-scope project. We managed to implement it in two days, and had the complete third day for testing and bugfixing. Very relaxing!

Comments

I love the idea. And its a nice riff on those games where you divide the floor and I think I like this better than those. It feels more strategic. –tsuk13

Overall cute-level is 10/10. Audio complements the visuals and pushes the cute-meter to 11/10. –Simon Rahnasto

Cool basic mechanics! At first simple, then cat synchronization and corralling. :P Well done! –Joror

I love the way the vacuum cleaner moves, it’s so stupid and inefficient and I love it. –pogo

Recordings

Jupi did a playthrough, and decided she would rather vacuum the floor herself:

Results

Results were pretty solid. We got a good Theme rating, and except for Graphics, our scores were all better than 200th place!

Folien:

Motivation

For many years, I’ve kept my files in the following way: On the top level, I had directories which specified the file type of its contents, like videos, text, code, svg or templates. This is the default structure suggested by operating systems like Windows and macOS, which even create folders like Documents, Music or Pictures when creating new user accounts.

I was unhappy with this structure for a number of reasons. For starters, I couldn’t tell the status of my files. I had no overview of what I was working on, and which projects were finished. And I couldn’t tell which projects were decades old, and which were really recent. Also, there was no separation between random files I found on the Internet, and my own work.

Relatively fast, I settled on “project directories”, that is, I kept each project in its own directory. This was partly because I like to use Git to version control software and text, but also because it seemed to give better modularity and isolation - it made it unambigiously clear which files belonged together, and which project they belonged to. Project directories are always moved as a whole. Even small “projects”, like a letter or a single drawing, are put into their own project directories.

High-level structure

I have five base directories, which have different purposes, and I’ll go over each of them in detail in the following sections. To give you an overview, here is how files can be moved between them:

And here’s the structure of their contents:

• work (projects I am working on right now)
  • project1
  • project2
  • …
• permanent (projects that are always active)
  • wiki
  • homepage
  • mail
  • …
• archive (completed and inactive projects get moved here)
  • 2017
    • code
      • project1
      • project2
    • art
      • …
    • texts
    • uni
    • photos
  • 2016 (same structure as above)
  • …
• library
  • music
  • books
  • papers
  • …
• tmp (temporary files)

tmp

This is where most files start their life. Downloads go here, and if it’s worth keeping them, they get moved to library later. Sometimes, I also start experimental projects here, before they get moved to work. The idea is that this folder can be wiped regularly, without losing anything of value.

If this seems to simplistic to you, Leah has a much more advanced setup for managing her “mess”.

work

Each currently active project is a subdirectory of work.

I used to call this directory projects, but changed the name later so that it doesn’t start with the same letter as permanent, to make tab completion faster. :D

When I’m bored, I simply look around in work, choose one of the projects inside, and start working on that. When I see a project that I haven’t worked on for a few days of weeks, or when a project is finished, I move it into archive.

permanent

This directory contains projects that are always active. Currently, these are the following:

• wiki: My personal wiki, based on Vimboy
• homepage: This site, based on nanoc
• nom: My personal caloric intake tracking and weight loss assistant
• mail: All ingoing and outgoing mail, synced with offlineimap
• pkgbuilds: Software packages for the Arch User Repository.

archive

Completed or inactive projects get moved here. This is the most structured directory in the system; its hierarchy has two layers:

On the top level, everything is ordered by year of last modification. This makes it easy to tell what’s really old and what’s recent. This also allows me to move older years to external drives, but until now, this hasn’t been necessary.

And inside each of these year directories, I sort the projects by type, like code, art, texts or photos.

library

This directory has a strict rule: It must not contain anything I created. It’s a loose collection of files I like to have around for entertainment or information purposes. This directory is structured like default home directories: It has subfolders, classifying files by their type. Examples: books, music, papers, wallpapers, pics, sounds.

Summary

Here’s a one-table overview of my system:

To find old projects, I have a script called archive, which lists project directories with matching names:

find ~/archive -maxdepth 4 -type d -iname "*$1*"

Future

I’m pretty happy with this system, and I’ve been using it for about 5 years now. One thing I’ve considered changing is to remove the year-type classification inside the archive directory. Having a flat structure would make it even easier to retrieve old projects. The downside is that photo projects can no longer clearly be differentiated, and that there could be name collisions – what is now archive/2016/photos/japan would need to become archive/japan-photos-2016 or something. For all other projects, it would probably work better.

Here’s a collage of all the drawings! For me, it holds a lot of emotional value, because so many things happened that month! I fell in love, saw a bunch of great movies, and drove a car after a long time!

And here’s a Twitter thread with the individual drawings:

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• Titanic: A boat comes out of the ocean to save a bunch of drowning people.
• Lord of the Rings: Two hobbits steal a ring from Mordor and emigrate to The Shire, while some of their friends travel around reviving orcs.
• Star Wars: A moon-sized spaceship suddenly appears in space, and Luke extracts a bomb from it, enabling it to constructs new planets.
• Saw: An old man kindly gives people new organs and replaces their missing body parts.

I wanted to try this. Well, actually playing movies backwards would mangle the audio and look ridiculous, but there’s another way: Watching movies Memento-style!

The idea

The movie Memento revolves around a man who can’t make new long-term memories, so he only remembers what happened in the last five minutes. He’s constantly taking notes and pictures, and even gets himself tattooed, to remind himself of what’s important.

The filmmakers use a clever narrative technique to transfer his experience to the viewer: The individual scenes of the story aren’t shown chronologically, but in reverse order: The viewer gets to see the last five minutes of the story first, then the five before that, and so on. This means that, at any point in the movie, the viewer also has no idea what happened before, making it easy to put themselves in the protagonist’s position.

These backwards-running scenes are additionally interleaved with shorter, forward-running ones taking place at the story’s very beginning. They introduce some of the characters in a spread-out fashion, and can easily be differentiated, because they are shown in black-and-white.

Here’s a timeline of the whole movie, displaying the “screen time axis” horizontally and the “plot time axis” vertically:

I’m quite fond of Memento, and one day, I wondered what would happen if you applied this narrative technique to other movies. I tried it. Here’s what happened.

Experiences

The first movie I watched “Memento-style” was Transcendence. I knew that it didn’t have very good ratings, and I thought it could be more interesting to watch it backwards. Also, I was on an eight-hour bus drive through Canada, and had nothing else to do. I just did it manually, skipping back by ten minutes whenever I encountered something I had already seen: Five minutes for block I had just seen, five minutes to go to the beginning of the block before that.

Watching Transcendence backwards turned out to be a pretty fun experience, because of its climactic story arc: It ends with an AI taking over the world, and the rest of the movie explains how it became more and more technologically advanced, and before that, how and why the original person uploaded his mind into a machine. For most of the movie, the relations to some of the characters weren’t really clear to me, and became apparent only when they were introduced at the beginning. But overall I had a great time, and learned that watching movies in this fashion makes an engaging, fun experience.

And recently, I could convince some friends to watch a movie backwards together. We chose Cypher – two of us already knew the plot, two of us didn’t. The movie ends with a pretty big twist, so for the rest of the film, we already knew what would happen, and could laugh at the ignorance of the characters. But still, we had quite a few “Ah, that’s where he got that item!” and “Oh, so that’s why he did all that!” moments. I’m not sure whether it was more fun for those who already knew the movie, or for us who had to figure it out. ;-)

How to watch movies Memento-style

My initial idea was using FFmpeg to actually cut a movie file into pieces and reassemble them, but that approach turned out to be slow, tiresome, and inflexible. So, at the moment, there are two things you can do:

First, as explained, you can just open the movie in your favorite video player, skip the the beginning of the closing credits, and then jump back five minutes. Each time you reach a part of the movie you’ve already seen, jump back ten minutes. Repeat until you’ve seen all of the movie. (In VLC, for example, you can make this easier by using the keyboard shortcut Ctrl + Alt + Left, which jumps 5 minutes backwards!)

And second, you can apply some automation. My favorite movie player is mpv, which is easily scriptable with Lua, so I wrote this script which does all the work for you. You just put it in ~/.mpv/scripts/ (on Unixoids) or in %APPDATA%\mpv\scripts\ (on Windows), open your movie, and press M to turn on “Memento mode”. Playback will skip to the beginning of the last 5-minute block automatically, and it will then play all of these blocks, in backward order. I found that it’s worthwhile to have an overlap of about 10 seconds between the blocks, so you can better recognize where the transitions are. You can change the length of the blocks and their overlap by changing the value of the step and overlap variables.

Closing thoughts

Watching movies backwards seems like a good way to make boring or bad movies more interesting, to challenge yourself, and to have a fun time.

It might be interesting to try playing a movie really backwards, after all. This way, people would also actually act backwards, which might add some humoristic value. To understand what characters are saying, one could either simply add subtitles, or actually cut out the respective parts of the audio track and play them forwards. One could use the timing of the subtitles to find these pieces containing speech. In any case, doing this would require re-encoding the movie file, because video formats are specifically designed to be played forwards.

One could experiment with different block lengths. Five minutes seemed to work pretty well – it’s long enough so that you don’t get too many jumps, and it’s short enough so that the story is still perceived as “backwards”. The average scene lengths in modern movies seems to be around 2-3 minutes, so one could also try that.

Finally, as I explained above, Memento’s structure is somewhat more complicated because of the additional forwards-running black-and-white scenes. It seems worthwhile to add these in, so that you get to see the introduction of the world, of the characters and their relations at an earlier point of the movie.

Here are some more movies which could be interesting when watched mementoized. If you’d like to try it, it would probably be best to pick one you know absolutely nothing about: Mrs. Doubtfire, Duplicity, The Fountain, Duel, Alien. Enjoy!

It was selected by the GitLab Infrastructure team from my three suggestions:

Hackerspaces: the final frontier. These are the voyages of the rocket Fairy Dust. Its one-year mission: to explore strange new technology, to seek out new life forms and new convention centers, to boldly go where no congress has gone before.

The visual style of this animation is a reference to Nyan Cat, but the subject is one of the Chaos Computer Club’s logos, the rocket Fairy Dust.

In case you’d like to create your own Nyan Cat-style animation, you can use my Aseprite file as a basis.

I posted this animation on twitter, and when I suggested that someone could create a soundtrack for the animation, an amazing piece of Internet collaboration happened: My friend Winnie extracted samples from Peter Marquardt’s video Electromagnetic Sounds of a Chaos Communication Congress and put together a music loop. He called the result Fairy Dub:

He also made a improved version 2.0, Fairy Dubst:

Sticker

In late 2017, I made a sticker version, with slightly modified colors and a different aspect ratio. It is designed to be printed at size 3.5 x 10.5 cm, and already includes 1 mm bleed on all sides. If you want to modify it, here’s the Aseprite source file.

Here’s a (German) recording of the talk, given at my home hackerspace, Stratum 0:

Links

• New Ludum Dare Website
• Old Ludum Dare Website
• LÖVE, a cute 2D engine
• Freesound Project
• bfxr, a sound effect synthesizer
• Incompetech, background music
• Free Music Archive
• Aseprite, a pixel art editor
• OpenGameArt
• Ludum Dare Feedback Friends
• Ludum Dare mailing list
• @ludumdare Twitter account

Games:

• You’re a Floor Lamp Now
• 20,000 Pixels Into the Sea
• Was ist das für 1 Room?
• A Bloody Small World
• Ten Little Letters

Here are the interactive slides – you probably want to open them in fullscreen. Note that the “solutions” to the various topics are subslides, which you can reach with the down key. Press Escape to see an overview.

And here are two codepens I provided as a starting framework:

• simple version
• advanced version

Would you like some Möbius bacon on that?

Because I’m annoyed by such things, I wrote a Twitter bot which can fix these problems: @fixmyavatar. It analyzes the avatar’s background color, and then scales down the motive until it fits into a circle, plus some small padding.

To use it, just write something nice to the account, like this:

@fixmyaccount Hi, please fix my avatar!

It will reply with a fixed avatar, which you can then save and re-upload to your profile.

To help fixing other accounts, send their names to the bot, like this:

@fixmyaccount Please fix the avatar of @account_name_here

As the Twitter API limits the number of tweets per hour to 100, you might need a little patience! :)

The description of this challenge read as follows:

Participants were supposed to enter a flag in the text box at the bottom to solve the challenge. Note that it has a 5-star difficulty rating, but we were determined to solve it!

Thus began our descent into madness.

Thanks to the hint text, we now knew the general format of a flag, but how were we supposed to get the specific one required for this challenge? We were really surprised that, unlike other challenges, this one didn’t link to any file or webpage. There was no obvious attack vector, or any other apparent source of helpful information.

First thing we did was to look at the source code of the page, but didn’t find anything hidden in there. We attemted to take the description text literally and entered mrmcd{text}, but to no avail. Maybe there was some kind of hidden message in the hint text itself? The first letters of all words? Tihafllsialltotitbtc. The characters in the first column? TmsMb. Every fifth letter? Tiallomaoiihsbecbe. Nothing seemed to make any sense, we tried these as keys nevertheless. Nope. Scytale cipher? Caesar box code? ROT13? Nopenopenope.

The strings inside the example flags caught our attention, and we spent a day or so to do anything useful with them. To us, they looked like abbreviated hashes, so we rented some computation time from Amazon’s AWS, and set up a hash cracker using rainbow tables. To our disappointment, after letting it run overnight it didn’t come up with anything useful. We interpreted the strings as x86 assembly instructions, as ASCII, as IPv6 addresses, and as bit strings forming a QR code when arranged correctly. Nothing.

Maybe the title Sanity Check was supposed to be a hint? Were we actually required to prove our mental health to the CTF organizers? Google Maps listed at least different six psychotherapists nearby – but which one should we go to? Was this actually supposed to be an on-site challenge? We tried calling them, but none of them understood what we were asking about. Two of the psychotherapists pointed out that the Central Tegmental Field (short: “CTF”) is a specific area of the human brainstem, but all our attempts to build a flag out of that information was in vain. When we called the last number, insisting that one of them had to an accomplice of the organizers, and were actually offered an appointment for the next afternoon, we knew we were on the wrong track.

We sneaked in the CTF operation room and attempted some social engineering. We started by thanking the team for putting together all those fun challenges (we had solved about a dozen others of them at this point). Next, we causally mentioned that we had noticed some other teams having problems with the Sanity Check challenge, and offered to discuss how to improve this type of challenge next time. Instead of answering, they all laughed at us, and we didn’t have a choice but to laugh as well. We tried again, pointing out they had made a typo in the string inside the flag. Yeah, the second word was spelled wrong, what was it again…? But they seemed very determined not to let anything slip. We left, trying very hard to conceal our disappointment.

So… to be honest, I started this writeup under a false pretense. I promised to describe how we solved this challenge, but to this day, we haven’t found a way to do it. If someone else (like one of the top three teams, entropia, alech, or cypp) would like to do a proper writeup of how they found the flag, we would be extremely interested to read it! But, judging from how difficult it must be to derive the flag text, we assume none of them will have the time and energy to describe all the required tools, and the elaborate process required to crack all stages of this devilish challenge. Congrats to all teams who beat it. This one was definitely above our heads.

In the comments, the game was praised for its “original concept”, and the “clean, simple execution”. Many found it quite hard (including myself), but see for yourself! :)

You can download the game from the Ludum Dare website!

Development

The theme for Ludum Dare 39 was “Running out of Power”. I spent a few hours drafting a game in the style of Japanese number games, where you would need to connect potato batteries to lamps on a grid, but I didn’t find a combination of gameplay elements which would make this really challenging. Another concept had the title You are the Blackout, where you would kill lights in a skyscraper, making the people inside panic and flee to certain locations. This led me to the idea of a platformer which would play completely in the dark, and you would have to orient yourself only via sound effects. I knew I had to reduce the scope to be able to finish this in a day, so the final game is a very reduced version of this: You click around in the dark, trying to guess which letter is there.

To be honest, this is kind of a recycled idea which I already thought of in preparation to managore’s bit jam. The challenge there was to create a game in 1-bit color, on a 1px x 1px display, without any other form of feedback. I didn’t realize it back then, and I think this version with audio and graphical output is probably much more satisfying to play.

Recordings

Jupi covered the game and discovered that letters are hard:

Results

I’m rather proud of the innovation rating. All other categories are in the upper third, except for “Theme”:

A friend and I wanted to find out. We had both heard of Juan Mann, who started his Free Hugs Campaign in 2004. Also, we had already encountered other people doing this, and we discovered that we both had wanted to try it ourselves ever since.

So we wrote two cardboard signs, one in English (“Free hugs”), one in German (“Gratis Umarmungen”). As we walked toward the city center of Brunswick, I started looking at the people passing by and tried to guess whether or not they would accept a hug. To be honest, I was pretty nervous, because the whole thing was so unpredictable. Doing this this was definitely part of my ongoing efforts to leave my comfort zone every now and then.

We selected a busy crossroad in a pedestrian zone, stood at one corner of it, and raised our signs.

Nervously, we waited. Would anyone actually come up to us, or would we simply be ignored?

Our initial anxiety disappeared quickly. It turned out to be quite fun to watch people’s reactions: Some kept a straight face, some looked surprised or narrowed their eyebrows, but the overwhelming majority smiled and talked about us when they realized what we were doing.

Then, after about five minutes, the first two people came running into our arms, tourists from an English-speaking country. In retrospect, these were some of the most heartfelt hugs of the day. “How long can I hug you?” one of them asked. My friend chuckled. “As long as you want!” They hugged each of us, then hugged each other.

After this, we couldn’t stop smiling.

Most of the time, we wouldn’t offer our hugs very aggressively, and let the people come to us instead. We watched many groups hesitating whether or not to approach us. Often, one member would try to convince the others to come with them. Soon, when we spotted this behaviour, we tried to invite them in by opening our arms and waving and nodding. Some groups literally changed direction four or five times (toward us, away from us, toward us), before finally deciding on whether they would do it.

Some woman pointed at her companion. “He wants a hug, he’s just too shy!” He smirked. “Yeah, you know, my social phobia…” “Oh, we’re totally introverts, too!” we replied. “Well, obviously you don’t have to do this. But maybe you’ll come back here again later today?” He didn’t.

A teenage girl walked by, gaping at us, looking so offended that I couldn’t help but burst into laughter. Sorry!

Some older women gave us very tender and long hugs. “This feels good,” nodded one of them.

After hugging, a man with an Italian accent walked away, then quickly turned around again: “Oh, you don’t want any money, right?”

Some dude, walking up to me: “Okay, I’ll hug you. But only ‘cause it’s you!” He came back a few minutes later for a selfie.

Many people asked for our motives. “Why are you doing this?” “Did you lose a bet?” “So, who made you stand here?” My default answer was “We just think the world could use more hugs!” I don’t think everyone understood.

A woman with a group of small kids: “Sooo… explain what are you doing?” “We can hug you if you want!” “And then?!” “That’s all there’s to it!” She came back a few minutes later and all apparently had instructed all four kids to hug us. Cute!

My friend told me beforehand she was a little afraid of creeps. Fortunately, the whole thing was a mostly creep- and asshole-free experience. Even though, there was one rather awkward guy who came to hug (just) her, without any facial expression, and then left, all without speaking a word.

A middle-aged couple came for hugs. “We saw people doing this some time ago in another city! We didn’t use the chance back then, but now we had to!”

A rugged-looking man with bad teeth watched from a small distance. “Do you want a hug?” I asked. “Nah, I’m fine, I get 10 per day! I’m just glad there are still good people out there!”

Guessing which people would come for a hug turned out to be rather difficult. We noticed that most couples wouldn’t, and most kids and elderly people wouldn’t, either.

The waitress of the café across the street came over: “I’ve been watching you the whole time, and I wanted a hug myself!”

A boy of about 7 years sneaked up on us. “Do you want a hug?” He beamed with joy. “Yeah!!” I wondered where his parents were, but then he also walked back to the café, his parents smiling at us from there.

A 12-people bachelor party group came roaming about, and we wiggled our signs, hoping to score a group hug. But they were focused on selling stuff to raise money for the wedding. None of them wanted a hug, one of them even asked for money. I pointed at the word free: “Sorry, this is not how this works.”

One of the most surprising reactions came from a young man: “Can I hold the sign for a few minutes?” A group of his friend watched him from a distance. He seemed a little nervous and withdrawn, and I tried to brief him with some best practises: “Offer the sign up to people coming from that direction, so they have time to decide whether they want to do this. Try to look at them, and smile!” He did none of these things, it didn’t really work out, and he left after a few minutes. I encouraged him to try it again sometime, and I thanked him for the idea of bringing some spares signs in case people wanted to join in.

We mostly stayed stationary, except when the infamous Preacher of Brunswick turned up (“Let! Jesus! Into your heart!”). We really didn’t want to be associated with him, so we temporarily changed our location. Walking around with our signs (very slowly) also worked great, and I would like to try more of that in the future.

When the shops closed, and the amount of people passing by decreased, we decided to break camp. About two hours had passed in a flash. Some people had asked for our experiences – how long we’d been here, how much response we were getting. Truth be told, we got a lot more reaction than I had expected. I’d estimate we hugged about 50-60 people. Hugs definitely came in clusters, I guess because it’s easier for people to come up to us after they’ve already seen others to do the same. Overall, the feedback has been incredibly positive!

Some minutes after we put away our signs, my brain was still in hugging mode, and I was surprised that nobody came up to us. So, yeah, I would love to do this again. Soon.

Lessons learned

Should you ever want to offer Free Hugs yourself (and I think you definitely should try!), here are some hints and pointers to improve your experience:

• A mixed-gender two-person group seemed to work pretty well. It’s not as creepy as a single guy, not as intimidating as a larger crowd, and people can chose whom to hug. (Although most people hugged both of us!)

• It’s a good idea to write multi-lingual signs, where applicable. We noticed people who couldn’t read our English one (“Könnten Sie mir die Bedeutung des Wortes Hugs verraten?”), and there were also people who didn’t speak German and laughed about the ridiculous length of the word “Umarmungen”.
• Bring more signs than you need, in case people want to join in.
• Our signs were made from thick white cardboard, a little larger than A4. This worked well, but I’d probably make larger ones next time. Write on both sides of the signs, so people behind you can read it when you hold it up.

But really, there’s not much you can do wrong. Go! The world does need more hugs, now more than ever.

But it sounds rather dark, so I gave it a depressing name! :P

You can listen to it on SoundCloud or download it as MP3 or FLAC. The SunVox project file is available here.

Thanks to Bobo_PK for reviewing the track, and giving helpful feedback! Cover art by Bleeptrack.

Inspired by @nori_wrap’s low poly art.

You get a picture, and need to guess where on the Earth the depicted object is! To generate the quiz, I sample from all Wikidata objects that have both a coordinate loction, as well as an image.

Play it here!

Make your own quiz!

The best thing is that you can make your own quizzes! In the dropdown in the bottom left, there’s already some ideas, like “only guess the location of parliament buildings”. But here’s how to make your own type of quiz:

1. Go to wikidata.org.
2. Enter a type of object into the search box in the top right, in singular, for example “bridge”.
3. Click the dropdown popup that has the correct description.
4. Copy the Q-number in the title of the page. For “bridge”, it’s Q12280.
5. Add the Q-number to the base URL of the game, like this: https://guessr.blinry.org/?Q12280
6. Enjoy your new quiz!

A friend of mine has started replying to the prompts generated by Potterbot, to continue the scenes. You can find a good example here. I find it hilarious, and it’s a good example of creativity produced by human-computer interaction!

Here is an example card:

The basis for these flashcards is the now-defunct FontSpotting deck developed by Dustin de Souza and Jessica Witt. Their content is used with their kind permission.

Installation

To get started, simply download the current release from the AnkiWeb page. Then, in Anki, use File -> Import and select the .apkg file. This works in the desktop client as well as on smartphones.

Contributing

This deck is maintained on GitHub, using the CrowdAnki add-on. If you find a mistake, or have other ideas on how to improve the deck, please don’t hesitate to open a new issue!

You can also have a look at the LaTeX source of the paper.

In 2017, I gave an extended version of the talk at the 17. Gulaschprogrammiernacht (in German):

(If you prefer, there’s also a copy of the recording on YouTube.)

TQ & Pecca made me aware of the Saint J&an event hosted by the open source foundry Velvetyne. It was both a workshop held in Paris, as well as a location-independent design event, where participants could create & submit their “contemporary ampersand” designs.

You can click on the images below to download a clean SVG of each design.

Clef

Inspired by the treble clef used in modern music notation. This one definitely took the longest & I found it rather hard to get all the curves right. A huge help was Inkscape’s “pattern along path” effect, which allowed me to vary the thickness the stroke, while being able to modify its positioning at the same time. Oh, & Spiro splines, of course. I couldn’t have done any of this without Spiro splines.

Buddha

The idea here was to create an extremely bottom-heavy shape. Already early on, I had to think of the Body Positive Movement & some variations literally depicted a huge belly. The final design stayed rather abstract, but the name still transports the idea! :)

Ribbon

Inspired by the awareness ribbons. This was a fast one, because two thirds of the design were already given. Few design choices had to be made.

Only an event like Ludum Dare gets me into a flow-like state which allows me to work on something without interruptions for 16 hours straight…

You can download the game from the Ludum Dare website!

Recordings

The Button Masher Bros did a hillarious playthrough, you should definitely watch it:

Also, Jupi covered it in her ongoing mission to play ALL THE indie games:

Comments

Such a great game! The design is very well done, from the blood flow encouraging you in the right direction to the visuals, everything is well thought out. The music was nice and fitted well with the rest of the game. The intestines were quite livery, but I’m guessing it’s the LD time constraints showing there :P –bobsleigh

Hot damn, that’s very cool! The sounds is cute, the art is good, and the whole idea behind it makes for a great educational game. –Ellian

Wow this game is really great and i enjoyed it a lot! The game feels very polished with the cute art style, sound effects and music complimenting each other really nicely. The game mechanics are pretty fun, I enjoyed the ‘flow’ mechanic and thought it was an interesting game element that sometimes worked against you and other times worked with you. The humor and dialogue was well done and a nice touch. I also thought the challenge progression was well done, as you get used to the mechanics and the map it would up to challenge. Really great job! –Colm Eccles

Results

The ratings were generally rather good. But especially the “Fun” category could have been better… we learned our lesson.

You might have heard of the Mastodon social network, it’s an open-source, decentralized, community-built alternative to Twitter. You have 500 characters per post, no ads, and many instances explicitly ban discrimination and harassment. Its mascot is a woolly, mammoth-like animal, and instead of tweets you write toots! We think that’s cute. And by now, the network consists of more than 1000 independent active instances with over 400,000 registered accounts!

In our experience, a hard cut works best for trying out new platforms like this. Some of us have made exceptionally good experiences with such a Mastodon-exclusive week. On the one hand, you will get to know Mastodon inside-out during this week, and on the other, it might convince your Twitter friends to come with you! Maybe some of them even already have Mastodon accounts? You can find them using the Mastodon Bridge.

Here’s how you can prepare (right now!)

1. Choose a Mastodon instance. Don’t worry, almost all of them are connected to each other, so you’ll be able to talk to all Mastodon users! But here are some recommendations:

   • octodon.social is a nice general-purpose instance with reasonable rules.
   • witches.town is a nice place for LGBT+ activists, feminists, anarchists and stuff as well as their sympathizers. Registration opens every day from 18:00 UTC to 19:00 UTC.
   • awoo.space was created to be a safe space with very strict rules and moderation. They work with a whitelist to control which instances they connect to.
   • chaos.social is an instance for and by people close to the Chaos Computer Club.
   • If you’re feeling courageous, you can also take a look at the complete list of instances. Read the respective “About this instance” pages until you find an instance you like!
2. Register an account there, and try out all the functions! Remember to add an avatar and a short bio to your profile. Here’s a good introductory article to get you started.
3. We recommend to make an announcement on Twitter before the week starts. Link to your new Mastodon account (and maybe this page?), and use the hashtag #woollyweek (note the double-L! ^_^). Pin that tweet, and change your username to “(see pinned tweet)” or something like that, so your followers can find out what’s going on.
4. Before Monday, 2017-04-24 at 0:00 UTC, say good-bye to your Twitter followers, log out of all your clients, and pledge not to log back in for a week.

Fun things to try in your first Mastodon week:

• Post an #introduction! Include many hashtags so people with similar interests can find you!
• Then, click on your own hashtags to find people with shared interests and follow them!
• Many of us enjoy having more than one account. For example, tenforward.social is a Star Trek-themed instance, suitable for roleplaying. oulipo.social is a lipogrammatic instance where you are not allowed to use the letter “e”. On dolphin.town, on the other hand, you’re only allowed to use the letter “e”.
• If you have any questions, you’re very welcome to contact @blinry or @TQ, who will be glad to help you with any problems you might encounter.

This is a list of Mastodon members who will participate in the #woollyweek. Want to join us? Ping @blinry to be added to the list! We’re looking forward to have you with us!

• @TQ (who wrote a number of articles about the possibilities and restrictions of Mastodon, and had the idea for this campaign)
• @rixx (who co-maintains chaos.social)
• @winniehell
• @NinahMarie
• @daniel_bohrer
• @necrosis
• @HashDot (who runs mastodon.hafen.io and would like to connect with other Mastodon admins)
• @maggo
• @milan
• @niklas
• @vanecx
• @viktorstrate
• @cdevroe
• @ax
• @td00
• @john
• @zuphzuph
• @ornithocoder
• @sarnthil
• @l3viathan (who was the first to do the Twitter-abstinence thing)
• @c0rdis (who runs mastodont.social)
• @Howl
• @MrGilbert
• @blinry (who set up this page)

Drawn when I migrated from Twitter to the open-source alternative Mastodon for a week. See this thread on why I did that:

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Was dich erwartet: Ein Gedankenexperiment. Wie menschliche Werte verlorengehen. Und: Eine neue Perspektive auf den momentanen politischen Aufruhr (Trump, Brexit, Terrorismus, und so weiter).

Montag

Am Montag bietet der Teufel dir Produktivität an. Er gibt dir eine magische To-Do-Liste: Sobald du dir etwas wünscht, erscheinen Aufgaben darauf, sofern diese überhaupt erfüllbar sind. Und sobald sie dort erscheinen – BÄM! – werden sie bereits erledigt sein. Du kannst nach wie vor das Gefühl der Errungenschaft und die Früchte des Erfolgs genießen, aber du hast nichts von dem Prozess. Sobald du dir beispielsweise wünscht, ein Buch zu schreiben, wird es bereits geschrieben sein. Sobald du dir ein schickes Abendessen wünscht, wirst du es gerade gegessen haben. Sobald du dir wünscht, mit einer Person, die du liebst, einen entspannten Tag zu verbringen, wird dieser Tag gerade geschehen sein. Er wird vorbei sein.

Ist dies der Himmel oder die Hölle? Gibt es irgendwelche Wünsche, für die eine solche To-Do-Liste hilfreich wäre? Wenn du denkst, dass dies ein schlechtes Angebot ist, was sagt das darüber aus, was du im Leben erreichen willst? Über den Antrieb, produktiv oder effizient zu sein?

Dienstag

Am Dienstag gibt dir der Teufel eine Möglichkeit, deine Beziehungen und deine Zusammenarbeit zu verbessern. Er wird – für immer – das Problem lösen, herauszufinden, welche Handels- und Vertragsbeziehungen in deinem privaten und deinem Arbeitsleben funktionieren werden. Du wirst sofort wissen, wer dich einstellen könnte, wie viel sie bezahlen würden, und was dort von dir erwartet wird. Genau so ist es in deinem Privatleben: Du wirst sofort wissen, wenn es ein gegenseitiges Verlangen gibt – danach, sich zu küssen, miteinander zu schlafen, auszugehen, oder sich über Literatur zu unterhalten. Der Teufel wird den Schmerz und die Verwirrung darüber entfernen, zu verhandeln, zu suchen, zu flirten, und so weiter. Aber er verlangt eine Sache: Deine Beziehungen mit diesen Menschen müssen auf das, was der Vertrag aussagt, beschränkt bleiben. Es wird kein offenes, gegenseitiges Entdecken geben, nur eine Abfolge von zuvor bekannten Tauschgeschäften.

Wie lange wäre ein solches Leben auszuhalten? Wie würde es sich anfühlen, auf der Erde zu leben, wenn alle Menschen das Angebot des Teufels annehmen würden? Hast du Freunde, die dieses Tauschgeschäft eingehen würden, und welche, die das nicht tun würden? Wo liegt der Unterschied?

Mittwoch

Am Mittwoch bietet der Teufel dir an, deine Wahrnehmung und deine Fähigkeit zur Schlussfolgerung zu verbessern. Wie Sherlock Holmes wirst du besser darin sein, Dinge zu bemerken: Die Zusammensetzung deiner Umwelt, Hinweise auf den emotionalen Zustand von anderen, die Wahrheit über deine politische und wirtschaftliche Situation, und so weiter. Der einzige Preis, den der Teufel einfordert, ist eine entsprechende Verringerung deiner Fähigkeit zur Wertschätzung. Du wirst mehr darüber wissen, was geschieht, aber weniger darüber, warum das für dich wichtig ist. Du wirst Schwierigkeiten darin haben, zu erkennen, warum du dich um Dinge scheren solltest. Was auch immer dir momentan wichtig ist – sei es wegen seiner Schönheit, seinem Nutzen oder seiner Passion – es wird dir weniger wert sein.

Würdest du das Angebot des Teufels annehmen? Welche Form der Wertschätzung würdest du am meisten vermissen? Wie würde sich dein Leben ändern? Stell dir vor, du müsstest wählen, nicht nur für dich selbst, sondern für die gesamte Menschheit: Würdest du dich entscheiden, alle scharfsinniger, aber weniger wertschätzend zu machen? Inwiefern wäre eine solche Gesellschaft anders? Ist Wahrnehmung ohne Wertschätzung überhaupt möglich?

Donnerstag

Am Donnerstag bietet der Teufel allumfassende Empathie und Einsicht an. Was auch immer du fühlst, Leute werden es sehen, und sie werden sofort alle wichtigen Details dessen, was dir passiert ist, verstehen, und sich um dich kümmern. Du wirst nicht mehr deine Geschichte erzählen müssen, um Sympathie und Verständnis zu bekommen, weil du sie sofort bekommen wirst. Diesmal ist der Preis, dass die Leute nur über deine Gefühle, deine Geschichte und deine Erfahrungen Bescheid wissen werden. Alles andere wird ihnen verborgen bleiben: Deine Pläne und Träume, womit du dich identifizierst, inwiefern du wachsen oder anders leben willst. Du wirst jedermanns Empathie haben, aber keine Zusammenarbeit, keine Mentorschaft, keine Gemeinsamkeit im Wachsen und Lernen.

Würdest du das Angebot annehmen? Falls ja, würden dir Leute auf lange Sicht mehr oder weniger geben? Welche Art des gemeinsamen Wachsens oder der Zusammenarbeit würdest du am meisten vermissen? Was tun Menschen wirklich füreinander?

Freitag

Am Freitag macht sich der Teufel daran, deinen Erfolg zu erhöhen. Er wird dich doppelt so erfolgreich darin machen, so zu leben, wie du willst. Wenn du Sport machen willst, wirst du das tun. Wenn du die Situation von unglücklicheren Leuten verbessern möchtest, wirst du darin doppelt so effektiv sein wie sonst. Wovon auch immer du träumst, oder was du dir in den Kopf setzt, es ist wahrscheinlicher, dass das umgesetzt wird. Allerdings muss ein Preis gezahlt werden. Für den Rest deines Lebens werden alle von deinem Erfolg wissen, aber niemand von deinen Motivationen. Deine Motive – alle Motive – müssen für immer geheim bleiben.

Was verlierst du bei diesem Tauschgeschäft? Warum ist es wichtig, die Motive der anderen zu verstehen? Was gewinnen wir bei diesem Prozess? Ist ein Leben weniger lebenswert, wenn niemand unsere wahren Motive kennt? Ist es wahrscheinlicher oder unwahrscheinlicher, dass wir die richtigen Dinge tun, wenn wir nicht über unsere wahren Motive reden dürfen?

In jeder der voranstehenden Geschichten hat der Teufel einen wichtigen Teil davon, wie Menschen mit ihren Werten interagieren, untergraben:

• Am Montag hat er durch das Anbieten der To-Do-Liste alle Werte auf logistische Ziele reduziert.
• Am Dienstag hat er Flirten und Entdeckung durch eine verbesserte Koordination ersetzt, und dadurch Zusammenarbeit als eine Aushandlung von Zielen umdefiniert, anstelle einer gegenseitigen Erkundung von Werten.
• Am Mittwoch hat er mit dem Angebot einer besseren Wahrnehmung unsere Fähigkeit dazu gestohlen, in unserer Umwelt Werte zu entdecken. Er hat uns überzeugt, dass nur Fakten real sind.
• Am Donnerstag hat er mit dem Angebot von Empathie und Verständnis unsere Kompetenz entfernt, einander zu beschützen, was auf dem Erkennen von Werten basiert.
• Am Freitag hat er uns durch das Verbot, Motive mitzuteilen, von gewissen sozialen Prozessen abgeschnitten: Von der Beratung über Werte, von der gemeinsamen Entdeckung von Werten. Es sind genau diese sozialen Prozesse, die unsere Entscheidungen bedeutungsvoll machen.

Diese Tauschgeschäfte sind nicht spekulativ. Sie sind keine Märchen.

Dies sind die Tauschgeschäfte, die unsere Gesellschaft gemacht hat. Sie sind tatsächlich passiert.

Menschen sind Kreaturen, die einander ständig fragen, was wichtig ist – bei einem Ehepartner, bei einem Wein, bei einer Programmiersprache.

Unsere Werte haben ein soziales Leben. Genauso wie wir auf die Gefühle anderer reagieren, arbeiten wir auch zusammen: Wir erkunden, erweitern und beschützen unsere Werte. Es gibt eine verborgene Struktur dahinter, wie wir das, was uns wichtig ist, weiterentwickeln, aktualisieren und verfolgen. Wir wachsen sozial über Werte zusammen, und wir arbeiten zusammen, um sie in Entscheidungen und in Projekten umzusetzen.

Politik

Leute fühlen sich so, als lebten sie in einer Gesellschaft, die ihre Werte nicht reflektiert. Auf der linken Seite beinhalten diese Werte Gerechtigkeit, Gleichheit und das Leben mit der Natur. Auf der rechten Seite beinhalten sie würdevolle Arbeit, stabile Familien und religiöse Gemeinschaft.

Wir haben eine einfache Erklärung, warum die Gesellschaft unsere Werte nicht respektiert: Die andere Seite gewinnt!

Aber vielleicht sind es nicht linke Werte oder rechte Werte, die gewinnen. Vielleicht sind es nicht liberale Werte oder muslimische Werte oder amerikanische Werte. Vielleicht ist das, was passiert, dass alle Werte verlieren.

Was, wenn das Sozialleben der Werte versagt? Was, wenn unsere Werte nicht dazu führen, dass wir zusammenwachsen, und sie nicht so ausgedrückt werden wie früher? Was könnten wir tun, um das zu reparieren?

A “Get Well Soon” card for Rohieb in the style of a fake O’Reilly book. It’s all a giant in-joke, I can’t even begin to explain.

Herzlichen Dank an rixx, Pecca und Wolfgang für’s Korrekturlesen! <3

Gefühle werden oft missverstanden. Sogar von Psychologen, Philosophen und Neurowissenschaftlern und sicherlich von Designern und Aktivisten.

Ich werde zunächst beschreiben, wie Gefühle in uns wirken. Daraus ergeben sich Definitionen von Integrität und Weisheit. Ich werde die Frage stellen, ob sich die Weisheit im Niedergang befindet, und Antworten finden, die mit Organisationen und Bürokratien zu tun haben. Und schließlich werde ich betrachten, wie man anderen im Blick auf ihre Gefühle und Werte helfen kann.

Wie Gefühle in uns wirken

Dies ist die Grundidee:

Jedes Gefühl ruft uns etwas in Erinnerung, das uns wichtig ist.

Zum Beispiel:

• Wut verrät uns, dass etwas, das uns wichtig ist, blockiert ist
• Angst, dass etwas, das uns wichtig ist, bedroht ist
• Scham, dass wir etwas, das uns wichtig ist, nicht gerecht geworden sind
• Verwirrung, dass uns die Vorstellung von etwas fehlt, das uns wichtig ist
• und so weiter

Wir lernen durch unsere Gefühle, was uns wichtig ist. Sie verraten uns unsere Werte.

Gefühle helfen uns außerdem, unseren Umgang mit unseren Werten zu überprüfen. Positive Gefühle erinnern uns daran, zu begrüßen oder wahrzunehmen, was uns wichtig ist. Negative Gefühle hingegen tun mehr: Ein negatives Gefühl signalisiert einen Konflikt zwischen unseren Werten, über den wir nachdenken sollten:

• Vielleicht haben wir nach Wert B gestrebt, dabei aber Wert A vergessen. Ich habe früher zum Beispiel versucht, effektiv zu sein, dabei aber vergessen, dass es mir auch wichtig war, freundlich zu sein. Das könnte zu Betretenheit führen.
• Oder wir vernachlässigen vielleicht Wert B, weil wir es für unmöglich halten, beide zu verfolgen. Ich könnte es zum Beispiel für unmöglich halten, gleichzeitig meinem Interesse nach kreativer Arbeit nachzugehen, während ich meine Familie finanziell unterstütze, aber beides ist mir wichtig. Das führt vielleicht zu Frustration oder Sehnsucht.

Es gibt viele weitere Arten von Konflikten. Zum Glück haben wir aber Gefühle, die uns mitteilen, dass wir uns mit diesen Konflikten auseinandersetzen müssen, anstatt sie einfach zu übergehen. Die Gefühle erinnern uns daran, uns selbst Fragen zu stellen wie:

• Kann ich freundlich und effektiv sein?
• Halte ich wirklich viel davon, effektiv zu sein, oder ist es vielleicht immer wichtiger für mich, freundlich zu sein?
• Ist es wirklich unmöglich, kreativer Arbeit nachzugehen und gleichzeitig meine Familie finanziell zu unterstützen?
• Was würde tatsächlich passieren, wenn ich aufhören würde, meine Familie finanziell zu unterstützen?

Oft wollen wir uns diese Art von Fragen nicht stellen. Aber die Gefühle kommen weiter in uns auf, bis wir es tun. Bis wir uns die Zeit nehmen, all diese Konflikte so gut es geht zu lösen, gibt es eine Diskrepanz zwischen dem, was wir leben, und dem, was uns wichtig ist. Diese Diskrepanz führt dazu, dass wir nicht stolz darauf sein können, wer wir sind. Um uns selbst und unsere Entscheidungen akzeptieren zu können, müssen wir uns mit den Konflikten auseinandersetzen.

Besitzt du Integrität?

Oft scheitern wir daran, die Botschaften unserer Gefühle zu empfangen. Dafür kann es drei Gründe geben:

• Verdrängung. Wenn eine Person sich ihrer Gefühle nicht bewusst ist oder es sich nicht erlaubt, sie zu spüren, werden die Gefühle verdrängt. Verdrängte Gefühle können völlig verschwinden. Man wird abgestumpft, depressiv oder ängstlich.
• Dampf ablassen. Andere Leute spüren ihre Gefühle, nehmen sie aber nicht ernst als Botschafter dessen, was wichtig ist. Die Gefühle kommen immer wieder zurück und die Person wird melodramatisch.
• Vermeidung. Eine dritte Gruppe schafft den ganzen Weg bis hin zur Erkenntnis, was ihnen wichtig ist, setzt sich aber nicht mit den aufgedeckten Konflikten auseinander und löst sie auch nicht. Diese Leute werden dauerhaft hilflos, konfliktbehaftet, verwirrt und realitätsfern sein.

Du kannst diese Probleme vermeiden, indem du die Situationen in deinem Leben ganz zu Ende fühlst, angefangen bei den Emotionen, und endend mit einer Vereinbarung von Werten:

Fühlen → Wertschätzen → Sich auseinandersetzen → Vereinbaren

Eine Person, die alle ihre Situationen zu Ende gefühlt hat, besitzt Integrität. Sie ist geerdet. Integrität bedeutet, dass sie weiß, was ihr wichtig ist, und dass sie sich mit allen Konflikten auseinandergesetzt hat.

Zu Integrität zu kommen ist am einfachsten, wenn sich deine Situation langsam ändert: Dann hast du viel Zeit, um deine Gefühle wahrzunehmen, um herauszufinden, was dir wichtig ist, und um dich mit möglichen Konflikten auseinanderzusetzen.

Und wie ist es mit Weisheit?

Je dynamischer dein Leben ist – je größer die Vielfalt an Leuten und herausfordernden Situationen ist, mit denen du jeden Tag umgehst – desto schneller musst du im zu Ende fühlen sein. Die wichtigste Fähigkeit für Führungspersonen ist es, schnell darin zu sein, Dinge zu Ende zu fühlen. Eine solche Person ist lebenserfahren oder weise.

Es ist leicht zu erkennen, ob eine Person weise ist: Sie spricht klar und deutlich über ihre Gefühle und Werte und darüber, wie sie sich in verschiedenen Situationen mit ihren Werten auseinandergesetzt und diese miteinander vereinbart hat.

Sie ist außerdem kreativ. Eine weise Person lenkt ihr Leben und ihre soziale Aktivität in ungewöhnliche, kreative Richtungen. Sie hat Werte, die nur durch die Auseinandersetzung mit Konflikten entdeckt werden können.

Hier ist ein Beispiel:

• Früher habe ich versucht, von Leuten gemocht zu werden. Aber irgendwann erkannte ich, dass dies mit meinem Wert, mich wohlzufühlen, im Konflikt stand. Ich merkte, dass ich angespannt und unecht war, um gemocht zu werden. Ich fühlte mich bestürzt und verlegen und das half mir, mich dafür zu entscheiden, nicht darauf aus zu sein, gemocht zu werden, sondern stattdessen zu versuchen, authentisch und mitfühlend zu sein.
• Später kam mein neuer Wert, authentisch und mitfühlend zu sein, in Konflikt damit, effektiv zu sein. Ich merkte, dass ich lieblos war, wenn ich Gruppen dazu drängte, effektiv zu sein. Mich frustriert und verwirrt zu fühlen, ermutigte mich dazu, das aufzulösen. Ich entwickelte eine neue Sicht auf Effektivität, die darauf abzielt, Kompetenz in mir und anderen zu fördern.

In beiden Fällen behob der Übergang von alten zu neuen Werten einen Denkfehler:

• Als ich es aufgab, gemocht zu werden, erweiterte sich meine Vorstellung von guten Beziehungen.
• Als ich es aufgab, effektiv zu sein, korrigierte ich ähnliche falsche Vorstellungen von guten Teams.

Ich konnte die alten Werte deshalb aufgeben, weil ich geklärt hatte, was sie wirklich für mich bedeuteten. Die Bedeutsamkeit der alten Werte ging völlig in dem neuen, umfassenderen Wert auf.

Diese mächtigen neuen Werte und Perspektiven resultieren aus negativen Gefühlen. Ohne unsere Gefühle würden wir auf primitiven Werten wie gemocht werden und effektiv sein hängenbleiben.

Ist Weisheit im Niedergang?

Ich glaube, dass all dies – Gefühle, Werte, deren Vereinbarung – Teil der menschlichen Natur ist, genau wie Sprache oder Gebärden. Aber viele von uns haben das aus dem Blick verloren. Wenn Gefühle natürlich sind, warum ist das Wesen von Gefühlen dann so undurchschaubar?

• Auf das Individuum bezogen, warum verwirren uns Gefühle und Werte?
• Auf die Gesellschaft bezogen, warum ist diese Verwirrung so verbreitet?

Wie Individuen sich verwirren lassen

Unsere Fähigkeit, Dinge zu Ende zu fühlen, ist Angriffen ausgesetzt. Zum Einen arbeiten verbreitete kulturelle Mythen daran, uns hinsichtlich der Funktionsweise von Gefühlen und Integrität zu verwirren. Und zum Anderen lassen falsche Annahmen unsere Werte unvereinbar erscheinen.

Kulturelle Mythen. Es gibt verbreitete kulturelle Missverständisse zum Thema Gefühle:

• Einer dieser Mythen ist die stoische Person – üblicherweise ein Mann – die irgendwie weiß, was ihr wichtig ist, und die ihre Werte vereinbart, ohne dabei jemals ihre Gefühle zu spüren. Der Mythos ist, dass sie einfach auf magische Art und Weise eine höchst effektive Person ist.

• Ein anderer Mythos ist die hysterische Person – üblicherweise eine Frau – deren Gefühle nichts darüber aussagen, was ihr wichtig ist. Der Mythos ist, dass sie einfach ihren Mann stehen, unnachgiebig bleiben oder Gleichmut entwickeln muss.

Die dominierenden Ansätze der klinischen Psychologie unterstützen und fördern diese Mythen: Die stoische Sichtweise wird von kognitiver Verhaltenstherapie und Lebensberatung unterstützt, während die hysterische Sichtweise von verschiedenen Karthasis-Therapien bzw. künstlerischen Therapien, von Achtsamkeitstraining, von manchen Formen der Familientherapie und von Co-Counseling gefördert wird.

Falsche Annahmen. Kulturelle Mythen unterbrechen den Prozess, zu fühlen oder zu erkennen, was wichtig ist. Unsere Kultur ist außerdem voller falscher Annahmen, die Werte unvereinbar erscheinen lassen. Annahmen wie:

• Wenn ich sage, was ich wirklich will, werde ich sozial ausgestoßen.
• Ich bin ein schlechtes Elternteil, wenn ich irgendetwas für mich selbst will.
• Es ist nicht möglich, als Künstler seinen Lebensunterhalt zu verdienen.
• Solange ich ehrlich bin, muss ich nicht freundlich sein.
• Ich kann nicht verführerisch sein, ohne manipulativ oder übergriffig zu werden.

Wenn du einer solchen falschen Annahme unterliegst, ist es dir nicht möglich, dich mit einem Wertkonflikt auseinanderzusetzen und ihn aufzulösen. Die falsche Annahme sagt dir, dass eine Auflösung unmöglich ist. Welches Gefühl auch immer den Prozess ausgelöst hat (zum Beispiel Scham darüber, nicht freundlich zu sein, Aufregung darüber, verführerisch zu sein, oder ein Verlangen nach kreativem Ausdruck), es verwandelt sich in Verzweiflung, bevor du die Chance hast, dich mit dem Konflikt auseinanderzusetzen.

Wenn du die falsche Annahme findest und sie hinterfragst, kannst du den Konflikt auflösen.

Warum die Gesellschaft auf Verwirrung ausgelegt ist

Wenn also diese kulturellen Mythen und falschen Annahmen auf individueller Ebene so schlecht für uns sind, warum sind sie so verbreitet? Hier ist meine Vermutung: Sie haben Menschen berechenbarer gemacht und sie in bessere Rädchen im sozialen Getriebe verwandelt.

Im Laufe der letzten 300 Jahre sind Organisationen, Bürokratien und Institutionen immer komplexer geworden. Um stabil zu bleiben, brauchten sie vorhersagbare Entscheidungen der Menschen in ihnen.

Eine Person ist einfacher zu kontrollieren, wenn sie nicht gut im zu Ende fühlen ist und wenn sie glaubt, dass ihre Werte unvereinbar sind. Sie wird ein besserer Konsument und (zumindest in einer Bürokratie) ein besserer Produzent.

Die erfolgreichsten Subkulturen wären also diejenigen mit kulturellen Mythen und falschen Annahmen. Und wenn Leute darauf getrimmt werden, effektiv zu sein, werden diese kulturellen Mythen und falschen Annahmen verstärkt.

Das würde ein Muster erzeugen, das wir heutzutage sehen: Je erfolgreicher eine Gruppe ist, desto verwirrter ist sie im Blick auf Gefühle und Weisheit.

Anderen helfen

Erwarte fürs erste also, von Leuten umgeben zu sein, die schlecht im zu Ende fühlen sind, die nicht lebenserfahren oder weise sind, und die tief in kulturellen Mythen und falschen Annahmen verstrickt sind. Das wird so bleiben, bis Organisationen und Institutionen anders funktionieren.

Aber du kannst den Menschen, die dir nahe stehen, helfen:

• Wenn sie Probleme damit haben, ihre Gefühle wahrzunehmen, setz dich zu ihnen. Bitte sie, in sich hineinzufühlen, ihre Gefühle auszudrücken, und behandle diese als wertvoll.
• Wenn jemand Gefühle ausdrückt, frage, worum es dabei geht. Finde heraus, was der Person wichtig ist. Lass sie wissen, dass du dies ernst nimmst. Du möchtest ihr dabei helfen, zu erkennen, was ihr wichtig ist.
• Wenn sie denken, dass ihre Werte nicht vereinbar sind, versuche, sie nach ihren im Konflikt stehenden Werten zu fragen. Zeig ihnen, wie diese vereinbart werden könnten. Zeig dich zuversichtlich, dass ihre Gefühle zu Weisheit führen werden.

Viel Glück.

Gibt es eine Person, von deren Gefühlen und Werten du gern mehr hören würdest? Schick ihr diesen Text!

Variant with “Wikimedia”:

Full, centered version on transparent background:

Square version on white background, use when the full version would leave too much whitespace in a square:

Sticker version with hairline for the cut:

Variant without “Wikimedia”:

Full, centered version on transparent background:

Square version on white background, use when the full version would leave too much whitespace in a square:

Sticker version with hairline for the cut:

Background

You can find the evolution of this logo in the replies to this tweet:

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This was in parts inspired by Gravity’s marvellous womb scene.

A logo for media.ccc.de, the video/audio archive of the Chaos Computer Club and for the CCC Video Operation Center (C3VOC).

It depicts a lucky cat, which has been the mascot of the C3VOC for quite a while: They place lucky cats in the scenes to be recorded for testing pur(r)poses, to make sure the video stream did not accidentally freeze.

The visual style is inspired by GitHub’s Octocat mark, and the name Voctocat is a word play on that and on the abbreviation “VOC”. Thanks to Pecca for suggesting a tail shape! :)

Here’s an optimized version, suitable for immediate reuse and repursposing:

If you’re interested in the logo’s development process, you can find some relevant information in the replies to this tweet:

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Maybe you've seen an image of the Mandelbrot Set before. It's trippy, it's wonderous, it's beautiful. Here it is, have a look:

Click to zoom.

The Mandelbrot Set is a so-called fractal, which means it's self-similar. Zooming in, you can always find smaller copies of itself. Maybe you encountered some yourself when exploring the above image?

But what does this image mean? How is it constructed? It all begins with a sleeping bunny.

Part 1: What is the Mandelbrot Set?

The Mandelbrot Set is the result of repeated application of a very simple rule.

Drag the flag around. No surprises here.

Pull the slider to Step 1, then drag the flag around.

Pull the slider to Step 1.5, then drag the flag around.

And after that, the bunny just repeats these two movements: A hop, a walk, another hop, another walk. Let's look at how this looks for up to Step 4:

And NOW it gets exciting! What if we let our bunny do many, many, steps? Like, 100 of them? Look:

Pull the slider to Step 100, then drag the flag around.
Can you find another spiral? A star? A triangle?

Drag the flag around to scribble.

Why, helllll~o! You drew yourself a teeny tiny Mandelbrot set!

Let's add more color. So far, we only used white (for when the bunny escapes) and black (for when it doesn't). In the next demo, let's count how many steps it took the bunny to escape from the circle. If it took one step, we color the flag's position red. If it took two, we color it orange, and so on. You can see the colors we use below the step slider.

Drag the flag around to scribble.

And that's really all there is to it! Repeated application of a very simple rule, leading to incredibly complex detail.

Here's the last demo for now, which does all the drawing for you, and where you can zoom in. This one has a lot to explore.

Some things you can try:

• What happens to the path at the centers of the outer "bulbs"?
• Can you find out which period numbers are connected to each bulb? Do you see a relation to the "antennas" extending outward from that bulb?
• Zoom in on one of the bulbs. What happens to the path at the centers of its sub-bulbs?
• What is the period of the bulbs going "outward"? What happens if you follow a number of them?

Click to zoom. Middle-click to zoom out.

Planned content

More fractals, for example:

The Tricorn: b_i+1 = (b_i^*)²+f

The Burning Ship: b_i+1 = (|Re(b_i)| + |Im(b_i)|)²+f

What happens for other exponents than 2?

The Multibrot: b_i+1 = b_i⁶+f

And what the hell are Julia Sets? Follow me on Twitter to get updated when the full thing comes out: @blinry

Thanks for reading!

Note that this template uses the Arial font, to be instantly usable as widely as possible. Personally, I use TeX Gyre Heros, a Helvetica clone.

The gray bar on the back side is for your signature. Let me know if you have any other suggestions!

Just dabbling around a bit with Krita…

Here’s an example tweet:

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This is my first attempt to draw an analogue comic since a long time. The text is based on a tweet by Bill Sempf, and published here with his permission. For non-software people: QA means quality assurance.

The tweet sparked many more ideas on what the engineer could order, you can find an overview on Bill’s homepage.

For five years, the Congress Centrum in Hamburg, Germany has been the venue for the annual Chaos Communication Congress, a four-day conference for hackers, artists, and open-minded folk. The building was opened in 1973, and while it is a little antiquated by now, its charm was loved by many. In 2017, the building will be closed for renovation for a few years, the older parts as well as the depicted front entrance will be removed. This image is dedicated to the old CCH, to say thanks for everything and goodbye!

To the left is one of the CCC’s logos, the rocket Fairy Dust.

Like everything on this site, the image is released under a Creative Commons license. Here’s a “high-res” version (23800x11200 pixels, 200 dpi at 3 meters width), in case you want to print a poster of it or something.

Poster

For the 34th Chaos Communication Congress, I made an extended poster version in the “long DIN” format (aspect ratio 1:2.82):

There’s also a high-res version (23800x8409 pixels, 200 dpi at 3 meters width), the PDF I used for printing (which already includes 1 mm bleed on all sides, for a total size of 842 x 299 mm), and the Aseprite source file. I printed 2500 of these and brought them to the first C3 in Leipzig. :)

Wallpapers

Here’s a landscape 16:9 version (3840x2160), for use as a desktop wallpaper:

And here are three different portrait 16:9 versions (1080x1920), for use as smartphone wallpapers:

This time, we created a puzzle game about placing furniture in rooms. One beta tester described it as “Sokoban meets IKEA”! Many reviewers told us the puzzles are rather hard, and it seems consistently to take about an hour to complete. We invite you to give it a go! :)

Again, we used the LÖVE engine. You can download the game from the Ludum Dare website!

Development

Working remotely was challenging for the team – we talked via Skype a lot, but struggled to sync our sleeping cycles because of the different time zones. Even though, we had a lot of fun!

Recordings

rnlf recorded a nice playthrough. He got stuck on one of the more tricky levels, but told us he came back to it later and completed the game. :)

Comments

Wow, I löved everything about this game. I like (and make) optimization puzzles in general, but this one I liked a lot. Finally beat it after about an hour. The puzzles were challenging but not frustrating, and it was very satisfying every time I solved a level. –BoltKey

Arrrrrgh! Who the hell puts four book shelves and a Queen Size Bed in a single room with windows all around?! –Moritz

Results

This game definitely got the best ratings of every Ludum Dare game I’ve done so far. We’re especially proud of the “Fun” rating, where we reached the 8th place!

We used the (awesome) 2D game engine LÖVE, which uses the Lua programming language. You can download the game from the Ludum Dare website!

Development

Fun fact: When we were implementing the sailing mechanics, we put hours into reading Wikipedia and other articles, because we were puzzled: Which forces led the boat to turn when you put the sail in the wind in a certain way? Then, we realized that boats have a rudder…

Recording

Alice kindly recorded a fun playthrough:

Comments

Wow! What a stellar entry! The sailing mechanics are interesting and very well made - I had so much fun navigating, and was constantly playing with how I tacked into the wind. Wonderful! –johnbjuice

This was a lot of fun to play! :) I like how you explained just enough about the mechanics for players to figure out the rest themselves. Getting the hang of how the sailing works just by experimenting a bit was really satisfying! –Waterman7

Results

Ludum Dare 36 was special because it was community-organized (instead of Mike doing all the work), and there were no ratings. This led to very constructive and in-depth feedback, which I liked!

The motivation for this overview is that I’m starting a second season!

The story also inspired a piece of fan art by @lichtfeind:

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Viens du trei four cúig.
Un dva tre vier pet seis hét.
Üks tnejn τρεις dört pięć.

I didn’t manage to get in Luxembourgish, but they also use French and German. Finnish has no one-syllable numbers :-D, but they also use Swedish.

Here is the breakdown:

1 – viens (Latvian)
2 – du (Lithuanian)
3 – trei (Romanian)
4 – four (English)
5 – cúig (Irish)

1 – un (French)
2 – dva (Czech/Slovak)
3 – tre (Italian/Danish/Swedish/Norwegian)
4 – vier (German/Dutch)
5 – pet (Bulgarian/Croatian/Slovenian)
6 – seis (Portuguese/Spanish)
7 – hét (Hungarian)

1 – üks (Estonian)
2 – tnejn (Maltese)
3 – τρεις (Greek)
4 – dört (Turkish)
5 – pięć (Polish)

If you want to try for yourself, there’s this handy list.

This contest’s theme was “Shapeshift”. You’re a Floor Lamp Now is a strategic skill game with surprising mechanics. You can play it on the Ludum Dare website.

Development

I wanted to do a web-based game, so I chose the JavaScript game engine CreateJS. It worked quite well, and I certainly learned a lot!

I had a lot of fun recording sounds for this game – everything you hear was created by recording sounds in the apartment, or by making funny noises with my mouth.

Comments

I’m happy with my first day as a floor lamp. It’s good to be of service to mousekind. – Hectigo

One of the most memorable and unique games I’ve seen in Compo so far, good job overall. Hilarious concept with great theme interpretation. Graphics are eye-candy, audio is simple but funny and fits the game well and the mood is just awesome. I enjoyed it a lot and appreciated the amount of polish you put in it. – Pietro Ferrantelli

Results

Reviewers praised the game as very original, and many enjoyed the sound effects ;) I was really proud of the “Humor” rating!

• almightree
  • What is it?
    • A Javascript plugin for jQuery >= 1.8.0
    • It makes large nested lists (like this one) easier to navigate
      • Yep, it powers this page!
    • Free Software (GPLv2+)
      • You can find the source code on GitHub
  • Features
    • Folding/Unfolding
      • Click on a node to fold or unfold it, if it has children
      • By default, only the first two layers are visible, the rest is folded
    • Real-time search
      • Type in the search bar at the top to filter the tree
      • The search term and the URL’s hash are kept in sync. Observe: #features
        • Consequence: A sane URL will bring up relevant material for a long time
          • Even when new content is added or the structure changes
      • Search is always case-insensitive
      • Special characters
        • /: separates terms, which are searched for one after the other
          • For example, if you want all occurences of “node” in this “Features” section, use #features/node
        • -: any non-alphanumeric stuff
          • This is for nice URLs, like #special-characters or #setup/step-1
      • Also supports regular expressions!
        • For example, you can search for crossword patterns: #c…s…d
        • Or, words with at least 12 characters? #[a-z]{12,}
    • Intelligent choice of the headline
      • The lowest node with more than one visible child will be displayed as the headline
      • It’s parents will be displayed as a breadcrumb navigation (example)
    • Zooming
      • Click the bullet point in front of a node to search for it’s content
        • In most cases, that means “focusing” on its content (a feature called “hoisting” in many outliners)
    • Undo/Redo
      • Searches performed by clicking (zooms, crumb navigation) are undoable by clicking your brower’s “back” button
  • Setup
    • Complete minimal example
      • Source code
      • Result
      • Alternatively, follow the step-by-step instructions below
    • Step 1: Take a nested HTML list, and tag it with a unique id, for example #almightree
      • Of course, you can (and should ;-) generate the lists using Markdown
    • Step 2: Download almightree and extract it somewhere
    • Step 3: Insert the following lines into your HTML:
      • <script src="https://ajax.googleapis.com/ajax/libs/jquery/2.1.4/jquery.min.js"></script>
        • … if you haven’t included jQuery already
      • <script src="path/to/jquery.almightree.js"></script>
        • … to include the almightree plugin
      • <script>$(function(){ $("#almightree").almightree({search: "#almightree-search"}); });</script>
        • … to activate the plugin on the <ul> with the id #almightree
        • The search option makes the <input> with the specified id interactive
      • <link rel="stylesheet" href="path/to/almightree.css">
        • This is a default set of style rules
        • If you want to make changes, do it in an additional CSS file to keep the default CSS upgradable
    • Step 4: Report bugs and make feature requests! <3
  • History
    • Inspired by https://workflowy.com/
    • Coded in 2012 to power an old version of my homepage
    • Minor rewrite in 2015
    • Properly published in 2016 :)

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These are the themes from “Path of The Wind” (from My Neighbor Totoro), the Sax Guy loop, and the Star Trek: The Next Generation intro.

Andy kindly allowed me to display the Toki Pona version side-by-side to the English original. For convenience, I also included a Toki Pona-only version below.